blueberry garlic harvest color

Color Inspiration Thursday {15}

As summer drags to its end, harvest time picks up speed. We’ve been picking veggies galore from our garden over the past weeks, and preserving as much and as fast as we can. Our garlic and blueberries have done especially well this year, and are slowly filling our pantry and freezer. We’ve made a batch of salsa from garden tomatoes, peppers, onions, garlic, and cilantro, and I’m hoping to make pickles soon since our pickling cucumbers are multiplying quickly. Green beans and kale have been (or will be soon, in the case of kale) blanched and frozen, and we’ve eaten garden broccoli a few times already. I love this time of year.

This week your color inspiration comes from some of my garden harvest photos made into color palettes with Play Crafts’ Palette Builder 2.1. May you be inspired to quilt, create, and grow healthy goodness in your own backyards!blueberries color palette

 Corresponding Kona cottons from left to right:
Ash, Steel, Baby Blue, Dresden Blue, Regal, Regatta

I love this palette, but I’m already a huge fan of blue. The grays paired with the range of beautiful blues makes this a palette that is sure to be seen in a project of mine someday in the future.

 

garlic color palette

  Corresponding Kona cottons from left to right:
Mushroom, Steel, Black, Charcoal, Shadow, Slate

 

garlic color palette

  Corresponding Kona cottons from left to right:
Black, Evergreen, Ash, Silver, Ivy, Mushroom

 

garlic and blueberries harvest color palette

 Corresponding Kona cottons from left to right:
Parchment, Mocha, Espresso, Coal, Stone, Taupe

Earthy palettes galore today. Kona earthy neutrals have really been prominent in my garden photos, and I love it! I’m all about a bright rainbow quilt any day, but there is something sophisticated and soothing about an earth-tone quilt with just a tad of natural color.

Have you made an earth-toned quilt? Do they make you as happy as brightly colored quilts?

buoy foundation paper piecing patterns

Work in Progress: Buoys

On the coast of Maine, lobster buoys freckle the harbors and are often seen hanging on the sides of buildings, sheds, boat houses, and even near mailboxes further inland. Many of my patterns are inspired by the Maine coast, and my latest works in progress are certainly not exceptions.  I’ve finally completed and posted all three of my buoy foundation paper piecing patterns in my Craftsy store.

buoys on a building maine coast buoys on a building maine coastLobster buoys come in all shapes and sizes, and definitely many different colors. I tried to create patterns for at least the three most commonly seen shapes, and I am happy with how they turned out.

IMG_4886The patterns are super simple and extremely versatile. While testing these patterns, I accidentally sewed the 4″x8″ of the middle buoy, instead of the intended 5″x10″ version. I’m not quite sure what I will do with the little buoy yet, but the larger ones will be made into a pillow once I make a 5″x10″ of that pesky middle one.

I love the detail and precision of foundation paper piecing. There’s something about the exactness of seams and the ability to create anything with fabric that makes me happy.

Buoy 1 foundation paper piecing pattern detail.
Buoy 1 foundation paper piecing pattern detail.

lobster buoy foundation paper piecing patternSince I still need to remake a larger version of the Buoy 2 pattern and stitch these all together, I’m linking up with Freshly Pieced’s Work in Progress Wednesday. Stay tuned to see the completed pillow, and stop by my shop if you have an inkling of making some nautical lobster buoy creations!

WIP Wednesday

2014-07-15 07.46.25-1

Who Are You Calling “Fussy”?!

Sometimes there’s a saying that is so commonly used that you don’t even think twice about it. Last month, while on vacation with my family, my brother Steven commented on how cool my specifically planned cutting looked in my English paper piecing project. I told him how in the quilting world it’s called “fussy cutting”, and how much fun I was having with this, my first foray into it. He looked at me with an almost offended air, repeating with disdain, “fussy cutting”?!

english paper piecing at the ocean
Fussy cutting in practice for my Lucy Boston Patchwork of the Crosses center.

Steven is an artist who lives in San Francisco among many other artists of various trades. Perhaps this is why he was so taken aback by the terminology paired with quilters’ practice of selectively cutting a fabric based upon a particular element or design. He reasoned, “You wouldn’t call Michelangelo a “fussy” painter. You might call him meticulous, or careful, but never fussy.”  He has a point.

Dictionary.com offers this definition for the word fussy:

fussy

[fuhs-ee]

adjective, fussier, fussiest.

1. excessively busy with trifles; anxious or particular about petty details.
2. hard to satisfy or please:
a fussy eater.
3. (of clothes, decoration, etc.) elaborately made, trimmed, or decorated:
All the bric-a-brac gave the room a fussy, cluttered look.
4. full of details, especially in excess:
His writing is so fussy I lose the thread of the story.”

It’s true; the definition of the word fussy holds a decidedly negative air. “Petty details”?  “…a fussy, cluttered look.” Losing the thread of the story because of the fussy writing. None of these definitions or examples are very flattering. Personally, I think that fussy cutting in quilting is a skill and style that deserves a more complimentary, positive name. Then again, it’s just a word, right?
Choosing a design to selectively cut. From @nightquilter on Instagram
Choosing a design to selectively cut. From @nightquilter on Instagram

This conversation got me thinking: who coined the term “fussy cutting” and when did it start getting popular? I wonder if it was a saying created by the quilters, or by those seeing the completed work. A bit of googling uncovered the fact that the first evidence of selectively cutting motifs from fabric was the development of Broderie Perse in England in the 1700’s (from answers.com, so take it for what it is). The article goes on to explain that “…this technique was used by women of wealth, who had the leisure time to devote to this style of applique. Their goal was to make a “best” quilt that would be shown off to friends or used on special occasions.” In other words, it was women of wealth who could afford the time and fabric to select only very specific features to make a “best” quilt, leaving the fussy cut refuse to waste or other small, non-functional projects. Was the term “fussing cutting” created by those of lesser social status out of semi-contempt of those who could afford such fabric waste and leisure?

In searching more, in an interview with Eleanor Burns conducted in 1999, she casually mentions that she and her sister may have coined the term “fussy cutting”. Here’s an excerpt of the interview:

Brenda Horton (BH): Now you called your sister the fussy one but you “fussy cut” sometimes on your patterns, is that where you got the term?

Eleanor Burns (EB): Yes, she told me “fussy cut.” What’s really interesting, we may have coined the word “fussy-cut” but now it’s a standard in the industry. And that’s really fun to see something you started as just common terminology.

MF: Explain to us what “fussy-cut” is.

EB: Fussy-cut means you would have a large floral design with a lot of flowers. You might just specially cut out one flower and use that one flower repeat throughout your quilt, so it’s just specially cut out of the fabric to use in a certain piece. It puts together a really pretty design– fussy.

It doesn’t sound very disparaging, although between sisters, perhaps there is a bit of a teasing tone? What do you think?

Assiduous cutting with Amy Butler's Lark fabric.
Assiduous cutting with Amy Butler’s Lark fabric.

For me, I can no longer say “fussy cutting” without thinking of my conversation with my brother. Here’s my IG post from the night of the conversation:

fussing cutting IG postI wrote: Testing out my fussy cutting choices for my next #patchworkofthecrosses. Talking with my artist brother, we decided that “fussy cutting” is quite pejorative. So now, it will be punctilious, meticulous, assiduous, deliberate… but never “fussy”. Who’s with me!? #assiduouscutting not #fussycutting :) Thanks, @vanfremdling and thanks to@goinghometoroost and @amybutlerdesign for the fantastic fabric for my @kickassiduouscutting !! #epp

I’m sure that “fussy cutting” will still be part of my quilting lingo, since when in Rome! However, I will also be using “assiduous cutting”, “meticulous cutting”, and “punctilious cutting” interchangeably. Personally, I lean toward “assiduous cutting” since then I can say I’m doing some “kick-ass-iduous cutting” tonight!

What do you think? Do you think “fussy cutting” has a derogatory inclination? If you are a quilt historian and have any more information regarding the origination of the term “fussy cutting”, I’d love to know!

Until then, have fun with your punctilious, meticulous, assiduous, deliberate, and okay… sometimes fussy… cutting. I know I will!

 

owls head lighthouse light

Color Inspiration Thursday {14}

Color is everywhere. Sometimes, the coordination of complementary colors is what attracts your interest; sometimes the play of very different or unexpected colors stands out; and sometimes the complete saturation of one color is striking enough to draw your eye. This week’s color inspiration palettes come from color-rich scenes from a fairly common structure: a lighthouse. As always, my photographs are created into palettes using Play Crafts’ Palette Builder 2.1.

red brick lighthouse stairs color palette

Corresponding Kona cottons from left to right:
Pewter, Earth, Cocoa, Poppy, Sienna, Taupe

Last weekend, my family and I took a lovely day trip to Owls Head, Maine, and began our day with a visit to the Owls Head Lighthouse. When entering the lighthouse, the red stairs circling up the red brick interior struck me as very beautiful. Having my camera ever at the ready, I took a few photos, carefully keeping the sunspots out of the frame. Subtle, earthy reds.

owls head lighthouse light color palette

Corresponding Kona cottons from left to right:
Delft, Ash, Everglade, Dresden Blue, Black, Chestnut

Once at the top, I was greeted with another beautiful sight. The bright blue sky and blue ocean, reflected through and by the lighthouse light made a peacefully blue-heavy scene. Ideally I would have loved to wait until some tall, gorgeous sailing ship was in the background, but there’s only so much one can do when two little kids are waiting. Beautiful lighthouse blues.

Do you prefer palettes created primarily from a single color, or those featuring multiple colors?

Search facebook, instagram & twitter for #quiltspiration365 for a quilting inspiration for every day of the year (more on this soon!)

pairing wine and fabric low volumes and whites

A Perfect Pair: Wine and Fabric {Blanc & Low Volume}

Last month I had a revelation during some early evening vacation hand-stitching: wine and fabric go splendidly together. My first serendipitous pairing of wine and fabric has resulted in a habit of maybe choosing wine based upon its fabric-pair-ability, and in seeing various types of wine and fabric mates all over the place.

While my first wine and fabric duo were quite specific, pairing the specific wine with a single fabric line, this match is a bit more general: Sauvignon Blanc pairs wonderfully with low volume & mostly-white fabrics. This is good news for all of us! The next time you’re working on a project involving low volume prints, you know a Sauvignon Blanc will be just the varietal for you (especially on these hot summer nights)!pairing wine and fabric low volumes

Bonterra has been producing wine from 100% organic grapes since 1993, and they passionately believe that organic grapes make better wine. Since I already opt for as much organic food as I can, and after trying their Sauvignon Blanc, I can’t disagree.

bonterra sauvignon blancWhat is wine? Some might say it’s a fine beverage meant for a glass. We won’t argue with that. But we at Bonterra believe that a wine should also be a perfect expression of the grape from which it’s made and the land on which those grapes are grown. (from Bonterra’s website)

Yes! I would add that wine should also be paired with a fabric that is a perfect expression of the varietal or flavor. I have decided to step up to that task. I grabbed a stack of some of my favorite low volume, mostly white fabrics, and a bottle of Bonterra Sauvignon Blanc and headed to Crescent Beach in Owls Head, Maine for a photo shoot. Crescent Beach has gorgeous fine white sand that sparkles in the sunlight, a rarity in Maine where rocky coasts are the norm. The stones that meet high tide are smooth, round, and often white, so I knew this was the perfect location for the blanc-low volume shoot.

wine and fabric pairing sauvignon blanc and low volumes

wine and fabric pairing sauvignon blanc and low volumes

wine and fabric pairing sauvignon blanc and low volumes

The perfect pair:

Fabric
Any low volume or primarily white fabrics.
My stash grab includes:

      Collection/Designer/Manufacturer

  • Botanics/Carolyn Friedlander/Robert Kaufman Fabrics
  • Some unknown sketchy cloud print
  • April in Paris-French Themed, Script Noir//Timeless Treasures
  • Koyoto Garden/Lori Mason/Andover Fabrics
  • Comma/Zen Chic/Moda Fabrics
  • Sylvia/Lotta Jansdotter/Winham Fabrics
  • Eclectic Elements/Jim Holtz/Coats

Wine
Varietal: Sauvignon Blanc
Producer: Bonterra
Vintage: 2013

Description of wine from the label: Intense aromas of grapefruit, citrus, kiwi and fresh cut grass greet the nose. As you drink, the crisp acidity gives the wine a fresh vibrant feel with flavors of grapefruit, lime zest and grass that closes with favors of melon and a nice tart finish.

A perfect pair, indeed.

 

 

dale chihuly glass art

Color Inspiration Thursday {13}

Sometimes you see a burst of color so amazing, you just can’t let it go. That happened to me yesterday, when my cousin Kayley posted these amazing photos of glass sculptures created by Dale Chihuly, seen at Chihuly Garden and Glass in Seattle, Washington. Kayley is visiting our aunt in Seattle, and her photos are just amazing! They are taken with her camera phone, but the back-lit glass sculptures look so vibrant that I feel like I could reach out and touch them. Most of the photos are detail shots taken of a suspended 1,400-piece, 100-foot-long sculpture.

Part of Dale Chihuly's suspended 1,400-piece, 100-foot-long sculpture in the Chihuly Garden and Glass in Seattle, Washington.
Part of Dale Chihuly’s suspended 1,400-piece, 100-foot-long sculpture in the Chihuly Garden and Glass in Seattle, Washington.

I think you will agree that these photos just begged to be turned into quilt-inspiration color palettes!

These beautiful palettes are created with Play Crafts’ Palette Builder 2.1 and photographs taken by my talented cousin Kayley Gallagher.

rainbow blown glass palette

   Corresponding Kona cottons from left to right:
Tangerine, Lipstick, Ocean, Royal, Cedar, Citrus

I absolutely love this color palette! Consisting almost entirely of primary colors, it is bright and cheerful. I think it would make a great kids’ quilt.

glass art color paletteCorresponding Kona cottons from left to right:
Mahogany, Poppy, Lipstick, Plum, Surf, Hibiscus

This palette makes me think of the purple hat ladies. Purple hat ladies make me think of fun-loving, bold and beautiful women who do what they want without concerning themselves with what others may think.  Can you tell that I hope to join their ranks someday? What fun! Passionate reds and purples, with a bit of rich mahogany make this another vibrant palette.

Neutrals color palette

Corresponding Kona cottons from left to right:
Black, Sable, Cappuccino, Shadow, Parsley, Honey

This palette isn’t colorful, but sometimes we need to focus on neutrals. This earthy palette has a good balance of neutrals and achromatic colors and would make a lovely subtle quilt or foundation for a quilt with a splash of additional color (maybe a bright Leprechaun green to pull from that subtle kona Parsley?) Plus, what an amazing glass squid sculpture!

rainbow color palette glass art

Corresponding Kona cottons from left to right:
Slate, Lime, Wheat, Lipstick, Rose, Corn Yellow

I’ll leave you with one more rainbow color palette to cap off this week. This photo features all the colors of the rainbow, which is well represented in the resulting palette. I don’t know about you, but I’m on a definite rainbow gradient quilting kick lately. You can’t go wrong with rainbow!

Special thanks to Kayley this week for letting me use her photographs to help inspire more colorful creative works of art. Enjoy!

tiger lily orange color palette

Color Inspiration Thursday {12}

One of my favorite parts about traveling is the variety of new sights that you get to see. I like to look at things from an up-close-and-personal perspective, especially when it comes to nature. With my background in environmental science and ecology, I like to think that I see differences and similarities in landscape and vegetation that a normal passerby may not notice. Nature is endlessly beautiful, and when seen from an intimate distance, that beauty is intensified greatly. Here are some bits of beauty as seen in my travels over the past week.

These color palettes are created using Play Crafts’ Palette Builder 2.1 and my photographs.

lake erie stone color palette

 Corresponding Kona cottons from left to right:
Charcoal, Coal, Pewter, Black, Stone, Taupe

The beach on Lake Erie is a nice balance of fine sand and smooth rocks of varying sizes. I’ve become accustomed to the rocky Maine coast, and the beaches here in Ohio are a gentle respite from those footwear-requiring, albeit beautiful, beaches. Varied rock types, including many conglomerates and fossils can be found along the beaches, which add to the aesthetic.

green color palette

 Corresponding Kona cottons from left to right:
Palm, Laurel, Black, Chocolate, Shale, Coal

These green buds were too awesome to pass by. It’s another earthy, dark palette, but the balance of green and shady grey-blues with the dark black/brown are a beautiful embodiment of green goodness.

buttonbush color palette

 Corresponding Kona cottons from left to right:
Evergreen, Fog, Shale, Palm, Ivy, Parsley

Buttonbush is a wetland shrub typically found in standing water. When I was a wetland scientist doing delineations, we LOVED finding buttonbush since it is an obligatory wetland plant and therefore a clear indicator of the wetland area, not to mention its gorgeous and whimsical flower. This palette is included more for the novelty of the plant than the colors, but it’s another lighter variation on the green and blue nature palette.

tiger lily palette red and orange

 Corresponding Kona cottons from left to right:
Spice, Gold, Amber, Garnet, Rich Red, Peridot

I wouldn’t leave you without at least one big burst of color! This tiger lily from my mom’s garden just burns with vibrancy!  While tiger lilies bloom in the height of summer, I can’t help but feel a bit of autumn in this palette. I’m a summer lover, though, so I am NOT hurrying autumn along by any stretch. I just need to make that clear. I’ll take summer for as long as I can have it!

Enjoy! I’d love to see what you create with these palettes.

 

 

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