Flashback Friday: My First Quilt

My friend Jenn at A Quarter Inch from the Edge recently began a Throwback Thursday link-up where she encourages quilt-bloggers to share oldies but goodies–quilts from before their blogging days. Since I usually post my Color Inspiration posts on Thursdays, I have yet to participate. Plus, I think I only made two quilts, one wall hanging, and one table runner before beginning to blog, so you haven’t missed all that much! Since I’ve been sick (unfortunately Lyme tests came back positive, so I’m now on antibiotic treatment for that, hoping that my joint swelling and pain and extreme energy-level fluctuations will taper off and that we caught it early enough to avoid any long term Lyme crazies), I’ve been laying low without much sewing or inspiration to share. Since I missed Thursday anyway, I figure today is as good a day as any to dig through my photo archives for some pictures of the first quilt I ever made: my Rainy Days Picnic Quilt.

Rainy Days Picnic quilt first quilt

At the end of July, 2010, I purchased my first fabric bundle, Rainy Days and Mondays by Melimba and Beccabury for Riley Blake Designs, from FabricFly Shop on Etsy. With 15 fat quarters, and zero knowledge about quilting, I planned on making a quilt the only way I knew how: cut squares and sew them together. In my mind, this fabric was perfectly ironic for a picnic quilt: if there were rain and umbrellas all over our picnic quilt, then it would never rain on our picnics. Perfectly logical, right?

rainy days picnic quiltA picnic quilt was the perfect starting point, since it helped the stress level go WAY down. It was my first time ever making a quilt, but because it was slated to be a picnic quilt, with the knowledge that we would flop it down on the ground and spill food all over it, surely change diapers on it, drip lake water and watermelon juice all over it, smear avocado into it, and all of the other love-filled-things that happen on picnics, I was much less worried about imperfections. And boy, has it seen its share of babies and picnics!

Picnic quilt in use
Clockwise from top left: Picnic quilt in use at a playground, the beach, our front porch, and our back yard.
canoe island picnic
Lunch on an island in the Great Pond Mountain Conservation Trust. We had a family canoeing day trip here in 2014, and of course the picnic quilt came, too!

At around 60″x60″, I remember thinking how HUGE it would be–perfect for picnics! Now that I really quilt, and now that I see the quilt laid out and finished, I realize that a picnic quilt for a family of 5 really should be at least 84″x84″ or even larger. For now, it is wonderful.

I don’t remember exactly when I finished this quilt, but it was definitely well into 2011 or even 2012. I remember quilting it on our kitchen table while my husband took Maddie out for a daddy day. Boy, I thought it was huge!

Overlap binding: double fold bias tape novice methodThis quilt makes me laugh now because of how little quilting knowledge I had at the time. I actually bought double-fold bias tape, folded it over the edge and top-stitched it on. What method did I use to join the ends? Overlap and top stitch! I laugh because if I had even googled “how to bind a quilt” I could have learned how to actually bind a quilt. But honestly, I probably didn’t even know that the edging could be made with actual fabric and that it was called binding. Oh how far I’ve come in the past 3-4 years!

Despite all of these novice bits (or maybe because of them) it’s hands down our most used and loved quilt. (Although Maddie’s Rainbow Jellyroll quilt and my Doe Layers of Charm quilt are quickly becoming contenders with their permanent snuggle status on the couch).

picnic quilt
It should be noted that I broke many of my quilt photography rules in photographing this quilt today. But when I realized I didn’t have any photos that actually showed the entire quilt, I brought my little helpers outside to remedy that. Knowing the shortness of their arms and attention spans, I opted to use the most sturdy and level structure around: their new skyfort playground, in full sun. C’est la vie.

This Rainy Days Picnic quilt is special because it embodies my motto: just try it. I didn’t know how to quilt, so I did what I knew: I bought fabric, cut it into squares, moved it around until I thought it looked good, sewed it together, layered it with batting and backing, sewed straight lines corner to corner to hold the layers together (I used whatever thread was laying around and the same regular sewing machine foot I used to piece it), sewed a “binding” edge on and started using it. Everyone has to begin somewhere!

Do you remember the first quilt you ever made? I’d love to hear about it!

I’m linking up with Throwback Thursday with Jenn at A Quarter Inch from the Edge.

Fabri-Quilt New Block Blog Hop: Transparent Play {Tutorial}

fabri-quilt-new-block-blog-hopWhen I was invited to join the Fabri-Quilt New Block Blog Hop with the challenge of creating a new 12″ finished quilt block and sharing a tutorial, I immediately thought of transparency. I’ve been seeing fellow quilters play with transparency a lot lately (Yvonne’s Triangle Transparency quilt and the Transparency Bee Blocks by Hilary of Entropy Always Wins Blog and Leanne at She Can Quilt stand out in my mind most), and have yet to give it a go.

Watermelon Summer Color Palette
Colors chosen: Chartreuse, Turquoise, Coral, Aqua, Lapis Blue, White

As soon as I saw the color palette chosen, I knew that transparency it was (I’ll save the chartreuse and coral for an actual watermelon project)! I had fun creating a block that both looks cool on its own, but also can result in many fun layouts when replicated for a quilt. I call it Transparent Play (original, huh?!)

Today I’m going to share a tutorial for how to make the new block Transparent Play that I created using fat eighths provided by Fabri-Quilt. While I’m not typically a prewasher, I would definitely recommend prewashing the Fabri-Quilt solids with a color catcher or two.

TUTORIAL- Transparent Play BlockNote that part of the challenge for creating this block was to make it out of only fat eighths of fabric, so cutting instructions assume a fat eighth is being used. Fat eighths typically measure 9″x21″.

General Notes

All seams are sewn with 1/4″ seam allowance unless otherwise noted. I like to press seams open since it helps the block lay flat and helps me better match seams. Do what works best for you.

Fabric Requirements & Selection

For this block, you will need a fat eighth of each of the following fabrics:

  • a neutral background (I used white)
  • a dark (I used lapis blue)
  • a light (I used aqua)
  • a blend or medium (I used turquoise)

Since the block is designed for playing with transparency, try to choose fabrics that give the impression of transparency. The blend fabric should be a color that could result from the dark and the light fabrics being overlapped. Note that while I made my block mostly monochromatic (one color), this block could be made with color blends, too. For example red as your dark, yellow as your light, and orange as your blend.

Cutting Instructions

Again, this tutorial is assuming a fat eighth of fabric is being used for each color. Strips should be cut along the long edge of the fat eighth (usually 20-21″ long and called length of fabric (LOF) in this tutorial). Note that many sections of the block will be strip pieced, so the initial cutting keeps this in mind.

label cut piecesBe sure to label your pieces with the coordinating letters so that piecing is a breeze!

From white:

Cut 1 strip 1 1/2″ x LOF and subcut (1) 1 1/2″x10″ strip (A); and (2) 1 1/2″x5″ rectangles (B).

Cut 1 strip 3″ x LOF and subcut (2) 3″x3 1/2″ rectangles (C); (2) 3″x4 1/2″ rectangles (D); and (1) 1″x5″ strip (E).

From lapis blue (dark):

Cut 1 strip 2 1/2″ x LOF and subcut (1) 2 1/2″x5″ rectangle (F); (1) 1 1/2″x5″ rectangle (G); (1) 1″x5″ rectangle (H–note, this fits next to G in the strip); and (2) 1 1/2″x3 1/2″ rectangles (I).

Cut (1) 2 1/2″x7 1/2″ rectangle (J).

From aqua (light):

Cut (1) 1 1/2″x11″ strip (M).

Cut (1) 2 1/2″xLOF and subcut (1) 2 1/2″x5″ (N); and (1) 2 1/2″x10″ (O).

From turquoise (medium):

Cut (1) 3 1/2″xLOF and subcut (1) 3″x5″ rectangle (K); and (1) 1 1/2″x11″ strip (L).

Piecing Instructions

Making the Top and Bottom Panels

KHSew H to K along the 5″ side. Cut into two equal 3 1/2″x2 1/2″ rectangles as shown above. These are the HK units.

IKHSew I to the top of each HK unit, ensuring that the dark lapis blue  H strip is on the left. You will have (2) 3 1/2″ squares (above). These are the IHK units. Set aside.

AOSew A to O along the 10″ side. Cut into two equal 5″x3 1/2″ rectangles as shown above. Set aside.

FBSew F to one of the B pieces along the 5″ side. Cut into two equal 2 1/2″x3 1/2″ rectangles as shown above. These are the FB units.

CFBWith F on top, sew C pieces to the left side of the FB units along the 3 1/2″ edge. These are the 3 1/2″x5″  CFB units.

top bottom panelAssemble the top and bottom panels as shown above. Note that they can be assembled identically, but we will rotate one of them 180 degrees as the bottom panel before final assembly of the block.

*Accuracy Tip*

Pin AFTER seamWhen matching seams, line up the full length of the seams to be matched (not just at the raw edge) and then pin directly after the seam (about 1/16th “). This will ensure your seams stay in position without the pin skewing the fabric alignment when sewing. It will often result in perfectly matched seams.

Making the Center Panel

MLSew M to L along 11″ side. Cut into two equal 2 1/2″x5 1/2″ rectangles as shown above. These are the ML units. Set aside.

BGSew B to G along 5″ side. Cut into two equal 2 1/2″x2 1/2″ rectangles as shown above. These are the BG units. Set aside.

MLBGSew ML units to BG units as shown above. These are the MLBG units.

MLBGJSew MLBG units to long sides of J as shown. Note that the bottom MLBG unit has been rotated 180 degrees. Pay close attention to the position of the colors to ensure the MLBG units are mirroring each other. Set aside.

ENSew E to N along 5″ side. Cut into two equal 3″x 2 1/2″ rectangles as shown above. These are your EN units.

ENDSew D to the bottom of each EN unit, ensuring that the background white E strip is on the left. You will have (2) 3″x6 1/2″ rectangles (above). These are the END units.

center panelAssemble the center panel as shown above. Note that the right END unit has been rotated 180 degrees. Pay close attention to the position of the colors before sewing. The center panel should measure 12 1/2″ x 6 1/2″ at this point.

transparency play block assemblySew top and bottom panels to center panel to complete the quilt block as shown above. Note that the bottom panel has been rotated 180 degrees.

transparent play block tutorial

Congratulations! You just made your first Transparent Play block. It wasn’t nearly as tricky as it first looked, was it? Strip piecing is awesome.

This block is fun to play with when it comes to layout, since by simply rotating the blocks, you can create a number of different visual layout effects. Here are just a few:

Layout 1: All blocks in line

Transparency Block 4x4 Quilt Layout 1

Layout 2: Bull’s Eye

Transparency Block 4x4 Layout2

Layout 3: Braid

Transparency Block 4x4 Layout3
I also couldn’t let a post go without including a peek at a rainbow, so here’s a sample block using color gradient transparency instead of monochromatic transparency.
Transparency Play Block rainbow colorand a resulting layout:
Transparency Play with color rainbow layout3

I hope you’ve had fun making your Transparent Play block, and please tag me @nightquilter on social media if you make it–I would love to see!

There are many other wonderful free block tutorials (60+!) posted in this Fabri-Quilt New Block Blog Hop. Here are the others posted today:

Host – Stephanie @Late Night Quilter
Hannah @Modern Magnolia Studio
Cindy @Stitchin At Home
Abby @Hashtag Quilt
Lisa @Sunlight in Winter Quilts
Carrie @Chopping Block Quilts
Brianna @The Iron and Needle
Tish @Tish’s Adventures in Wonderland
Jan @The Colorful Fabriholic
Sarah @Smiles Too Loudly
Beth @Cooking Up Quilts
Leanne @Devoted Quilter
Liz @LizzyClips Design
Kim @Leland Ave Studios

Also be sure to visit the others hosts’ pages (Yvonne @Quilting Jetgirl, Cheryl @Meadow Mist Designs, and Terri Ann @Childlike Fascination) for links to all of the blocks posted Monday through Thursday of this week. All of these blocks are being mailed to a host, who is assembling them into charity quilts.

inchworm friend

I made an inchworm friend while photographing this block. He was testing out my seams for good measure! (get it!? LOL) Have fun inching your way through the rest of the blog hop!

I’m linking up with Tips & Tutorials Tuesday at Late Night Quilter.

Unlocked in Make Modern Magazine

Today I’m so excited to share that my magazine debut (as the covergirl, no less!) is here. My pattern Unlocked appears in this month’s edition of Make Modern magazine, and even graces the cover (can you say excited!?!).

make modern cover issue 7

Make Modern is a digital modern quilting magazine, full of great patterns for quilts and smaller sewn items, articles, tips, and features. This issue (Issue 7) has a lovely meet and greet with none other than the most glittery quilter around: Molli Sparkles. Based in Australia, Make Modern was the brainchild of three quilting friends: Jane, Lara, and Kristy. You can read about their philosophy HERE, which I definitely recommend. From the sustainability and accessibility of a digital magazine, to being a positive driving force in the modern quilting world, they’ve got it going on.

You can purchase single issues of the magazine or can choose 3 issue (6 month) or 6 issue (yearly) digital subscriptions. I’m honored to be a part of this publication.

Unlocked single block artisticI’ve shown you tiny peeks at my quilt Unlocked, but really nothing that gave away more than the obvious: it features the full Mercury and Grove lines from Alison Glass’s 2015 Sun Prints, on a gorgeous Robert Kaufman Essex Yarn Dyed Linen in Charcoal background. I used my go-to thread panacea Aurifil Dove #2600 for piecing. It’s very scrap-friendly, since each key only needs a fat eighth of fabric. Unlocked is also super versatile since a simple adjustment of the number of keys made and surrounding background results in any sized quilt you want.

unlocked center

unlocked reflectionWhile I really wanted a castle door or giant gate in which to photograph this quilt, a trip to Ireland was not in the budget, so Belfast, Maine had to suffice. I have the world’s best quilt holding husband, who schlepped our kids and a quilt all over town at the whim of me, his crazy quilt-making photo-crazed wife. We got some great shots, though, so I’d say it was well worth it! He really should start a blog “Behind the Quilts”.

unlocked block detail

unlocked detailUnlocked was longarm quilted by my ever-talented friend Stephanie at Late Night Quilter and it looks amazing. She used the Cityscape Path straight line quilting style designed by Krista Withers and photos don’t even come close to doing it justice. I’m so grateful to Stephanie for quilting this, since I was able to finish the quilt top and mail it off to Stephanie right before giving birth to Finn. Then, she was able to quilt it and get it back to me a couple weeks postpartum so that I could bind it and photograph it in time for the publication deadline. Teamwork at its best!

Head on over to Make Modern and grab your copy of this fabulous modern quilting publication.