I’m certainly testing this question lately! I’ve written about the mini mini quilt swap craze, and while it seems to have died down a bit on Instagram, I’m still plugging along working to complete the many mini minis I have promised to swap. Such is life when sewing gets done 20 minutes at a time! One such mini mini has morphed into a true test of “how small can you go?”
I designed a tiny foundation paper pieced geometric feather for the mini mini I’m making for Renee at Quilts of a Feather, since I wanted to create a purple feather (her favorite color is purple and feather is probably a clear choice), but I also wanted it to be unique. The tiny pattern crazy me developed has 60 foundation paper pieced pieces in block smaller than 3″x4″.
I’ve only removed the papers from half so far, but even that isn’t too bad. I quite enjoy it, actually. When foundation paper piecing, I set my stitch length to 1.2 so the paper basically melts off. I encouraged some of the teeny tiny smaller than 1/16″ bits to come off using a cute stiletto I received as part of a swap last year. (Aside–did you know that a stiletto in quilting is a skinny tool that is thicker and a bit more blunt than a pin, and is used to help feed your fabric through your sewing machine, hold down little corners while sewing, or any other task you can derive? I *just* learned what a stiletto was and so I’m trying to use it more!)
Joining the two halves, on the other hand, was where the challenge truly arose. I broke a needle trying to get through all of those layers, and eventually settled on hand cranking my machine through the thickest part.
Needless to say, this baby does not lay flat, nor can I hope to press it flat no matter how much Flatter I use. But no worries! I plan to use a double layer of batting, perhaps only under the feather (I think it’s called trapunto) so that at least it won’t seem too out of place. But it appears I have my answer: this is as small as I can go, at least with this pattern!
I originally planned to trim the outer edge and needle turn appliqué the feather to the background fabric, a gorgeous glimmering square of Anna Maria Horner’s Loominous. After requesting some tips/advice from Carolyn Friedlander via email, I am approaching it in a different way per her advice; instead I’ll do reverse appliqué, where I’ll cut the hole in the background fabric, place it on top of the feather, and stitch it down around the feather’s edge. While it will be my first time trying reverse applique, I think I have a much better chance at success using this method. Thank you, Carolyn!
I’ll be sure to keep you posted on how this mini mini turns out!