white attempt color palette plus gold

Color Inspiration Thursday {74}

I have had some fun this week searching out some of the colors in nature less commonly seen in my color palettes, as you helped me name last week: white, grey, blue, and purple. I have also been getting more comfortable with a new camera, since I very recently upgraded our nearly 10 year old Canon with a newer version. Upon reading up on editing RAW photo files in preparation for the big Quilter’s Planner photo shoot, I also made the executive decision to begin a trial version of Photoshop and Lightroom just last night (or should I say, early this morning?). Combine all of those three things together, and that makes for a lot of late nights and fun photo experimentation. AND some really fun color palettes! All color palettes were created using Play Crafts’ Palette Builder 2.1 and my photographs.

white flat lay color palette natureCorresponding solids from left to right:
Kona Sky, Kona Silver, Kona Cloud, Bella Baby Blue, Bella Petal Pink, Kona Zucchini

Corresponding Aurifil thread from left to right:
2024 – White
2560 – Iris
2606 – Mist
2564 – Pale Lilac
2562 – Lilac
5015 – Gold Yellow

Since low volume fabrics are among my favorites, I decided to begin by searching for white. I enlisted the help of my big kids and we gathered all of the white and light grey flowers and treasures we could find around our yard and garden. Since I wanted to emphasize the white, we laid them out on a big white poster board. Through this whole search for white-rich color palettes, I’ve discovered that it is quite difficult to find a palette created from nature without the green, yellow, or pinks sneaking in. For the palette above, I ignored the green in creating the palette, even though, for me, the green jumps out at you in the photo.

Since I am getting the hang of a new camera, I wanted to experiment with the quality of light in different places, so before photographing in earnest, I took simple top-down photos in a few different locations: inside near a bright window, outside in direct bright sunlight, and outside in a shady spot. It’s amazing how simply moving the location of the photo subject changes the quality of the color so drastically. Here are my unedited photos in each location, to show you the differences:

inside near windowInside near a bright window = dancing shadows

outside in direct sunOutside in direct bright sunlight = garishly bright with dark shadows

outside in a shady spotOutside in a shady spot without direct sun = gentle and flat, and with a little bit of lightening in a photo editor, it creates the bright photo with soft shadows that was used to create the color palette above.

I decided to try my favorite, macro photography, to see if I could isolate some fully white-spectrum photos. Lo, once again, this just proved that pink and yellow love to sneak into the whites! I also discovered that it is quite difficult to get true white to pull from a photograph. Greys and beige, yes. But white? No such luck.

white attempt yellow color paletteCorresponding solids from left to right:
Kona Blue Bell, Kona Silver, Bella Saffron, Bella Longhorn, Kona Cheddar, Kona Limestone

Corresponding Aurifil thread from left to right:
5008 – Sugar Paper
2560 – Iris

2318 – Cachemire
2930 – Toast
6010 – Toast
2324 – Stone

I knew that the golden center of this flower would pull through just as strongly if not more so than the white, but how could I resist? Such a gorgeous bloom, and a soothing palette. In quilting, I love good contrast and a crisp aesthetic, which often is aided by using a low volume/white or dark/black background fabric. This palette is one that I could definitely see myself using, perhaps in a gender neutral baby quilt, or summery pillow. I probably would drop the Stone and pick up pure White, though, even though it didn’t push through in the actual photo.

white snuck pink color paletteCorresponding solids from left to right:
Bella Lt Blue, Kona Thistle, Kona Lupine, Kona Plum, Kona Cloud, Kona Sky

Corresponding Aurifil thread from left to right:
2612 – Arctic Sky
2510 – Lt Lilac
2566 – Wisteria
4030 – Plum
2560 – Iris
2710 – Lt Robins Egg

Ahh Thistle, Lupine, Plum; what gorgeous colors! This is a palette that appears in my creations often, although usually with some other colors joining ranks. Again, despite the attempt to find a fully white-grey palette, this was another no-go. Clearly, Mother Nature likes color, too! I still love the photos and resulting palettes, even if they don’t quite fulfill the request for low volume color palettes. I will keep hunting, and look forward to sharing my finds with you next week!

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Also, my giveaway for the Raindrop fat quarter bundle by Rashida Coleman-Hale for Cotton + Steel Fabrics, sponsored by Fat Quarter Shop ends tonight at 8pm! Comment on my post HERE to enter to win if you haven’t already!

7 thoughts on “Color Inspiration Thursday {74}”

  1. Now your late night Photoshop and Lightroom work makes so much sense to me! I know that once my husband committed to using RAW photo format, he hasn’t looked back and he really struggles with JPG only images / cameras. Isn’t it interesting how hard it is to find white. Perhaps a bit of overexposure in bright sunlight? That might be cheating and bad photography, though, although I’m sure you could find a brilliant way to turn it very artful.

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  2. It’s fascinating to see the decision making process you use to choose your palettes, Kitty! And I always love the purple/lupine colors you find around you. Hope your crew is surviving these hot, muggy days.

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  3. I’m going to apologize up front, as I can talk about photography for almost as long as I can talk about quilts. lol
    I love your photographs and you have a great eye for composition! When you are taking your photos, are you setting the aperture and shutter speed yourself or letting the camera choose? When the camera does light metering, it will suggest aperture/shutter speed to make whatever it’s metering medium grey. To get white white, you’ll need to overexpose by a full 2-3 stops. Alternatively, you can bring it into Photoshop and white balance it using Image->Adjustment->curves. I think I have a tutorial for that somewhere if you’re interested. 🙂
    Such fun to play and experiment with the light! 😀

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