I don’t travel often, and when I do, I usually have three kids in tow who demand quite a bit of my attention, so traveling solo to and from QuiltCon early last month was quite a treat. Even with layovers, long flights, and all-day travel days, it seemed like I was on vacation traveling solo. Well, okay, I WAS on vacation… but you know what I mean! All the free time meant that I made a lot of progress with my hand stitching, which I want to finally share with you today.
I headed off to QuiltCon with an English Paper Piecing (EPP) project–the Mandolin Quilt Block by Jodi at Tales of Cloth. I had gotten a bit further than my last blog update on this project, but I still had the entire outer ring to baste and stitch on, as well as some of the inner colored segments to attach. EPP is my favorite travel stitching project at the moment, since it’s compact, fun, and easy to pick up and put down. I also don’t seem to be tiring of rainbows and high contrast, so hopefully you’re not getting bored, either!
As you can see, I was able to completely finish stitching my Mandolin Quilt block during my travels, which means this is next in line to become an awesome pillow right behind its Moonstone brother. I used Alison Glass fabric in that saturated stunning rainbow for which she’s so well known, and threw in some fun meticulously cut Libs Elliott fabrics from her True Love line for Andover Fabrics for contrast. I stitched it together using Aurifil monofilament thread in smoke, which meant I didn’t need a headlamp for precision on the poorly lit plane, yet you still can’t see any of the stitches. Bonus!
While I was traveling, the mending on my most-worn jeans began to wear through, but fortunately I was able to pick up a mending kit from the Brooklyn Haberdashery booth at QuiltCon, and I stitched on a new patch during my travels home. I love the texture on this patch, and also am kind of loving the mending of mending layered play between the stitches on the original mending and the stitches on the new.
I used the 12wt Aurifil thread I had with me to stitch on the new patch, whip stitching the full edge in place and then used simple vertical running stitches to secure the patch further. These jeans contain a bit of stretch, which is part of why they are wearing through so quickly, but also means that there’s a good clear Kitty-knee worked into them. That knee mountain makes me laugh, but gosh are these jeans comfortable!
My long flight back to NJ after QuiltCon allowed me to finish both of these hand stitching projects, which felt pretty amazing since I typically make progress at a snail’s pace.
I’m still working on my QuiltCon Reflections post, but hope to be sharing that soon. Spoiler: Finishing these projects was the icing on the cake of a wonderful trip.
I haven’t been able to escape the sew-in-rainbows bug, but I admit I haven’t been trying too hard to escape it! Now that my Moonstone Quilt pillow is in basting, quilting, and finishing mode, I’ve begun a new English Paper Piecing project to have on the ready for any travel stitching that might arise. The Mandolin Quilt pattern by Jodi at Tales of Cloth will be the next addition to my rainbow and black and white quilted pillow collection, and I thought I’d share my progress.
I’m using *gasp* Alison Glass fabrics for the rainbow, with the center cameo from an Art Theory panel from her Ex Libris line and a couple of rounds of Sun Print 2018 before diving into her older lines. I’m also adding Libs Eliott fabrics as a black and white zap to the vibrant rainbow. Both Alison and Libs design for Andover Fabrics, so I feel like they can be buddy buddy quite happily in the same project. Plus, my husband’s favorite fabric designer is Libs Elliot, so this pillow will have both of our favorites included, and will coordinate wonderfully with my Alison Glass Moonstone pillow (once it’s finished) and Gare’s Libs pillow.
I have a highly technical approach to selecting fabrics when it comes to a project like this. I place my center on the floor, surround it with all of the Alison Glass fabrics I can find, and then play.
I audition fabrics not only in person, but also through the screen of my phone’s camera, since oddly, some fabric arrangements look different from afar. Alison makes it pretty easy since her fabrics are such a vibrant spectrum of tone on tone color that already transition so well through the rainbow. It’s still fun to decide where to put each bright little bit, and mixing fabrics from new and old fabric lines.
I love English Paper Pieced patterns that have acrylic templates, since I’m a big fan of meticulous cutting (aka fussy cutting). These Mandolin templates help me see exactly what section of each fabric will be showcased in the quilt and which will be included in the seam allowance. It makes the basting step a lot easier, since the work is done in the cutting!
Even with a project focused on the color flow and not so much the individual pieces, I still fit meticulous cutting in where I can. You *might* notice that the squares around the center are all meticulously cut from Compass from Sun Print 2018, alternating designs since I only had fat eighths of the fabric, which didn’t include a full repeat of the design. The triangles are also meticulously cut, alternating between Latitude from Diving Board and Link from Sun Print 2017.
Once I extended beyond those triangles, the meticulous cutting is less consistent, since I focused more strongly on color flow around the circle.
I’ve been using Aurifil monofilament thread in smoke to stitch these together, which makes the process a little bit quicker since the thread is essentially invisible and I don’t take *quite* as long with my meticulously tiny stitches, since I’m less worried about it showing on the front. I can definitely see why so many folks stitch EPP together with monofilament. It’s a bit more fiddly in hand, and a bit tougher to sew with because of its invisibility, but I think the result is well worth the effort.
I made pretty consistent progress on this Mandolin block in January, stitching here and there, and taking advantage of rare quiet moments to stitch a bit. Early last week, though, QuiltCon prep began to overtake every free moment, and I’m admittedly still in the thick of it. I’m very excited to be co-teaching four classes with my friend Michelle Bartholomew (two each of Quilt Photography Basics, and two of Advanced Quilt Photography), as well as giving a lecture on Quilts to Mark Milestones Sunday morning at the event. I’ve been working hard to get everything perfect, and am very excited that in just over a week, I will be beginning my trek to get to Pasadena.
The one positive to my not being able to make much additional progress on my Mandolin block these past weeks is that now I will have a perfect hand-stitching project to take with me for the flights and any airport waiting time. Hopefully I will be returning from Pasadena not only with a feeling of class and lecture success, shared and gained inspiration, and a refreshed tank of quilty friend time, but also a nearly or fully finished Mandolin block!
Who will I see in Pasadena? If you’re headed to QuiltCon and see this bright thang in the airport or along your way, please do stop and say hi!
It’s no secret I struggle to finish things. In fact, last year, I made it my yearly focus to finish what I started, but then got distracted by other fun ideas and didn’t actually succeed in finishing much of anything! Oops. Life happens and all is fair in love and creativity, right? This year I’m going to try something a bit different. I’m going to *try* to join in on the community link ups that focus on FINISHING projects completely, namely the 2018 Finish-A-Long hosted by a group of bloggers across the world, and One Monthly Goal hosted by Patty at Elm Street Quilts. In my style, I’ve already missed the link up for the January goal for One Monthly Goal, but perhaps I’ll get February’s posted in time! I’m sneaking in right under the wire for the Finish-A-Long Quarter 1 link up, but I made it!
There is a lot going on behind the scenes here, between preparing for my QuiltCon classes and lecture, working for the Quilter’s Planner manning the Instagram feed and leading a January daily photo challenge as well as helping guide the 2018 Block of the Month Sampler sew along (so many fun things happening over in the QP community!), working on the development of a couple of patterns I hope to release before summer hits, and of course being a full time mom and wife, so I don’t imagine my lists will be long. But any progress is progress, and one more way to help keep me motivated can’t be a bad thing.
As seen in December when I joined the 31 Day Blog Writing Challenge, committing to a public community goal helps motivate me to meet my goals. While I didn’t post a blog post every day in December (note that I went into it not expecting to post every day), I did write or work on blog posts nearly every day and I published 8 posts for the month when my monthly average for the 6 months prior was 2-3 posts. That’s a marked improvement and I consider my goal met.
So here I go again, publicly announcing my goals so that maybe the thought that you or someone out there is eagerly anticipating my finish, cheering me on, and helping spark my fire even when I’m feeling heavily weighted with other responsibilities, will help me stay on track.
The first quarter of this year includes a good amount of travel and preparation for QuiltCon, which is in late February in Pasadena, California, so I know most of my time will be spent fine-tuning my classes, preparing handouts, and practicing my lecture so that I can share my knowledge, inspiration, and tips the best I possibly can (It’s not too late to sign up for the Advanced Quilt Photography classes I’m teaching with Michelle Bartholomew at QuiltCon, or to register for my Quilts to Mark Milestones lecture Sunday morning, so go register if you will be in Pasadena and haven’t already!). The Finish-A-Long guidelines clearly encourage us to set high goals, but I also know I need to set myself up for success so I don’t get too overwhelmed or discouraged, so I’m going to start with four projects I hope to have completely finished by early April when Q1 ends:
1 – One Year of Stitches Embroidery hoop from 2017
I still have about 14 days worth of stitches to complete to have fully finished the stitching for my 364 days of stitching, 1 year of stitches freestyle embroidery project I took on in 2017. The photo included above is an old oldold one from May 2017, so there is MUCH more stitched at this point (see the photo with the projects together to get a peek!)! I want to get the stitches finished and documented, post the fully updated post on IG at my @nq1yearofstitches account, publish a blog post with monthly updates that has been in draft form since May 2017, and fully finish the hoop so it’s ready to hang on my wall.
2 – Rainbow Moonstone Pillow
I want to completely finish my epically gorgeous (modest, aren’t I? haha) rainbow Moonstone pillow I made using Giuseppe @giucy_giuce’s Moonstone quilt EPP pattern and Alison Glass fabrics. Right now, it’s fully stitched together, stitched onto the backing, and most of the papers are removed. I still need to finish removing the papers, trim the seam allowance edges of the backing fabric, layer, baste and quilt the pillow front, make the pillow back (I want it to have a zipper closure–I haven’t yet decided whether it will be a side seam zipper or a zipper across the backing yet–and finish the pillow. I’m using Aurifil monofilament thread to stitch and quilt this, and it’s an exciting new look (it really is invisible!).
3 – Secret Sewing Project
I’m doing some secret sewing for a book release blog tour in March, and unfortunately can’t tell you much more than that. I have my project chosen and fabrics pulled, but haven’t cut into it yet. I’m planning to use some thrifted leather and scraps of Oakshott Lipari red fabrics in this one, paired with Essex Linen in charcoal. It’s a small project, but I’m excited about this one! This project is my given, since the fact that I have a hard deadline means that I will finish this project no matter what. I don’t mind setting myself up for some success, though, so it’s included here.
4 – Max’s Eye Spy Picnic Plaid Quilt
This one is a stretch only because of the limited time I have this quarter, but I want to put this quilt at the top of my list. I began it back in 2016 during the Quilter’s Planner Sew Along and have the full quilt top finished and the backing pieced. I need to layer and baste the quilt (my brick wall when it comes to finishes!), quilt it, bind it, finish it, and finally gift it. I’m thinking Max has most likely forgotten about it at this point, so it will be a fun surprise when (if?… no, WHEN) I finish it.
So there you have it. Think I can do it? I’m excited at the prospect of having a little extra motivation to finish these projects, and also hope this can get me back into the thick of the quilt blogging community. There’s so much inspiration to share! Here’s to fabulous finishes!
It’s no secret that I love rainbows. It’s probably also no secret that I’m a huge fan of how Alison Glass does rainbows with her fabric lines for Andover Fabrics. Saturated tone-on-tone fabrics, with a bright spectrum of tertiary-heavy colors, natural elements in each print that sing to my nature-loving heart, and fabric lines that flow into and complement each other wonderfully; what’s not to love?! With the rainbow stage set, I will apologize in advance for enabling my fellow rainbow lovers, but I’m excited to be adding a bit of Alison Glass’s newest Sun Print line to my stash. She & Chen kindly sent me a fat eighths bundle of the line, and I can assure you there will be more joining my stash (or hopefully if all goes as planned, an actual in-progress project or two!) as soon as the fabric is available in shops (slated for late January 2018).
Feast your eyes upon this! Can you blame me!? I mean, seriously…. is there anyone who doesn’t love a rainbow? Here’s a quick introduction to the line, with attention drawn to a few details I especially love, and far too many photos, as is my style.
Here are the full spectrums of each line within Sun Print 2018, from left to right: Diatom, Compass, and Depths.
Diatom reminds me a bit of Insignia, with its large solid portions, only a bit softer. I love how the colors play wonderfully together, yet you can get different value play within each color.
Compass is definitely the boldest in color, and I love the addition of complementary colored details on some of the fabrics.
With the dense white sketch-like pattern on Depths, it reads the lightest in color.
The designs are reminiscent of Alison’s most recent fabric line Diving Board, with a definite nautical vibe. You can see one of the Diving Board prints on the card in the center in the photo above, and see how compatible it all is.
Together, these fabrics make a rainbow that fits in wonderfully with the rest of my rainbowtized stash (let’s be honest, it’s probably 90% Alison Glass fabrics anyway), and I can’t wait to work them into my projects. I already have two new rainbow project ideas in the works, even though I really could do with some project finishing before I begin more new ones (shhh).
I also love that Alison includes white and grey versions of each print, since both act as the perfect neutral to help the rainbow truly pop. She’s thought of everything.
Soooooo so pretty! I’m thinking I’ll use these in an EPP project or two, and I’m planning on using mostly this line (with a few other Alison Glass fabrics of old) in my Quilter’s Planner Sampler quilt for the Sew Along happening in 2018.
What would you make with this rainbow?
I’m linking up with the sparkly Molli Sparkles’ next Sunday Stash since it’s been AGES since I’ve added to my stash and shared about it. I have a few new books and notions to share, too, so hopefully I’ll get those photographed soon! Happy sewing!
I was bitten by the EPP bug years ago, but this summer I came down with a serious case of Moonstone Madness, and in the best possible way! In June, my talented friend Giuseppe Ribaudo aka @giucy_giuce released his first English Paper Pieced pattern in partnership with Karen of @karenthediyaddict, called Moonstone. He was kind enough to send me a kit and boy has it kept me busy and grinning pretty much all summer! I love EPP and hand stitching is the perfect solution for busily adventuring makers in the summer months, and this pattern didn’t disappoint.
In the spirit of setting myself up for success, I opted to make four (4) blocks to make a pillow rather than a full sized quilt, and I dove into my bright Alison Glass stash to put together a fully saturated, smooth rainbow gradient. You know how I feel about rainbows. Alison Glass fabric rainbow + Giucy Giuce EPP project = heaven on a summer’s day!
I used mostly 50wt Aurifil thread, with a few 80wts thrown in, using coordinating colors so that the stitches blend right in with the blocks. The threads shown here are (from top left clockwise): 2535-Magenta, 1154-Dusty Orange, 5015-Gold Yellow, 5017-Shining Green, and 1125-Medium Teal, all 50wt. There’s nothing quite as satisfying as matching the perfect thread to your fabric!
Alison’s Art Theory print from her Ex Libris line (still my ultimate favorite fabric ever) was my color inspiration, so I planned my 4-block panel around the color flow in the center octagon. Throughout the course of the summer, I finished the four blocks and completely stitched them together!
Now I am at the point in the game where this could lounge in the works in progress pile for a while, but instead, I am going to use my excitement to forge ahead and aim to finish this beauty, which is sure to be my most favorite pillow of all time.
My next step is to choose background fabric, press the pieced panel thoroughly, remove the template papers (so that I can use them again!!), and then hand stitch the panel down onto the background fabric. Just last week, I visited my local quilt shop Fiddlehead Artisan Supply in Belfast, ME, in the hopes of buying some yardage of Insignia in charcoal by Alison Glass, which is a nearly-solid. While Fiddlehead did not have the Insignia, they did have two other options that I bought to try out: Flying Geese in Dark Charcoal from Handcrafted, and Ink in Charcoal from Sun Print 2016 (all for Andover Fabrics).
After looking at those options, I still felt like I needed to see the Insignia before deciding, and with the encouragement of a few friends on Instagram, especially Erin who said, “I’m a strong believer in first instinct=best instinct!”, I ordered a yard of Insignia in Charcoal from Alison Glass’s shop. (Thank you Erin!). Clearly, my first gut choice is the winning choice!
Next I will hand stitch this epic panel to the perfect Insignia background using Aurifil’s monofilament thread in Smoke. I plan to quilt this with the Smoke monofilament thread, too, and I’m so excited just thinking about how amazing this pillow will be. This will be my first time sewing with monofilament thread, either by hand or machine, so I’ll be sure to share how it goes.
If you’d like to get a Moonstone kit for yourself, you can order one HERE on Karen the DIY Addict’s site. The kit is pretty amazing, with acrylic templates for every piece, as well as enough pre-cut foundation papers to make a full 72″x72″ quilt (or lots of pillows!), a booklet with Giuseppe’s reflections, thoughts, tips, and four (4) different layout suggestions, and of course coloring pages for all four layouts.
As for me, I’m nearly finished piecing my next rendition of a Moonstone block, going with the Gems layout and a more nautical theme. I plan to make only one block and top stitch it to a large zippered pouch for a friend to whom I owe a quilt. I’m hoping the consolation diaper pouch/zipped pouch will hold her (and her nearly 1 year old baby) over until I manage to make the quilt!
As you can see, I’ve been absolutely struck with Moonstone Madness and it doesn’t appear to be tapering off just yet. I’ve had a wonderful time piecing together these blocks, and the portable nature of English Paper Piecing ensures that it is still very much on the top of my “summer stitching” projects list!
What did you stitch this summer?
I’m linking up with Let’s Bee Social, since it’s about time I was social in blogland again!
I’m home for just a few short days between the amazing, somewhat surreal dream that was the Slow Fashion retreat (it deserves its very own post, which I vow to share before the end of August), and a week long camping trip in the Adirondacks with my extended family, and wanted to just check in here briefly.
Despite my best intentions, between a broken computer in June, whirlwind quilt photography adventures in July, the Slow Fashion retreat last week, and my family camping trip for which I leave tomorrow, I seem to be officially retreating into the wild fun of summer and out of blogging for the season.
My Summer Adventure Quilt is growing almost as fast as my list of things to share with you, and I will share more detailed updates once the summer winds down.
Here are the blocks I made this week to accompany us on our camping adventure next week. A improvisationally pieced tent block for camping, a canoe tied to a tree for our canoeing trips, and a lake section to add for every time we paddle. I made 5 extra trees in case we do lots of hiking, which are positioned around the top and left side of the tent, lake and canoe, and I put a few already-earned tree blocks around the bottom to show what it will look like all together. Hopefully with all of these blocks ready to roll, we’ll have a grand old time. I hope that you are enjoying these fast, hot months, and living life adventurously!
I’m also excited to share that the 2018 Quilter’s Planner is officially released and ready for pre-order! This year, Alison Glass is the featured designer, too, and I’m sure you know how I feel about that! I’ll share much more about the planner and all of my quilt photography fun in a later post, too. For now, visit Quilter’s Planner site to preorder domestically, and international friends can preorder a planner or a planner bundle through Fat Quarter Shop.
Know that I have not forgotten this space, and I fully intend to return with intention once the weather cools, the big kids return to school, and the adventures subside a bit. Until then, happy stitching… and adventuring!
Today I’m excited to share my pattern for Quilt Theory’s collection for spring 2017. I’m really excited about this collection as a whole; there is such a great variety of easy, innovative, and fun quilt patterns, and I’m sure you’ll fall in love with all of them. For our second collection, we challenged ourselves to write patterns that utilize precut bundles of fabric. Our hope is that you find a lot of inspiration in our collection to make quilts from your favorite bundles in your stash. In this post you’ll also have a chance to win a copy of my Staggered pattern, a rainbow bundle of Alison Glass fabric, and a spool of Aurifil thread, so read on!
First, to introduce you to my contribution to the second Quilt Theory pattern collection! Staggered is a fun, easy, extremely versatile pattern that is a fun way to showcase your favorite fabric line.
When thinking about possible patterns to create for this collection, I turned again toward nature. With the vision of rock strata, water ripples, and windblown sand swirling in my mind, Staggered was born. Designed to be jellyroll friendly, the assembly instructions make it a very quick sew, perfect for all styles and quilty needs.
I used 14 of my favorite prints from the Sun Print 2017 line by Alison Glass for Andover Fabrics, with Lizzy House‘s Asterisk in white as a background. I love the vibrancy of Alison’s fabrics, and the hand of Andover fabrics is the perfect balance of soft and supple and sturdy and strong. When searching for a rainbow, I always head to Alison Glass fabrics first! Many thanks to Andover Fabrics for providing the fabric for this quilt!
Whether using a strip of yardage from your favorite designer, or an old stashed jelly roll of a favorite fabric line that’s been sitting in a drawer for years, this is the perfect pattern to put your favorite fabrics on show! I’m not a Liberty of London girl, typically, but for some reason I’m itching to make this quilt using Liberty fabrics and a textured solid background. I can’t wait to see what fabric combinations you use!
I quilted my sample with alternating vertical and horizontal straight lines, emphasizing the stagger in the pattern. I used 50wt Aurifil thread in 2021-Natural White horizontally and 2600-Dove vertically, with the walking foot on my Bernina 560. The subtle color difference in thread is nearly imperceptible, but it was a fun experiment to see if Dove truly does blend in with every color. It does! Many thanks to Aurifil for supporting Quilt Theory and providing the thread needed for our projects!
Staggered also includes a link to instructions for a bonus rainbow binding, since I couldn’t help but extend that rainbow off the edge of the quilt. So much fun!
All of the Quilt Theory patterns are simple enough to be printed on 4″x6″ cards or a single page downloadable pdf. At only $3 each, they are perfect for gift giving or collecting, too!
About Quilt Theory
Let me tell you a bit more about the designer team behind Quilt Theory.
Our goal at Quilt Theory is to create simple and modern quilt patterns, and as I mentioned above, for this collection we focused on using precuts. I am so excited about this collection as a whole, since I can see that we are really melding as a group and the efforts show.
We have become a strong team as we worked through writing, testing, editing, and quilting the patterns in our collection, and I’m excited to see how you take these patterns and make them your own.
I think many of you are familiar with the Quilt Theory team members, but for those of you who are not, here’s a brief introduction. Quilt Theory designers have been featured in 20+ major quilting publications and international quilt exhibits. Combined, we have 47 years of quilting experience, and we are excited to share our second collection for Spring 2017.
How to buy or stock Quilt Theory Patterns
You can buy either individual or a pattern collector’s package of PDF patterns through our Quilt Theory website right now!
Pattern cards will be coming soon to a local quilt shop near you! If you are a quilt shop and want to carry our patterns, set up a wholesale account here, or order through Checker Distributors, EE Schenck Company, or Erie Quilt Art for Canadian shops.
Want to buy the cards, but don’t own a quilt shop? Let your local quilt shop know you want them to carry Quilt Theory patterns (click for a handy note to send to your favorite local quilt shop!)
Now, for the Giveaway!
To celebrate the release of Collection 2 for Quilt Theory, I am giving away a copy of my pattern, Staggered (printed or PDF, your choice!) along with a bundle of 11 Alison Glass fabric fat quarters straight from my stash and a large spool of Aurifil 50wt 2600-Dove, my panacea thread. See? I really do love you!
To enter the giveaway today, tell me what fabric collection you would use to create Staggered. Leave a comment and make sure I’m able to get ahold of you if you win. For an additional entry, leave another comment telling me how you follow Night Quilter (email list, instagram, facebook, twitter, blog follower, etc.) Follow Quilt Theory (facebook, twitter, Instagram, etc.) and tell me how in a third comment for a third entry.
This giveaway is open to US and international participants. The giveaway will be open until Sunday, May 21st, at 8pm eastern time when I’ll select the winner randomly with random.org. Giveaway is open to participants 18 years or older. *If you buy my pattern and then you win it, I’ll refund you or let you pick out another free Quilt Theory pattern!Giveaway is now closed! Congratulations to Mary!
Be sure to visit the rest of the Quilt Theory designers this week during our blog hop.
I’m excited to share that I’ve finally sewn the final seam in the Eye Spy Picnic Plaid quilt top I’ve been making for my son Max. I absolutely love this quilt, made using the Scrappy Picnic Plaid quilt pattern by Lee Heinrich from Freshly Pieced, which was part of the 2016 Quilter’s Planner. I used all fabrics from my stash, a large part of which were Alison Glass fabrics. It was sort of my safety net, as this was one of my first truly “scrappy” quilts and I wanted to be sure I would love it. The vibrant colors and heavy hand of Alison Glass fabric contributions worked; I love this quilt!
If you remember, I began this quilt as part of the 2016 Quilter’s Planner Sew Along back in October of 2016 and made fairly solid progress until around December. Then the holidays and life got in the way of things and with the culmination of the sew along, this project fell back into the endless WIPs list. I think my last update here was in November. Yikes.
Recently, as I finished my last few deadline projects, I decided that it was high time for me to actually finish some of the works in progress I’ve been making at a snail’s pace for my family. I completed the final piecing of these blocks as a leader-ender project with other deadline sewing projects, and just this week, I finally sewed that final seam! That feeling of finally finishing a quilt top never gets old, does it?!
Since this quilt is slated for my nearly 5 year old son Max, I asked him to show me his favorite block. He took a quick look and pointed out a sweet and subtle yellow rabbit block, which surprised me a bit since in the past he’s claimed the turquoise scientist dog, the purple pony, or the green robot as his favorite block.
I thought maybe he had chosen the rabbit block as his favorite since it was closest and he was pretty enthralled in picking daffodils when I asked him outside, so when we returned in and out of the sun, I laid the quilt top out on the floor and asked him again to show me his favorite. True to form, he replied with a good dose of sass, “I already told you. It’s this one!” But of course.
We played a quick game of eye spy with the quilt on his lap, and I got a brief glimpse into the fun that will ensue when this quilt is actually fully quilted and bound. I have a feeling that favorite blocks will change like the wind, and there will be hours of fun centered around seeking out the little details in each print.
Max’s exploration of the quilt top resulted in a climb up and over, a flop all around, and culminated in a dramatic roll right off the couch (of course). This will be a fun family quilt for sure.
I pieced this top using my go-to 50wt Aurifil 2600-Dove thread. I’m still trying to decide how to quilt this, and whether to use Dove to quilt with an all-over design, or to break it down into sections and use coordinating colors for more dense quilting. Max’s birthday is June 14th, so part of me wants to try to shoot for completing it in time to gift it to him then, which makes me lean toward a more simple, all over quilting design, or straight lines to stabilize without going too crazy with quilting. Then again, this quilt will definitely see a lot of use, so denser quilting might be a better choice, even if it means it’s not finished in time for birthday gifting. What would you do?
I used four main strategies in piecing this quilt to ensure I would love the outcome despite any fear of scrappy quilts:
Rainbow ordered block arrangement
Bright colors including as much Alison Glass fabric as I could (easy from my stash!)
The middle grey squares are all the same solid Robert Kaufman Kona fabric (medium grey)
The black and white diamonds are all made from the same black (an unknown black with silver stars) and white (Lizzy House Twinkle Twinkle in White Metallic from her Whisper Palette for Andover Fabrics) to provide some visual consistency.
Now that I’ve made one scrappy, rainbow-ordered quilt, I absolutely understand the draw, and I don’t think I would need as many safety nets in place to ensure I love the outcome for the next one! Sticking to planned color placement and using fabrics I love would be sufficient.
What are some of your favorite patterns for using scraps?
Special thanks to everyone who sent “eye spy” appropriate scraps a couple years ago during the Instagram Quilty Wishes event. I have more to use, but this quilt would not have been possible without your contributions!
I’m excited to be the next stop on the Modern Triangle Quilts book blog tour, in celebration of my friend Rebecca Bryan’s new book published by Stash Books/C&T Publishing. In this post, I’ll tell you about her awesome spin on the typical book tour blog hop, I’ll share my highlights from her book, and I’ll tell you how you can enter to win either a fabulous charity quilt benefitting Living Water International, or a copy of the Modern Triangle Quilts book (or both if you’re crazy lucky!) Read on, friends!
I first met Becca right around when she published her first book, Modern Rainbow, and I knew we’d be fast friends. I mean, rainbow!? I LOVE rainbows! That book did not disappoint, and Modern Triangle Quilts is just as amazing. Becca also just announced her first fabric line with Robert Kaufman Fabrics, called Panache. She’s a rockstar, I tell ya!!
Modern Triangle Quilts takes triangles to a whole new level. With 70 graphic triangle block patterns including equilateral, right, and isosceles triangles, plus 11 sampler patterns and a section on graphic design, the design possibilities are endless. Above are the Isosceles Sampler and Facets, two of the strikingly unique patterns included in the book.
I had so much fun choosing a design and making a block from the book, especially since the color palette requested by Becca meant that I could combine my two favorite fabric designers–a crosshatch from Carolyn Friedlander‘s architextures basics, and two of Alison Glass‘s recent fabrics, Insignia and Sun Print 2017 fit the bill.
The piecing of these designs is so clever, and utilizes many techniques–from foundation paper pieced designs to improv. This book really gets me thinking outside the box (and into the triangle ha ha ha), which is what I look for in a quilting book. This is definitely a book worth adding to your quilty library.
Here’s the block I made for Becca, and I had the pleasure of giving this block to her over lunch while at QuiltCon in Savannah. Read on to see what she did with all of the blocks, and how you can be entered to win the gorgeous sampler quilt that resulted!
Charity Quilt Giveaway Details
Instead of the typical book release blog hop, Becca asked each of us on the blog hop to make a block (or more), and she made all of the blocks into this gorgeous Charity Bee Well Wishes quilt. For the duration of the Blog Tour (April 2 – April 18) Becca is offering the pattern for this quilt in her shop HERE for only $5. Every time you purchase the pattern, you are entered to win the quilt. You can purchase the pattern as many times as you want. Each purchase equals one entry. All proceeds of the sales from the Well Wishes PDF pattern will go directly to Living Water International. Visit her blog post HERE for more details. By purchasing this pattern, not only will you be entering into the running to win this gorgeous quilt, you’ll be directly helping make positive change in the world. That’s a win-win if I ever heard one!
Modern Triangle Quilts Book Giveaway
Rebecca Bryan and Stash Books / C&T Publishing are kind enough to offer one copy of Modern Triangle Quilts to one of my readers!
To enter the giveaway today, tell me what color combination you would use to make a modern triangle quilt. I love sharing color inspiration and hearing favorite color combinations! Leave a comment and make sure I’m able to get ahold of you if you win.
This giveaway is open to US and international participants. Note that only addresses within the U.S. will receive a hard copy of the book. Due to the extreme cost of international shipping, international winners receive the e-book version. The giveaway will be open until April 18th at 8pm EST when I’ll select the winner randomly with random.org. Winners will be announced by the 21st of April. Good luck!Giveaway is now closed! A winner will be announced shortly!
Blog Hop Schedule
Here’s the rest of the schedule so that you can follow along with the fun!
Ahhh, April! My favorite month! April is the month when spring usually begins to prevail over the last cold days of winter, with days getting a tad bit warmer, hopefully the snow melting enough to make way for sprouting crocuses and daffodils, and a prevalence of sun instead of sleet and snow. Not only that, it’s my birthday month, which is always a fun excuse to celebrate a little bit extra. To add some frosting to the cake, this month, I’m also one of the Queen Bees for The Honey Pot Bee hosted by Molli Sparkles. So fun!
When I was trying to decide what block to throw into the Honey Pot, I stumbled upon the Starry Sky block by Kylie at A Persevering Mom and completely fell in love. Let me count the ways: 1) it’s foundation paper pieced yet very simply so, 2) the possibilities for color play are endless and I just LOVE Kylie’s warm/cool on low volume background sample block, 3) it comes in three sizes–2.5″, 6″ and 12″ finished squares, and 4) it’s free which makes it a prime choice for a bee! Decision made! (UPDATE: since this post was first written, the pattern has been listed for sale for $5 rather than being a free download. It’s absolutely worth that and then some, please support Kylie by purchasing it!)
Because the foundation paper piecing in this block is so simple, it is a perfect block for some meticulous cutting fun. I decided that I wanted to use my precious Friedlander fabric for the background, but I wanted it to look like the tree scene was continuous across the block. I thought it might be helpful if I shared a few tips on how I did it.
Remember that in foundation paper piecing, you are building the block on the back of the template. For this reason, when cutting each fabric piece, be sure to position the template with the printed lines facing the right side of the fabric to ensure the direction of the fabric is correct.
It’s also helpful to cut as you go, completing one template piece at a time and double checking your progress along the way. This certainly takes longer than cutting all of the necessary fabric pieces and chain piecing each section, but when playing the meticulous cutting game, it’s wise to go slowly and steadily, checking and double checking along the way.
In the photo above, the pieces of background fabric are cut for each section of the final foundation template (remember that the fabric will go on the back, so it appears mirrored when looking at them next to each other this way.) The final adjustment that can be made is with the numbering and order in which fabrics are sewn. With a basic understanding of how foundation paper piecing works, you can rearrange your piecing order to help easily align your fabric pieces. For this block, I always began with the center of the star points when at all possible so that it made it easy to keep the background fabric level and headed in the desired direction. For the piece shown, instead of sewing them in the listed order of A1, A2, A3, etc…, I positioned A3, then sewed A2, then A4, then A1. This way, I only had one angled seam to line up properly (A5 to A6) in the entire block.
While this seamless background didn’t come across as clearly as I hoped due to the intricacies of the branches and print, I’m still glad I went through the extra effort to get those bushes lined up along the bottom. Even if at first glance, it’s not obvious that the background fabric lines up, I know it does, and that’s what matters, right!?
I love how the Friedlander Tree Stripe border in Pistachio looks with the star points, which include fabric from both Carkai and Architextures also by Carolyn Friedlander, some favorite Alison Glass Sun Prints from 2016 and 2017, a Free Spirit solid, Gum Leaves from Terra Australis 2 by Emma Jean Jansen, and an unknown green swirl from my stash. I sewed the block with my favorite 50wt Aurifil thread, 2600-Dove, but was excited to find two lovely greens in my stash, which will come in handy when it’s quilting time! My block will obviously be added to my Greenery Quilt, and I most likely will aim to also make a 12″ version of the block in a different arrangement of greens since I love the block so much. Can’t you see this block looking fab in just about any color combination!?