I have such exciting news to share today–I’m honored to introduce you to my first Aurifil thread collection: Color Crush! What’s extra special is that for those of you at QuiltCon right now, you can be one of the very first to purchase the thread set if you so desire, so that you can return home ready to stitch the rainbow and always have the perfect coordinating color in your thread stash. Read on to find out more, and then head over to Auribuzz for a really sweet interview.
I have been using Aurifil thread since early in my quilting days, and once I tried my first spool, I was immediately sold on how silky smooth and strong it is. It leaves hardly any lint in my machine, especially compared to the older hand-me-down threads I had been using before switching entirely to Aurifil. Not only that, the range of available colors has my rainbow-loving heart swooning. Paired with Aurifil’s commitment to seeking the most sustainable options: using 100% cotton thread, putting their most recent thread addition on a wooden spool, going plastic neutral in 2019, and a continuing focus on environmentally sustainable practices, this company’s ideals resonate with me, which is really important.
Over the past few years, I’ve found myself grabbing the same set colors of thread for most of my projects, and so finally I decided to reach out to Aurifil to see if they would still be interested in my curating a thread collection, since they had mentioned it a while back. I was excited to receive a resounding yes, and then the fun began!
I carefully considered each of the colors of thread *I* always use, trying to decide if it would be a universally helpful color to have, and have very intentionally decided upon this spectrum of luscious, vibrant, tertiary-heavy threads. Here are just a couple of the projects on which I’ve personally used these threads recently:
Pollinate EPP quilt
Staggered Quilt
Summer Sampler 2019 Alternate Layout, Planned out in my Quilter’s Planner 2020
This thread collection embodies my favorite design aesthetic, and as you can see, I put ALL the colors to good use! I plan to share much more about each individual thread and why it was selected in a later blog post, but for now, I encourage you to head over to the Aurifil blog Auribuzz, where they are sharing really fun interview in which I talk about all things quilting, color, QuiltCon, and more! Read it HERE.
If you want to purchase Color Crush and your local quilt shop doesn’t currently stock it, please ask them to special order. Any shop can grab it from a distributor of course, but ANY shop can purchase directly from Aurifil, no minimum, flat rate shipping. Simply click the “Shop Now” button on the top right of the Aurifil webpage, choose “Designer Collection”, set up an account with them, and order until your Color Crushing heart’s content! Please let me know if you are a shop and plan to stock this collection, since I will be creating a landing page with a list of where Color Crush is available for sale, both online and in brick and mortar shops.
QuiltCon 2020 – Austin!
If you are in Austin for QuiltCon right now and love this collection of threads as much as I do, there’s good news! You can buy a signed collection AND say hi to me! (hugs, please) during two meet-and-greet events during the show:
Friday, February 21st, at 12:30pm at Aurifil’s booth, booth #910, facilitated by Private Source Quilting (PSQ), and,
Saturday, February 22nd, at 3pm at the Homestead Hearth/Designs by Sarah J booth, booth #404. The Homestead Hearth/Designs by Sarah J booth will also be selling some of my most popular quilt patterns, including the new Staggered quilt, Sew Tiny Sampler, Pollinate EPP quilt pattern, my Run Run Run block pattern, Pollen Pillow EPP, and a couple more. This is a rare chance to get one of my patterns in print, so I do hope to see you there!
Staggered is a fun, easy, extremely versatile pattern that is a great way to showcase your favorite fabric line. Perfect for precuts, this would be a fantastic pattern for that precious fat quarter bundle or jelly roll you have stashed away. I used the new Alison Glass Sun Print 2020 fabrics by Andover Fabrics for mine, and it seriously brightens my day. My kids are already asking who gets the finished quilt! I especially love how the Menagerie fabric from Sun Print adds some twinkle among the other rich range of colors. Anyone who knows me knows how much I love Alison Glass fabrics, and this *might* be my favorite line of hers so far.
The range of greens-teals-blues are especially to die for! I just love how they play in this Staggered quilt. You can probably tell, but I’m smitten!
I quilted my Staggered quilt using coordinating 50wt Aurifil threads– I have another fun release to share–from my very own curated collection of Aurifil threads, called 
I recently faced the demon that was my chaotic sewing space and have been organizing with the help of my dear friend Alessandra. Yesterday when I shared the above photo of my newly cleared cutting table on Instagram, there were many questions about my rainbow of skinny bins hanging along the side of it. My skinny bins were made using a tutorial I wrote for Quilt Theory years ago, for a fabulous fabric party hosted by 
A few weeks ago, many fabric and thread companies were kind enough to send color cards to the Quilt Theory team to help with our planning. While brainstorming different ways to store and use these color cards, I realized that 
Sew the short ends right sides together using a ⅜” seam allowance. You will have a tube with both ends open. Press seam open.
Centering your pressed seam (3 ½” of fabric should be on either side of the seam), press the tube flat, creating clear side creases.
Measure and mark 1 ⅞” (1 ½” from the bottom seam stitch line) up and 1 ½” in from the side on each bottom corner, as illustrated above.
Carefully cut out the marked squares and discard.
Opening the bin, fold the recently cut opening so that the bottom seam and side pressed seam match, right sides facing.
Carefully pin or hold in place, and sew along the opening with a ¼” seam. Be sure to backstitch at the beginning and end. Repeat for the other bottom corner.
Your bin exterior should look like the photo above.
Turn bin right side out, press out the bottom corners, admire, and set aside the exterior of your bin.
Repeat Steps 2 through 7 with the lining fabric to create the lining of the bin.
With right sides out, carefully slide the lining fabric into the exterior of the bin, aligning the back seams and pressing the bottom corners into each other so that it fits snuggly. The exterior and lining should be wrong sides facing each other and the lining should extend about 1” above the top of the exterior.
Fold the lining down toward the outside of the bin so that the raw edge of the lining meets the raw edge of the exterior (approx ½”).
Fold again, so that the lining folds down over the exterior, with all raw edges contained inside the folds. Press carefully around the top edge of the bin so that your fold stays in place. You can pin or clip, or live on the wild side and simple feed carefully by hand as you stitch it down.
I used my Aurifil 50wt 2600-Dove and a 3.0 stitch length so that it provided a bit of interest matching the pattern on the Alison Glass Sun Print Grow in Pansy I used for the lining.
Feel free to personalize the outer panel, too! Add-on exterior patterns may be available one day if the desire is high. Please use 
If you don’t yet have an Aurifil thread color card, ask your local quilt shop or order from 
For now, here’s the snowball block I made for today. I used some precious 
Here’s a closer look at those swirly twirly unicorns. A subtle but fun touch, don’t you think?
This post is a sponsored conversation written by me on behalf of Cricut. All opinions and text are my own. This Flying Geese Table Runner includes both traditional piecing and embroidery or hand quilting. If you don’t have a Cricut Maker, I’ve included cutting instructions and a pdf as well, so anyone can make it!
Prepare your mats as instructed, smoothly spreading your fabric onto your 12″x24″ FabricGrip mat. The Cricut Maker will lead you through the entire process, so simply follow the screen instructions and let the Cricut Maker work its magic!
The Cricut Maker will both draw the washable embroidery guide lines AND cut the larger rectangle for you!
When I designed the drawn geese section, I designated the geese shapes as draw lines rather than cut lines and ATTACHED them to a larger cut background rectangle, about 11 1/2″ x 13 1/2″ in size so that they would be easier to embroider. For those of you designing for your Cricut Maker, this is key to remember when you want to combine both cut lines and drawn lines! Also, many thanks to 
The Cricut Maker will also prompt you to cut squares of your focal fabric, small squares of background fabric, and some background rectangles. Once the fabric is cut, carefully remove the excess fabric, revealing your perfectly cut shapes. Carefully remove the fabric from the mats, and then get ready to sew!
The embroidered accent geese are meant to add some subtle accent interest to your table runner, since hand stitching of any kind (in my mind) adds a special touch. Especially with a project that will be seen often, those hand stitches can echo the sharp aesthetic of the pieced flying geese.
Gather your embroidery hoop, background fabric with your flying geese drawn on, and a thick 12wt thread, embroidery floss, or perle cotton in a coordinating color. I chose to use 
You can use the drawn embroidery guides to do any type of embroidery you want. I chose to do a simple running stitch around each flying goose, but feel free to get creative! Chain stitch would me another fun stitch to use to outline each goose, you could echo the stitching inside each goose as well, or even fill the geese with french knots!
Once you’ve finished embroidering your geese, carefully trim the panel into two rows of geese, cutting 1/2″ away from the side points of each row. Do not cut the top or bottom of each row of flying geese. You should now have two embroidered geese panels measuring 5″ x 13 1/2″.
With your fabric pieces cut perfectly by the Cricut Maker, or as specified above, piece your flying geese using the four at a time method. I used the Reference section of my 
Make twelve geese total and sew them into two strips of six as shown above. See how they are mirrored by the embroidered strips? Note that your embroidered strips should be cut apart by this step.
When sewing two geese together, position the point of the goose on top and make sure your stitch line passes exactly through the stitched point of your goose.
This way, you will be sure to never chop off the point of a flying goose ever again!
Once your flying geese rows of six are assembled, sew a 1 1/4″x 4″ piece of background fabric to the top and bottom of each strip. Align with your 13 1/2″ embroidered geese strips, and trim the pieced flying geese strips to 13 1/2″ if needed, being sure that your embroidered geese align with your sewn geese before trimming. There is a little bit of wiggle room included in the top and bottom background rectangles to allow for those who sew scant or generous 1/4″ seams, so trim as needed.
First sew together the flying geese panels of the table runner. I’ve arranged mine on top of my backing fabric so that you can clearly see the different pieces being sewn together. With geese facing the same direction, sew the embroidered flying geese section to the pieced flying geese section. Then sew to the 2 1/2″ x 13 1/2″ background rectangle. Make two.
Assemble the table runner top by sewing the sections together as shown above: Note that the embroidered flying geese panels should be sewn to the center background piece on both ends.
Once your table runner top is pieced, position the runner top and batting in the center of your chosen backing fabric, right sides facing away from each other. In other words, layer and baste your table runner and prepare for quilting!
I chose to use Aurifil 50wt 2479- Medium Orchid to quilt my Flying Geese Table Runner with a dense free motion quilting pattern in the center, simple outlines of the pieced flying geese, and dense free motion quilted switchbacks in Aurifil 2021-Natural White between both the pieced and embroidered geese. I wanted the texture but not the visual distraction from my hand stitching.
I’m certainly not a free motion quilting pro, but I am pretty happy with my over-all heart-flower free motion quilting motif! Plus, how fabulously do those tulips go with the BariJ Sage fabric backing!?
Once your table runner is quilted as desired, carefully fold back the backing fabric and trim the batting *just* outside the top of your table runner top. I gave myself a little less than 1/8″ around the edge of my table runner.
Be extra careful not to cut your backing fabric during this step!
A full tutorial for how to bind your quilt with the backing fabric can be found 
I wanted my binding to be slightly slimmer, so I cut mine 3/4″ from the edge of the table runner top instead of 1″, but choose whichever you prefer.
Ta da! Your table runner is nearly finished! All that remains is to wash out the washable fabric marker lines. I’ve found that the Cricut Washable Fabric Pen easily washes out with a bit of soap and cold water. Note that if you prewash your fabrics, you can wash out the fabric pen before trimming and piecing the embroidery panels into your table runner. I don’t prewash my fabrics, so I opted to wash it all at once after it was completely finished.
After giving my table runner its first wash, and in looking at these photos, I think I will go back and hand quilt within those embroidered flying geese to give them a bit more texture.
Enjoy, and I hope you’ll share a photo of your Flying Geese Table Runner if you make one! You can tag me on social media 
I headed off to QuiltCon with an English Paper Piecing (EPP) project–the Mandolin Quilt Block by Jodi at Tales of Cloth. I had gotten a bit further than 
While I was traveling, the mending on my most-worn jeans began to wear through, but fortunately I was able to pick up a mending kit from the 
I used the 12wt 
My long flight back to NJ after QuiltCon allowed me to finish both of these hand stitching projects, which felt pretty amazing since I typically make progress at a snail’s pace.
With 16 diverse patterns including a variety of techniques including traditional piecing, applique, and foundation paper piecing, this book is a great resource for quilters of all levels of experience. For the next few weeks, be sure to follow along with the 
One thing I love about the Signature Plus pattern is that it’s designed as a pattern well suited to group quilts, inspired by Red Cross signature block quilts from the early twentieth century. You can read more about the history of Red Cross quilts 
I’m using *gasp* 
I have a highly technical approach to selecting fabrics when it comes to a project like this. I place my center on the floor, surround it with all of the Alison Glass fabrics I can find, and then play.
I audition fabrics not only in person, but also through the screen of my phone’s camera, since oddly, some fabric arrangements look different from afar. Alison makes it pretty easy since her fabrics are such a vibrant spectrum of tone on tone color that already transition so well through the rainbow. It’s still fun to decide where to put each bright little bit, and mixing fabrics from new and old fabric lines.
I love English Paper Pieced patterns that have acrylic templates, since I’m a big fan of meticulous cutting (aka 
Even with a project focused on the color flow and not so much the individual pieces, I still fit meticulous cutting in where I can. You *might* notice that the squares around the center are all meticulously cut from Compass from Sun Print 2018, alternating designs since I only had fat eighths of the fabric, which didn’t include a full repeat of the design. The triangles are also meticulously cut, alternating between Latitude from Diving Board and Link from Sun Print 2017.
I’ve been using 
I’ve been wanting to create a pattern exclusively for 
It was tough to limit myself to just a few of the colors, but with my design I had to pick my top favorites. Turquoise and magenta won the day, and that perfect purple print with both turquoise and magenta details, called Energy in Berry, was the perfect middle man! Plus, I can’t think of a better fabric name to go in a Superbolt!
I quilted Superbolt with a variety of color-coordinating Aurifil 50wt and 40wt threads. I quilted straight lines in the lighting bolt white sections using 50wt thread in 2600-Dove and the walking foot on my Bernina 560. I’ve been wanting to practice free motion quilting ever since taking 
I used a different design in each colored section, and tried to choose mostly curved designs for the darker areas, with more angular and sharp designs for the light ones. I used 40wt 1148-Light Jade in the teal section (Charisma in Seafoam from Panache), 50wt 2535-Magenta in the purple (Energy in Berry), and 40wt 1100-Red Plum in the bright pink (Spirit in Pink). Because the thread color blends in so well, it’s hard to see how fantastic my free motion quilting was, so you’ll just have to take my word for it! LOL
I found the perfect backing fabric for this mini in my stash, Aloe Vera in Candy from Pretty Potent by Anna Maria Horner, and with the addition of a few leftover blocks from the mini quilt top, it came together as a really fun quilt back.
The striped fabric makes a perfect binding, but also makes a great label! I took the photo before I hand stitched the top edge, and don’t mind that top stray thread that escaped my snips, but I love how easy the stripes made it to write in a straight line! I usually kilter when I write, so having that extra guide was super helpful.
Before stitching up a Peder or Halvor Tomte (my two favs at the moment), I had to sew one of the adorable Tiny Tomtes! This Tiny Tomte is a free addition when you buy the 
I used a Henry Glass print for the background, since the mushroom and snail seemed right at home with this Tiny Tomte. This print actually also happens to be the very first fabric I ever bought, years and years ago before I began quilting. The red fabric is from my scrap bin, some gorgeous Oakshott Lipari from my 
After sewing up this Tiny Tomte, I had to take him out on an adventure in the woods so that he would feel at home. During my youngest’s nap, I ventured out behind our house and Tiny Tomte had a fun photo shoot! We found a gorgeous shelf fungus on a tree stump, so Tiny Tomte played beneath it.
And on top of it!
He climbed some trees and gathered some souvenirs.
A pinecone three times his size and an evergreen bough will have to hold him over until we cut our Christmas tree this year. I think they will do just fine.
Night Quilter 