As I mentioned in my post a few week ago, the list of use ideas for this tall and skinny fabric bin just keeps growing. From sorting tiny fabric scraps to housing your favorite adult beverage bottle, the sky’s the limit.
Today I’m also sharing one such use over on Auribuzz, the Aurifil thread blog. It turns out that my Skinny Bins are the perfect size for holding cut up Aurifil thread card strips, too! Yvonne from Quilting Jetgirl and I co-wrote a post for Auribuzz all about how to cut apart your Aurifil thread color card and the many ways to display and store the strips, since cutting the cards really is super helpful when it comes to finding that perfect color match.
When you make your own fabric Skinny Bins, please use #fabricskinnybin and tag me @nightquilter and @quilt.theory so that I can see them (and see how you decided to use them!). Patterns for customizing the exterior panel will be available in the coming weeks.
I thought this also might be a great time to share that I’ve been selected to be an Aurifil Artisan for 2017, so I’m honored and excited to be a part of the talented team of makers that love to work with Aurifil thread. Visit this post on the Aurifil blog to see the whole Aurifil Artisan team!
Whoa! May is trucking along at quite a rate! Now that we are halfway through May, I thought it might be a nice time to share my April update for my 1 year of stitches embroidery project. I also share some of the embroidery resources I find myself visiting again and again.
For those who are new to this project, my 1 year of stitches project is a personal challenge to stitch at least one stitch every single day. I am working with no set plan, I don’t mark the fabric before stitching; I simply stitch whatever wherever whenever. I’ve been using my stash of 12wt Aurifil thread and loving it! It’s quite fun!! You can follow along with my daily stitches at @NQ1yearofstitches on Instagram.
Here’s a refresher of the monthly progress so far:
…after January’s stitching…
…after February’s stitching…
…after March’s stitching…
…and finally, here it is after April’s stitching!
I realized when looking at the photos that in April, I worked entirely in that center “coastline” section. It was not really intentional, but I suppose it just kept asking for more!
I think it all began with some rocks, and then some little critter footprints, and then took off from there.
I mostly stitch whatever comes to mind each day, without much influence from my everyday happenings. A couple stitches this month had some subtle meaning, however. I stitched a large rock on Good Friday and a lily flower sprouting out of the rock on Easter. Sometimes it just sneaks in.
On one particularly uninspired day, I showed my hoop to my husband and prompted, “Where should I stitch? Tell me a color and point to a spot.” He pointed to a spot and said “A piece of driftwood here.” Thus originated the couched stitch driftwood, which was followed by some 12wt Aurifil 2600-Dove sand and a few tufts of beach grass. Some days inspiration strikes; some, not so much.
I also added another wild and crazy layered flower consisting of long tailed lazy daisy stitches, lazy daisy, and pistil stitch. There might be a few french knots in there, too.
The boldness of the flower begged for some offsetting feature, so another woven picot appeared in the form of a big green leaf. I love the little 3-dimensional elements on this hoop!
I’ve had a few people ask about the embroidery books and resources I use, so I thought it would be helpful to compile a short list of some of my oft-visited resources.
I’m excited to share that I’ve finally sewn the final seam in the Eye Spy Picnic Plaid quilt top I’ve been making for my son Max. I absolutely love this quilt, made using the Scrappy Picnic Plaid quilt pattern by Lee Heinrich from Freshly Pieced, which was part of the 2016 Quilter’s Planner. I used all fabrics from my stash, a large part of which were Alison Glass fabrics. It was sort of my safety net, as this was one of my first truly “scrappy” quilts and I wanted to be sure I would love it. The vibrant colors and heavy hand of Alison Glass fabric contributions worked; I love this quilt!
If you remember, I began this quilt as part of the 2016 Quilter’s Planner Sew Along back in October of 2016 and made fairly solid progress until around December. Then the holidays and life got in the way of things and with the culmination of the sew along, this project fell back into the endless WIPs list. I think my last update here was in November. Yikes.
Recently, as I finished my last few deadline projects, I decided that it was high time for me to actually finish some of the works in progress I’ve been making at a snail’s pace for my family. I completed the final piecing of these blocks as a leader-ender project with other deadline sewing projects, and just this week, I finally sewed that final seam! That feeling of finally finishing a quilt top never gets old, does it?!
Since this quilt is slated for my nearly 5 year old son Max, I asked him to show me his favorite block. He took a quick look and pointed out a sweet and subtle yellow rabbit block, which surprised me a bit since in the past he’s claimed the turquoise scientist dog, the purple pony, or the green robot as his favorite block.
I thought maybe he had chosen the rabbit block as his favorite since it was closest and he was pretty enthralled in picking daffodils when I asked him outside, so when we returned in and out of the sun, I laid the quilt top out on the floor and asked him again to show me his favorite. True to form, he replied with a good dose of sass, “I already told you. It’s this one!” But of course.
We played a quick game of eye spy with the quilt on his lap, and I got a brief glimpse into the fun that will ensue when this quilt is actually fully quilted and bound. I have a feeling that favorite blocks will change like the wind, and there will be hours of fun centered around seeking out the little details in each print.
Max’s exploration of the quilt top resulted in a climb up and over, a flop all around, and culminated in a dramatic roll right off the couch (of course). This will be a fun family quilt for sure.
I pieced this top using my go-to 50wt Aurifil 2600-Dove thread. I’m still trying to decide how to quilt this, and whether to use Dove to quilt with an all-over design, or to break it down into sections and use coordinating colors for more dense quilting. Max’s birthday is June 14th, so part of me wants to try to shoot for completing it in time to gift it to him then, which makes me lean toward a more simple, all over quilting design, or straight lines to stabilize without going too crazy with quilting. Then again, this quilt will definitely see a lot of use, so denser quilting might be a better choice, even if it means it’s not finished in time for birthday gifting. What would you do?
I used four main strategies in piecing this quilt to ensure I would love the outcome despite any fear of scrappy quilts:
Rainbow ordered block arrangement
Bright colors including as much Alison Glass fabric as I could (easy from my stash!)
The middle grey squares are all the same solid Robert Kaufman Kona fabric (medium grey)
The black and white diamonds are all made from the same black (an unknown black with silver stars) and white (Lizzy House Twinkle Twinkle in White Metallic from her Whisper Palette for Andover Fabrics) to provide some visual consistency.
Now that I’ve made one scrappy, rainbow-ordered quilt, I absolutely understand the draw, and I don’t think I would need as many safety nets in place to ensure I love the outcome for the next one! Sticking to planned color placement and using fabrics I love would be sufficient.
What are some of your favorite patterns for using scraps?
Special thanks to everyone who sent “eye spy” appropriate scraps a couple years ago during the Instagram Quilty Wishes event. I have more to use, but this quilt would not have been possible without your contributions!
When my local friend Kim told me about an art auction she was organizing to benefit the American Civil Liberties Union (ACLU), I knew that no matter how much I had on my plate, I wanted to make something to contribute. I finished just under the wire, but was able to finish this 6″ hoop for the Art of Action, which will take place tomorrow in Bangor, Maine. Don’t worry–I got the hoop to Kim earlier this week so that she had time to hang it!
This hoop primarily features a quote that has become a war cry that helps women honor their strength and their ability to fight for what they believe in, and I added freestyle embroidery flowers for a light aesthetic touch.
My goal was to make it bold and strong, yet pretty at the same time. Rosie the Riveter meets a lovely sunlit tea room.
This was the first time I actually wrote on a hoop before stitching, but I knew with lettering I wanted it to look perfectly centered, and advance planning was necessary. I printed the quote I wanted in the fonts I wanted, held it up to a window with my cotton and steel background fabric held on top, and then traced it with a regular pencil. I’m really high-tech here, as you can see.
The stem stitch “Nevertheless” was fairly straight-forward, but by golly, that cursive “she persisted” was tricky! Nevertheless, I persisted. I give mad props to those of you who hand embroider lettering regularly! It’s not for the faint of heart.
Overall, I’m happy with the lettering even though it’s far from perfect. I ultimately outlined the thicker parts of each letter with backstitch, and then went back over the entire thing with satin stitch to fill in. Some letters are more rough than others, but that’s all part of the charm of handmade, right?
My favorite part other than the message and the really good letters (there are a couple!) is the bunch of flowers at the bottom. The french knot lavender flowers are so much fun to stitch, and I love the look of the tall, single chain stitch flowers. I used 12wt Aurifil thread for all of the stitching, and as usual, I’m quite happy with the thickness and silkiness of the stitches.
I finished the hoop with a felt backing, blanket stitched in place and embroidered with a very simple signature and date.
If you are in the Bangor, Maine area tomorrow evening, April 8, 2017, please come by the Art of Action Auction, a silent auction of art to benefit the American Civil Liberties Union (ACLU) taking place at 58 Main, a pop-up event venue in the heart of downtown Bangor.
The juried art show will be auctioning more than 60 pieces of art and works at varying price points done by Maine artists, living, working or with roots in Maine. This grass roots effort is intended to promote Maine Artists, bring the community together and safeguard individual rights and freedoms. (Information from the Art of Action website) I’ll see you there!
For those who are new to this project, my 1 year of stitches project is a personal challenge to stitch at least one stitch every single day. I am working with no set plan, I don’t mark the fabric before stitching; I simply stitch whatever wherever whenever. It’s quite fun!! You can follow along with my daily stitches at @NQ1yearofstitches on Instagram.
Here’s a refresher of the monthly progress so far:
…after January’s stitching…
…after February’s stitching…
…and here it is after the month of March!
I seem to have branched out in March and created two entirely new sections. In the first two months of the year, I mostly aimed to extend from the existing stitching, and this month as I look at my hoop progress in full, I mostly started new little islands of stitches rather than building upon what is already there. (self reflection aside: interesting!)
There is the “deep sea” region of the hoop, where I played with my 12wt Aurifil blues and explored the nuances of spiral trellis stitch, done both correctly (the top light blue circle with the light grey star in the center) and incorrectly (the big bubbly center thing, where I accidentally began the stitch with a running stitch circle instead of backstitch). I have not conquered this stitch yet, but I also am not yet finished. I will tackle it again, for sure!
A little flower garden island also popped up this past month, built around those turquoise bullion knot flowers. I enjoy using both pistil stitch and long tailed daisy stitch for flowers, and you certainly have not seen the last of these stitches!
The center ecotone did not grow much at all, but still acts as a neutral divide between deep sea and lush greenery. Here’s the scientific definition care of google, just for fun!
A few days ago, I realized we were exactly one quarter of the way through the year, day 92.
Looking at my hoop overall, I think I have covered about one quarter of it, so I’m feeling good about my progress! I also am very curious to see where this goes, since nearly every day, it’s as much of a surprise to me as it is to you!
Just to share some of my thought process, some daily thoughts I have are:
Should I learn a brand new stitch or use a tried and true favorite?
Which is often preceded by: How much time do I have today?
Do I fill in between or layer my stitches? or should I stitch in an open spot?
Should I stick with these colors only, or should I expand my Aurifil 12wt thread stash *just* a bit?
Should I leave that warm top left portion allll warm and sunny and bright? or do I throw in a cool green or turquoise?
Is this going to be a crazy mess at the end of the year?! (laugh here with me)
Either way, I’m having fun with it, exploring my creativity and keeping the pressure light. I hope you’re enjoying following along, too!
Ahhh, April! My favorite month! April is the month when spring usually begins to prevail over the last cold days of winter, with days getting a tad bit warmer, hopefully the snow melting enough to make way for sprouting crocuses and daffodils, and a prevalence of sun instead of sleet and snow. Not only that, it’s my birthday month, which is always a fun excuse to celebrate a little bit extra. To add some frosting to the cake, this month, I’m also one of the Queen Bees for The Honey Pot Bee hosted by Molli Sparkles. So fun!
When I was trying to decide what block to throw into the Honey Pot, I stumbled upon the Starry Sky block by Kylie at A Persevering Mom and completely fell in love. Let me count the ways: 1) it’s foundation paper pieced yet very simply so, 2) the possibilities for color play are endless and I just LOVE Kylie’s warm/cool on low volume background sample block, 3) it comes in three sizes–2.5″, 6″ and 12″ finished squares, and 4) it’s free which makes it a prime choice for a bee! Decision made!
Because the foundation paper piecing in this block is so simple, it is a perfect block for some meticulous cutting fun. I decided that I wanted to use my precious Friedlander fabric for the background, but I wanted it to look like the tree scene was continuous across the block. I thought it might be helpful if I shared a few tips on how I did it.
Remember that in foundation paper piecing, you are building the block on the back of the template. For this reason, when cutting each fabric piece, be sure to position the template with the printed lines facing the right side of the fabric to ensure the direction of the fabric is correct.
It’s also helpful to cut as you go, completing one template piece at a time and double checking your progress along the way. This certainly takes longer than cutting all of the necessary fabric pieces and chain piecing each section, but when playing the meticulous cutting game, it’s wise to go slowly and steadily, checking and double checking along the way.
In the photo above, the pieces of background fabric are cut for each section of the final foundation template (remember that the fabric will go on the back, so it appears mirrored when looking at them next to each other this way.) The final adjustment that can be made is with the numbering and order in which fabrics are sewn. With a basic understanding of how foundation paper piecing works, you can rearrange your piecing order to help easily align your fabric pieces. For this block, I always began with the center of the star points when at all possible so that it made it easy to keep the background fabric level and headed in the desired direction. For the piece shown, instead of sewing them in the listed order of A1, A2, A3, etc…, I positioned A3, then sewed A2, then A4, then A1. This way, I only had one angled seam to line up properly (A5 to A6) in the entire block.
While this seamless background didn’t come across as clearly as I hoped due to the intricacies of the branches and print, I’m still glad I went through the extra effort to get those bushes lined up along the bottom. Even if at first glance, it’s not obvious that the background fabric lines up, I know it does, and that’s what matters, right!?
I love how the Friedlander Tree Stripe border in Pistachio looks with the star points, which include fabric from both Carkai and Architextures also by Carolyn Friedlander, some favorite Alison Glass Sun Prints from 2016 and 2017, a Free Spirit solid, Gum Leaves from Terra Australis 2 by Emma Jean Jansen, and an unknown green swirl from my stash. I sewed the block with my favorite 50wt Aurifil thread, 2600-Dove, but was excited to find two lovely greens in my stash, which will come in handy when it’s quilting time! My block will obviously be added to my Greenery Quilt, and I most likely will aim to also make a 12″ version of the block in a different arrangement of greens since I love the block so much. Can’t you see this block looking fab in just about any color combination!?
Head on over to Molli’s blog to see the other gorgeous block for April, and have fun with this Starry Sky block!
Recently Hillary from Entropy Always Wins and I had the opportunity to meet in person after following each other’s work online for years. Both loving embroidery, repurposing textiles, creativity and the sewing community in general we plotted a tutorial that would allow us to play off each other’s creative personality and engage the greater sewing community as a whole.
A year ago Hillary made an Easter Egg shaped pincushion out of velvet and repurposed leather. We expanded on this idea and invite anyone who wants to participate to make a similar pincushion and, if interested, incorporate repurposed leather (Earth Day is coming up after all, and repurposed leather is typically thin enough to easily sew on a domestic sewing machine.) Be bold. Be brave. Let’s sew leather!
In this tutorial we give everyone some guidelines but the emphasis is on PLAY and MAKING THIS PROJECT YOUR OWN. Don’t celebrate Easter? No biggie, make a similar pincushion in another shape. We will be following on Instagram so please tag your makes #eastereggpincushion (as well as tagging @nightquilter and @entropyalwayswins) so we can all enjoy. To celebrate this group project we will both randomly be giving participants some of our own pincushions as well as supplies to make them. All you need to do to be eligible is to play along, tag us, and tag #eastereggpincushion so that we can find you!
Thin leather (~6×12 inches)
Wool felt, velvet, jeans or any other material for the inner portion of the pincushion (~6×6 inches)
Embroidery hoop (a 4” hoop will *just* fit the inner egg)
Crushed Walnut shell or other favored pincushion fill
Step 1: Templates and Leather
Print the Embroidery Egg Template and cut along both inner and outer egg outlines.
Trace the template onto the wrong side of the leather, marking out two eggs–one with only the outline and one with both the inner and outer lines drawn.
Carefully cut along the marked lines, remembering to cut one piece along only the outer egg outline and cut the other piece along both the inner and outer egg outlines.
Set your leather pieces aside.
Step 2: Embroidery
Using chalk or water soluble marker, trace the inner egg outline onto your embroidery surface (felt, velvet, jeans, etc) so you will know the limitations of your embroidery design.
Adorn at your heart’s desire with embroidery, applique, etc. You are welcome to copy our experiments but please feel free to try your own ideas.
Step 3: Attach the Embroidery to the Leather Upper
Align your embroidered material so that the embellishments fit within the window of your leather upper (the egg with the hole cut out of the middle).
Secure the right side of your embroidery to the wrong side of your leather upper with double sided tape, glue, clips, or other method.
Then, using a ¼ or ⅛ inch seam allowance, top stitch the two together along the inner egg as shown.
Thread the top threads to the back of the piece, tie all loose ends together and trim.
Finally, if possible, trim the seam allowance of your embroidered material carefully about ½” away from the stitched line so that it remains easily inside the outer margins of the egg.
Step 4: Make an inner pincushion
Using only the outer margin of your Egg Template, trace and cut two pieces of muslin. Sew the two pieces together using a ¼ inch seam allowance, leaving a small opening to use for filling.
Fill with crushed walnut shell (a funnel can be helpful for this). One half cup of crushed walnut shell for this project seems to be the right amount. Use a little more if you want a more rounded pincushion. Sew the opening of the inner pincushion completely closed.
Step 5: Finishing your pincushion
Place the two leather egg pieces wrong sides together and secure with clips. (Note that pinning will create visible holes in the leather–use clips!) Sew around the outer margin of the egg using a ¼ seam allowance, leaving an opening at least 3 inches long unsewn.
Stuff your filled and fully closed inner pincushion through this opening. Ensuring the inner pincushion remains entirely inside, top stitch the remaining way around the outer edge of the egg.
Thread the top threads to the back of the piece, tie all loose ends together and trim or bury.
Right before the mad-dash to get packed for our trek to QuiltCon, I finished a mini quilt and excitedly mailed it to a hotel in Savannah, where it patiently waited for Giuseppe to arrive. Here’s a closer look at my mini quilt that hung in the Andover Fabrics booth at QuiltCon.
This quilt got its name after it was nearly completed, as I sat hand stitching the binding to the back. A mini quilt made at the request of Andover Fabrics, out of entirely Alison Glass fabrics, to be displayed in the Andover booth at QuiltCon–can you imagine how thrilled I was to make it? I had selected my pattern Constant Flux since I have been wanting to play with different arrangements and color schemes for it, and simply rearranged the blocks to create a central focal square (I rotated each block 180 degrees).
With freestyle embroidery fresh on my mind and Nichole Vogelsinger’s book Boho Embroidery freshly on my bookshelf, I was inspired to add an embroidered, appliquéd bee from Alison’s Seventy-Six line in the center.
So when a local friend of mine sent a message connecting me with a textile designer friend of hers who needed product photography, and calling me “the bee’s knees”, the name just felt right. I think the entire world pretty much knows that I think nearly all of Alison Glass’s fabrics are the bee’s knees, so it felt like the perfect name: The Bee’s Knees (aka all of my favorite things–Alison Glass fabrics, plus meticulous cutting, plus embroidered applique, plus detailed machine and hand quilting) in Constant Flux (the pattern name). More figuratively, it’s a nod to the fact that the fabrics and styles that we consider the bee’s knees are constantly changing.
I had a lot of fun with the meticulously cut (yeah, yeah, fussy cut) sections, including bees and flowers as framing for the color flow. I love pairing meticulous cutting with foundation paper piecing. The fussy cutting templates I include in my pattern came in handy, too.
I knew I wanted to incorporate both hand and machine quilting, and I knew that I wanted the machine quilting to be dense. It took me a while to decide between using 50wt Aurifil 2600-Dove or 5015-Gold Yellow for the quilting, and finally I opted for the Gold Yellow to pull out the gold of the centrally stitched bee. I quilted a diagonal grid approx 1/2″ apart on all of the colored sections of the quilt and I love the texture it created. I wanted the white star and central diamond to pop, so I let them be, patiently awaiting hand quilting.
I used a rainbow of 12wt Aurifil thread to help pull the rainbow from the gorgeous fabrics into the white sections, and I love the outcome! I decided to switch to 12wt 2600-Dove for the center so that the bee would stand out.
The back shows that my hand quilting still has plenty of room for improvement (especially when trying to maneuver around the bee), but it’s still fun to see the back, too!
I used Seventy Six fabrics Rising in Graphite and Numbered in Duck Egg for the back, with an Insignia in Chartreuse label.
Labeling is one of my favorite parts–maybe because it helps me know that my name is on my work, or maybe because it means I’m finished with a project!!
This quilt is currently in Andover headquarters in NYC for photography and other fun fabric adventuring before it returns to me, but it was super fun to see it hanging in the booth at QuiltCon (see it, top right??). You can see a photo of me proudly standing next to it in my QuiltCon post here.
I’m linking up with Crazy Mom Quilts Finish it up Friday, since this finished mini hopped right into the mail upon its completion and hasn’t been shared in detail here yet. Finishes do feel good, don’t they!?
I’m still working on a post about my experiences at QuiltCon last week, but as March continues to skip on, I thought I should share February’s stitches for my 1 year of stitches project in the meantime. QuiltCon post coming soon!
My 1 year of stitches project is a personal challenge to stitch at least one stitch every single day. I am working with no set plan, I don’t mark the fabric before stitching; I simply stitch whatever wherever whenever. It’s quite fun!! You can follow along with my daily stitches at @NQ1yearofstitches on Instagram.
Even after a short month, it grows! As a reminder, here’s the hoop after the month of January:
and here it is showing the progress from February:
I guess 28 days can make a big difference!
The highlight of the month was getting the chance to chat with Erin from Aurifil on Facebook live while attending QuiltCon in Savannah. You can see my low key chat HERE on the Aurifil Facebook page. I talk about my process, how the project came to be, why I use Aurifil 12wt thread, and I show a quick demo on how to stitch a French knot. It was a really fun opportunity, and while a bit nerve-wracking knowing I would be live, Erin made it easy by being totally awesome and relaxed. Plus, she’s from Maine. Perfect! The whole experience inspires me to try a bit harder to figure out a way to video my stitches live each day, or at least some days each week. I’ll get right on that and will let you know if I figure it out!
Back to my embroidery progress! Here are some close up shots of the various sections of this freestyle hoop.
I am still stitching without a plan, deciding each day’s stitches the morning–or sometimes night!–of the current day. I have tried a handful of new stitches and look forward to trying even more as the year progresses!
Those little white three-petalled trillium flowers are the most recent addition. Time will tell where this will go from here!
This month, I had a photography helper, so of course I can’t end the post without a few Finn cameos. I often use the photos on my phone as a reference, so I pulled up January’s photo to make sure I arranged the thread in a consistent way. Finn was please as punch that they matched.
He also helped me put the thread back into the box, then arranged around the hoop, back into the box, then arranged around the hoop. What a helper!
As a full time mom of three little ones, but one with a strong innate need to create every day in order to maintain sanity, I feel like I do a fairly good job of creating opportunities for creativity and stitching, sprinkled throughout even the busiest of days. First, it was knitting–something I could carry with me and leave next to the couch to pick up while nursing or holding a sleeping baby in my lap. But as my children grew, their desire to turn yarn into spider webs, spy laser obstacles, leashes for stuffed pets, etc. also grew and knitting became quilt a risky endeavor. English paper piecing helped and I dove into basting hexies and honeycombs. Then I felt like I needed something new. Enter: embroidery. It’s small, I can store it up on the counter out of reach, it’s clearly mommy’s–not simply a ball of yarn begging to be unravelled or little fabric bits to be tossed around–, and it’s something I can pick up and put down quickly.
Late last year, I kind of got hooked on the quick mental fix that comes with freestyle embroidery while I was creating this Alison Glass hoop. In late December, when some friends brought my attention to the 1 year of stitches project initiated by Hannah Claire Somerville, I was intrigued. After a bit of googling, I found this invitation by Sara Barnes of Brown Paper Bag, who helped spread Hannah’s open invitation for others to join, and I knew that I had to join in. Hannah’s specific personal rules and stipulations are here, but I chose to take a looser approach. The goal is to stitch at least 1 stitch every single day for a full year, 365 days.
I went into the year with a 10″ hoop of Robert Kaufman Essex linen in light blue, my stash of Aurifil 12wt threads, and no plan at all.
Here is my hoop after 1 month of daily stitch-whereever-the-wind-blows stitching. Fun, right!? I created a separate account on Instagram @NQ1yearofstitches to document my daily stitches, and I am trying my hardest not to make any kind of formal plan at all.
My basic strategy began as a daily google of “embroidery stitches” as an image search. I would scroll through, find a stitch that looked cool, and then find a tutorial on how to make the stitch.
I began by learning bullion knots, so this whole project began with that little mass of turquoise squiggles and has grown organically from there.
I love the texture that results when you stack embroidery stitches together. Those white floppy things are my first attempts at braided picot stitch, another fun one!
This has been really fun so far, and as of the writing of this post, I’m already over halfway through February, too! (You’ll have to wait until March, or check the IG account, to see those additions, though!) I’ll plan to share an update each month, so that you can see how this grows.
My personal guidelines include stitching at least one stitch each day, trying to plan as little as possible and simply stitch whatever feels right each day, and not remove any stitches no matter how much I dislike the final outcome (cough, cough, that octopus family, cough). I figure this way, the stress of getting everything *just* right disappears, and instead the thought that it will all work out somehow in the end dominates. No stress!
This is a really fun, exhilarating project since it is pure spur of the moment random creativity. If you have any cool, unusual embroidery stitches to recommend, I’d love to add some more to my arsenal. There’s something about learning something new that makes my day.
If you are itching to learn embroidery, this is also a really fun way to do it. In the end, you end up with a hoop of many different stitches, as well as a visual story of your progress! Happy stitching!