circle | Night Quilter

I’ve been debating whether to show you another mini mini quilt I’ve been oh-so-slowly working on over the past months, since I probably could wait until it’s finished to share. Then again, I love to share my process, and perhaps by showing you each step, you can better see what goes into my thought process as projects evolve. I also think that this project is a perfect example of “use the method that works best for you”. There are no hard rules in quilting, right!?

I’m nearing the finish line with this little one. It features some of my favorite Carolyn Friedlander fabrics, with a goal of playing with transparency in a cyclic way. I created a mini 2″ square foundation paper pieced pattern for each quarter of this mini mini, resulting in about a 4″ square. I used the template I designed for accurate piecing of the center spokes, and then have used different methods for sewing the outer curves.

One of the fun perks of dragging projects out over obscene lengths of time (chuckle with me for a minute, here) is that it becomes a documentation of skill development. Two of the four curves were pieced using traditional curved sewing, and the wobbly, puckery wonk is indicative of my amateur curve abilities a few months ago. In fact, my original plan includes a needle-turn appliqué element over the curve, since I knew that it would most likely be something I would need to mask a bit (possibly a lot bit).

You can see on the green quadrant that there is another dark curved piece added on top of the curve. That is needle-turned and does a fabulous job of covering the little inconsistencies of my tiny curved stitching. Use the method that works best for you, right!?

However, since completing the first two quadrants of this mini mini, I have learned and conquered the six-minute circle style method of curved piecing, which results in an amazingly smooth and seemingly flawless sewn curve, as demonstrated on that blue section shown above.

Quite a few people have asked about this method, and since I have not yet found a tutorial for curved (both improv and regular) stitching using this method, I’ve decided that I need to create a tutorial. I will share that as soon as I’m able! It is SUCH an amazing method that, while it takes a bit of extra time to execute, the final result is well WELL worth the effort. Especially for those of us who may not have fully mastered curved sewing just yet, or who have a particularly high desire for perfectionism in sewing. Or at least who delight in nearing perfection, since there is truly no such thing (and that’s ok!)

I am currently contemplating the quilting for this mini mini, and am leaning toward some simple, large, hand stitching to secure the layers and add just a bit of interest. I also have some travel plans coming up, so as long as I can get the top prepared and layered, hand stitching might be just the thing to take with me on my trip. I’m really happy with how this is progressing, though, and I’m grateful as always for the patience of my quilty friends as I slowly process, evolve and execute my plans for their personalized mini minis. I’ll be sure to share the finished mini mini once I finally complete it.

I think using needle-turn appliqué to hide a weak point in my sewing is totally legit, don’t you? What little tricks do you use to help make your completed projects shine?

Do you ever get to the point in a project where you are *so* close to finishing that you sort of let your mind think you already have, and it hops right over and latches onto a new project idea or three? Yeah, me too. I have at least three projects that are in their final stages yet have been put aside for the past month, while I instead started a handful of new projects. Who doesn’t love a new project?! Yesterday I decided it was time to get those nearly finished projects into the finished pile, and I pulled my favorite one to the top to start.

Remember this? Over a month ago, I finished my first ever embroidery sampler, this Color Wheel by Rebecca Ringquist of Dropcloth. I used Aurifil 12wt thread for the first time, learning the stitches as I went, and loved it SO much when it was finished that I just couldn’t let it be actually finished. So I hatched the plan to extend the color wheel using none other than my favorite saturated rainbow: Alison Glass’s 2015 Sun Prints. Putting it aside was not out of lack of love or excitement, don’t get me wrong. I LOVE this project and it feels so good to pick it up again. I just get into spots where the ideas burst and I have to get them started so that they are real. You know what I mean… a project with fabric cut and design sketched and a few stitches invested is a real project. It’s a lot less likely it will sit stagnant in the pool of unrealized ideas once it’s been at least partially begun.

So back to my color wheel. I managed to match the fabrics almost exactly to the colors of the Aurifil embroidery, which is incredible. It seems like Alison Glass and Rebecca Ringquist and Alex from Aurifil must have all gotten together to design this harmonious flow with the perfect combination of design, color, thread, and fabric, it goes together that well. I wanted to be sure that the prongs of the outer color wheel aligned with the organically drawn prongs of the embroidery wheel, so I scanned my embroidery sampler and uploaded it to Inkscape, the free vector program with which I design patterns. I created larger circles, centering the embroidery, and extended the lines on the sampler to create wedges. I then printed it, cut out the wedges with scissors, and used them as templates to cut the fabric wedges, as shown in the Instagram photo above. I winged it, really, but amazingly it came together beautifully.

Right now the rainbow circle overlaps with the embroidery sampler’s edges, but don’t worry–I plan to either trim or fold the edge under so that the entire sampler is visible.It was an exciting day, since this is the first project sewn on my new sewing machine: a Bernina 560, which I recently purchased during one of their 0% interest, 60-month payment plan offer days. (I’ll give you a formal introduction soon, promise!)

I also used Flatter by Soak spray for the first time since QuiltCon, and I’m amazed I survived without it. Between the new machine sewing like a dream and the seam-relaxing Flatter spray, this circle came together without a hitch.

Now I am going to study up on circles by watching Cheryl Arkison’s class Inset and Applique Circles by Machine on Craftsy (affiliate link). It’s my first time trying a class on Craftsy, but I hear there are subtitles. I also was fortunate enough to take a class with Cheryl Arkison at QuiltCon, so I have no doubt of her depth of knowledge and skill. I’m really looking forward to trying to attach these circles!

Having never sewn a circle by machine, and perhaps only one by hand, this will be a creation filled with firsts. I’m getting awfully close to completing this beauty, though, and I’m loving every step of the way.

I’m linking up with Lee at Freshly Pieced for Work in Progress Wednesday.

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Also, for those of you on Instagram, I’m having an awesome giveaway to celebrate passing 1,500 followers, sponsored by Aurifil, Soak, and moi (with a fat eighth bundled pulled straight from my stash favorites, basically this color wheel!). Head over, follow me @nightquilter, and tag a quilty friend to enter. Here are some sneak peeks for eye candy (Note: This giveaway is on Instagram only):