Whoa! May is trucking along at quite a rate! Now that we are halfway through May, I thought it might be a nice time to share my April update for my 1 year of stitches embroidery project. I also share some of the embroidery resources I find myself visiting again and again.
For those who are new to this project, my 1 year of stitches project is a personal challenge to stitch at least one stitch every single day. I am working with no set plan, I don’t mark the fabric before stitching; I simply stitch whatever wherever whenever. I’ve been using my stash of 12wt Aurifil thread and loving it! It’s quite fun!! You can follow along with my daily stitches at @NQ1yearofstitches on Instagram.
Here’s a refresher of the monthly progress so far:
…after January’s stitching…
…after February’s stitching…
…after March’s stitching…
…and finally, here it is after April’s stitching!
I realized when looking at the photos that in April, I worked entirely in that center “coastline” section. It was not really intentional, but I suppose it just kept asking for more!
I think it all began with some rocks, and then some little critter footprints, and then took off from there.
I mostly stitch whatever comes to mind each day, without much influence from my everyday happenings. A couple stitches this month had some subtle meaning, however. I stitched a large rock on Good Friday and a lily flower sprouting out of the rock on Easter. Sometimes it just sneaks in.
On one particularly uninspired day, I showed my hoop to my husband and prompted, “Where should I stitch? Tell me a color and point to a spot.” He pointed to a spot and said “A piece of driftwood here.” Thus originated the couched stitch driftwood, which was followed by some 12wt Aurifil 2600-Dove sand and a few tufts of beach grass. Some days inspiration strikes; some, not so much.
I also added another wild and crazy layered flower consisting of long tailed lazy daisy stitches, lazy daisy, and pistil stitch. There might be a few french knots in there, too.
The boldness of the flower begged for some offsetting feature, so another woven picot appeared in the form of a big green leaf. I love the little 3-dimensional elements on this hoop!
I’ve had a few people ask about the embroidery books and resources I use, so I thought it would be helpful to compile a short list of some of my oft-visited resources.
When my local friend Kim told me about an art auction she was organizing to benefit the American Civil Liberties Union (ACLU), I knew that no matter how much I had on my plate, I wanted to make something to contribute. I finished just under the wire, but was able to finish this 6″ hoop for the Art of Action, which will take place tomorrow in Bangor, Maine. Don’t worry–I got the hoop to Kim earlier this week so that she had time to hang it!
This hoop primarily features a quote that has become a war cry that helps women honor their strength and their ability to fight for what they believe in, and I added freestyle embroidery flowers for a light aesthetic touch.
My goal was to make it bold and strong, yet pretty at the same time. Rosie the Riveter meets a lovely sunlit tea room.
This was the first time I actually wrote on a hoop before stitching, but I knew with lettering I wanted it to look perfectly centered, and advance planning was necessary. I printed the quote I wanted in the fonts I wanted, held it up to a window with my cotton and steel background fabric held on top, and then traced it with a regular pencil. I’m really high-tech here, as you can see.
The stem stitch “Nevertheless” was fairly straight-forward, but by golly, that cursive “she persisted” was tricky! Nevertheless, I persisted. I give mad props to those of you who hand embroider lettering regularly! It’s not for the faint of heart.
Overall, I’m happy with the lettering even though it’s far from perfect. I ultimately outlined the thicker parts of each letter with backstitch, and then went back over the entire thing with satin stitch to fill in. Some letters are more rough than others, but that’s all part of the charm of handmade, right?
My favorite part other than the message and the really good letters (there are a couple!) is the bunch of flowers at the bottom. The french knot lavender flowers are so much fun to stitch, and I love the look of the tall, single chain stitch flowers. I used 12wt Aurifil thread for all of the stitching, and as usual, I’m quite happy with the thickness and silkiness of the stitches.
I finished the hoop with a felt backing, blanket stitched in place and embroidered with a very simple signature and date.
If you are in the Bangor, Maine area tomorrow evening, April 8, 2017, please come by the Art of Action Auction, a silent auction of art to benefit the American Civil Liberties Union (ACLU) taking place at 58 Main, a pop-up event venue in the heart of downtown Bangor.
The juried art show will be auctioning more than 60 pieces of art and works at varying price points done by Maine artists, living, working or with roots in Maine. This grass roots effort is intended to promote Maine Artists, bring the community together and safeguard individual rights and freedoms. (Information from the Art of Action website) I’ll see you there!
For those who are new to this project, my 1 year of stitches project is a personal challenge to stitch at least one stitch every single day. I am working with no set plan, I don’t mark the fabric before stitching; I simply stitch whatever wherever whenever. It’s quite fun!! You can follow along with my daily stitches at @NQ1yearofstitches on Instagram.
Here’s a refresher of the monthly progress so far:
…after January’s stitching…
…after February’s stitching…
…and here it is after the month of March!
I seem to have branched out in March and created two entirely new sections. In the first two months of the year, I mostly aimed to extend from the existing stitching, and this month as I look at my hoop progress in full, I mostly started new little islands of stitches rather than building upon what is already there. (self reflection aside: interesting!)
There is the “deep sea” region of the hoop, where I played with my 12wt Aurifil blues and explored the nuances of spiral trellis stitch, done both correctly (the top light blue circle with the light grey star in the center) and incorrectly (the big bubbly center thing, where I accidentally began the stitch with a running stitch circle instead of backstitch). I have not conquered this stitch yet, but I also am not yet finished. I will tackle it again, for sure!
A little flower garden island also popped up this past month, built around those turquoise bullion knot flowers. I enjoy using both pistil stitch and long tailed daisy stitch for flowers, and you certainly have not seen the last of these stitches!
The center ecotone did not grow much at all, but still acts as a neutral divide between deep sea and lush greenery. Here’s the scientific definition care of google, just for fun!
A few days ago, I realized we were exactly one quarter of the way through the year, day 92.
Looking at my hoop overall, I think I have covered about one quarter of it, so I’m feeling good about my progress! I also am very curious to see where this goes, since nearly every day, it’s as much of a surprise to me as it is to you!
Just to share some of my thought process, some daily thoughts I have are:
Should I learn a brand new stitch or use a tried and true favorite?
Which is often preceded by: How much time do I have today?
Do I fill in between or layer my stitches? or should I stitch in an open spot?
Should I stick with these colors only, or should I expand my Aurifil 12wt thread stash *just* a bit?
Should I leave that warm top left portion allll warm and sunny and bright? or do I throw in a cool green or turquoise?
Is this going to be a crazy mess at the end of the year?! (laugh here with me)
Either way, I’m having fun with it, exploring my creativity and keeping the pressure light. I hope you’re enjoying following along, too!
Recently Hillary from Entropy Always Wins and I had the opportunity to meet in person after following each other’s work online for years. Both loving embroidery, repurposing textiles, creativity and the sewing community in general we plotted a tutorial that would allow us to play off each other’s creative personality and engage the greater sewing community as a whole.
A year ago Hillary made an Easter Egg shaped pincushion out of velvet and repurposed leather. We expanded on this idea and invite anyone who wants to participate to make a similar pincushion and, if interested, incorporate repurposed leather (Earth Day is coming up after all, and repurposed leather is typically thin enough to easily sew on a domestic sewing machine.) Be bold. Be brave. Let’s sew leather!
In this tutorial we give everyone some guidelines but the emphasis is on PLAY and MAKING THIS PROJECT YOUR OWN. Don’t celebrate Easter? No biggie, make a similar pincushion in another shape. We will be following on Instagram so please tag your makes #eastereggpincushion (as well as tagging @nightquilter and @entropyalwayswins) so we can all enjoy. To celebrate this group project we will both randomly be giving participants some of our own pincushions as well as supplies to make them. All you need to do to be eligible is to play along, tag us, and tag #eastereggpincushion so that we can find you!
Thin leather (~6×12 inches)
Wool felt, velvet, jeans or any other material for the inner portion of the pincushion (~6×6 inches)
Embroidery hoop (a 4” hoop will *just* fit the inner egg)
Crushed Walnut shell or other favored pincushion fill
Step 1: Templates and Leather
Print the Embroidery Egg Template and cut along both inner and outer egg outlines.
Trace the template onto the wrong side of the leather, marking out two eggs–one with only the outline and one with both the inner and outer lines drawn.
Carefully cut along the marked lines, remembering to cut one piece along only the outer egg outline and cut the other piece along both the inner and outer egg outlines.
Set your leather pieces aside.
Step 2: Embroidery
Using chalk or water soluble marker, trace the inner egg outline onto your embroidery surface (felt, velvet, jeans, etc) so you will know the limitations of your embroidery design.
Adorn at your heart’s desire with embroidery, applique, etc. You are welcome to copy our experiments but please feel free to try your own ideas.
Step 3: Attach the Embroidery to the Leather Upper
Align your embroidered material so that the embellishments fit within the window of your leather upper (the egg with the hole cut out of the middle).
Secure the right side of your embroidery to the wrong side of your leather upper with double sided tape, glue, clips, or other method.
Then, using a ¼ or ⅛ inch seam allowance, top stitch the two together along the inner egg as shown.
Thread the top threads to the back of the piece, tie all loose ends together and trim.
Finally, if possible, trim the seam allowance of your embroidered material carefully about ½” away from the stitched line so that it remains easily inside the outer margins of the egg.
Step 4: Make an inner pincushion
Using only the outer margin of your Egg Template, trace and cut two pieces of muslin. Sew the two pieces together using a ¼ inch seam allowance, leaving a small opening to use for filling.
Fill with crushed walnut shell (a funnel can be helpful for this). One half cup of crushed walnut shell for this project seems to be the right amount. Use a little more if you want a more rounded pincushion. Sew the opening of the inner pincushion completely closed.
Step 5: Finishing your pincushion
Place the two leather egg pieces wrong sides together and secure with clips. (Note that pinning will create visible holes in the leather–use clips!) Sew around the outer margin of the egg using a ¼ seam allowance, leaving an opening at least 3 inches long unsewn.
Stuff your filled and fully closed inner pincushion through this opening. Ensuring the inner pincushion remains entirely inside, top stitch the remaining way around the outer edge of the egg.
Thread the top threads to the back of the piece, tie all loose ends together and trim or bury.
Right before the mad-dash to get packed for our trek to QuiltCon, I finished a mini quilt and excitedly mailed it to a hotel in Savannah, where it patiently waited for Giuseppe to arrive. Here’s a closer look at my mini quilt that hung in the Andover Fabrics booth at QuiltCon.
This quilt got its name after it was nearly completed, as I sat hand stitching the binding to the back. A mini quilt made at the request of Andover Fabrics, out of entirely Alison Glass fabrics, to be displayed in the Andover booth at QuiltCon–can you imagine how thrilled I was to make it? I had selected my pattern Constant Flux since I have been wanting to play with different arrangements and color schemes for it, and simply rearranged the blocks to create a central focal square (I rotated each block 180 degrees).
With freestyle embroidery fresh on my mind and Nichole Vogelsinger’s book Boho Embroidery freshly on my bookshelf, I was inspired to add an embroidered, appliquéd bee from Alison’s Seventy-Six line in the center.
So when a local friend of mine sent a message connecting me with a textile designer friend of hers who needed product photography, and calling me “the bee’s knees”, the name just felt right. I think the entire world pretty much knows that I think nearly all of Alison Glass’s fabrics are the bee’s knees, so it felt like the perfect name: The Bee’s Knees (aka all of my favorite things–Alison Glass fabrics, plus meticulous cutting, plus embroidered applique, plus detailed machine and hand quilting) in Constant Flux (the pattern name). More figuratively, it’s a nod to the fact that the fabrics and styles that we consider the bee’s knees are constantly changing.
I had a lot of fun with the meticulously cut (yeah, yeah, fussy cut) sections, including bees and flowers as framing for the color flow. I love pairing meticulous cutting with foundation paper piecing. The fussy cutting templates I include in my pattern came in handy, too.
I knew I wanted to incorporate both hand and machine quilting, and I knew that I wanted the machine quilting to be dense. It took me a while to decide between using 50wt Aurifil 2600-Dove or 5015-Gold Yellow for the quilting, and finally I opted for the Gold Yellow to pull out the gold of the centrally stitched bee. I quilted a diagonal grid approx 1/2″ apart on all of the colored sections of the quilt and I love the texture it created. I wanted the white star and central diamond to pop, so I let them be, patiently awaiting hand quilting.
I used a rainbow of 12wt Aurifil thread to help pull the rainbow from the gorgeous fabrics into the white sections, and I love the outcome! I decided to switch to 12wt 2600-Dove for the center so that the bee would stand out.
The back shows that my hand quilting still has plenty of room for improvement (especially when trying to maneuver around the bee), but it’s still fun to see the back, too!
I used Seventy Six fabrics Rising in Graphite and Numbered in Duck Egg for the back, with an Insignia in Chartreuse label.
Labeling is one of my favorite parts–maybe because it helps me know that my name is on my work, or maybe because it means I’m finished with a project!!
This quilt is currently in Andover headquarters in NYC for photography and other fun fabric adventuring before it returns to me, but it was super fun to see it hanging in the booth at QuiltCon (see it, top right??). You can see a photo of me proudly standing next to it in my QuiltCon post here.
I’m linking up with Crazy Mom Quilts Finish it up Friday, since this finished mini hopped right into the mail upon its completion and hasn’t been shared in detail here yet. Finishes do feel good, don’t they!?
I’m still working on a post about my experiences at QuiltCon last week, but as March continues to skip on, I thought I should share February’s stitches for my 1 year of stitches project in the meantime. QuiltCon post coming soon!
My 1 year of stitches project is a personal challenge to stitch at least one stitch every single day. I am working with no set plan, I don’t mark the fabric before stitching; I simply stitch whatever wherever whenever. It’s quite fun!! You can follow along with my daily stitches at @NQ1yearofstitches on Instagram.
Even after a short month, it grows! As a reminder, here’s the hoop after the month of January:
and here it is showing the progress from February:
I guess 28 days can make a big difference!
The highlight of the month was getting the chance to chat with Erin from Aurifil on Facebook live while attending QuiltCon in Savannah. You can see my low key chat HERE on the Aurifil Facebook page. I talk about my process, how the project came to be, why I use Aurifil 12wt thread, and I show a quick demo on how to stitch a French knot. It was a really fun opportunity, and while a bit nerve-wracking knowing I would be live, Erin made it easy by being totally awesome and relaxed. Plus, she’s from Maine. Perfect! The whole experience inspires me to try a bit harder to figure out a way to video my stitches live each day, or at least some days each week. I’ll get right on that and will let you know if I figure it out!
Back to my embroidery progress! Here are some close up shots of the various sections of this freestyle hoop.
I am still stitching without a plan, deciding each day’s stitches the morning–or sometimes night!–of the current day. I have tried a handful of new stitches and look forward to trying even more as the year progresses!
Those little white three-petalled trillium flowers are the most recent addition. Time will tell where this will go from here!
This month, I had a photography helper, so of course I can’t end the post without a few Finn cameos. I often use the photos on my phone as a reference, so I pulled up January’s photo to make sure I arranged the thread in a consistent way. Finn was please as punch that they matched.
He also helped me put the thread back into the box, then arranged around the hoop, back into the box, then arranged around the hoop. What a helper!
As a full time mom of three little ones, but one with a strong innate need to create every day in order to maintain sanity, I feel like I do a fairly good job of creating opportunities for creativity and stitching, sprinkled throughout even the busiest of days. First, it was knitting–something I could carry with me and leave next to the couch to pick up while nursing or holding a sleeping baby in my lap. But as my children grew, their desire to turn yarn into spider webs, spy laser obstacles, leashes for stuffed pets, etc. also grew and knitting became quilt a risky endeavor. English paper piecing helped and I dove into basting hexies and honeycombs. Then I felt like I needed something new. Enter: embroidery. It’s small, I can store it up on the counter out of reach, it’s clearly mommy’s–not simply a ball of yarn begging to be unravelled or little fabric bits to be tossed around–, and it’s something I can pick up and put down quickly.
Late last year, I kind of got hooked on the quick mental fix that comes with freestyle embroidery while I was creating this Alison Glass hoop. In late December, when some friends brought my attention to the 1 year of stitches project initiated by Hannah Claire Somerville, I was intrigued. After a bit of googling, I found this invitation by Sara Barnes of Brown Paper Bag, who helped spread Hannah’s open invitation for others to join, and I knew that I had to join in. Hannah’s specific personal rules and stipulations are here, but I chose to take a looser approach. The goal is to stitch at least 1 stitch every single day for a full year, 365 days.
I went into the year with a 10″ hoop of Robert Kaufman Essex linen in light blue, my stash of Aurifil 12wt threads, and no plan at all.
Here is my hoop after 1 month of daily stitch-whereever-the-wind-blows stitching. Fun, right!? I created a separate account on Instagram @NQ1yearofstitches to document my daily stitches, and I am trying my hardest not to make any kind of formal plan at all.
My basic strategy began as a daily google of “embroidery stitches” as an image search. I would scroll through, find a stitch that looked cool, and then find a tutorial on how to make the stitch.
I began by learning bullion knots, so this whole project began with that little mass of turquoise squiggles and has grown organically from there.
I love the texture that results when you stack embroidery stitches together. Those white floppy things are my first attempts at braided picot stitch, another fun one!
This has been really fun so far, and as of the writing of this post, I’m already over halfway through February, too! (You’ll have to wait until March, or check the IG account, to see those additions, though!) I’ll plan to share an update each month, so that you can see how this grows.
My personal guidelines include stitching at least one stitch each day, trying to plan as little as possible and simply stitch whatever feels right each day, and not remove any stitches no matter how much I dislike the final outcome (cough, cough, that octopus family, cough). I figure this way, the stress of getting everything *just* right disappears, and instead the thought that it will all work out somehow in the end dominates. No stress!
This is a really fun, exhilarating project since it is pure spur of the moment random creativity. If you have any cool, unusual embroidery stitches to recommend, I’d love to add some more to my arsenal. There’s something about learning something new that makes my day.
If you are itching to learn embroidery, this is also a really fun way to do it. In the end, you end up with a hoop of many different stitches, as well as a visual story of your progress! Happy stitching!
Ahhh, the time of year when busy is an understatement, yet still the desire to stop and reflect over the past year–perhaps in the twinkle of some Christmas lights with a hot mug of something sweet–is strong. The phase of feeling more stressed than blessed has passed, the excitement of Christmas Eve and morning has calmed, and now I’m enjoying the holidays in a relaxed, family-filled, grateful way. What better time to do some reflection?
Once again, Cheryl from Meadow Mist Designs is hosting her “Best of” linky party, inviting bloggers to share their five best posts from 2016, so I thought it was a perfect time to take a look at the statistics and reflect on the highlights of the past year here on Night Quilter. I’ve put together five of Night Quilter’s “bests” for the past year (plus one personal added bonus), and I invite you to reminisce along with me.
Most Viewed Blog Post
Without a new baby announcement like last year, this year’s most viewed post was the tutorial on how to sew perfect curves. I’m especially excited about this one, since one of my goals for 2016 was to tackle curves, and I feel like I made great progress in that category. I love this method as much as you do, and I’m so glad I could share this with so many of you!
Most Viewed Non-Tutorial Blog Post
Since my most viewed post from 2016 was a tutorial, I decided to also share my most viewed non-tutorial post. In Planning a Colorful Year, I shared the Riot of Color planner cover design I made for the Quilter’s Planner (which is still available for free, here–and fit’s the 2017 Quilter’s Planner! if you haven’t gotten yours yet, I highly recommend getting one here–this planner is life changing!), as well as a giveaway for a planner. It’s hard to say whether the gorgeous melding of Alison Glass fabrics with Essex linen is what drew the most attention, or if it was the chance to win a most coveted planner, but I am proud of this post all the same and I’m glad you liked it, too.
Most Viewed Blog Post (not including Tutorials or Giveaways)
If you take all tutorials and giveaways out of the running, the one hour basket (that took me six hours to make!) was the most viewed. This was such a fun make, once again featuring my favorite Alison Glass fabrics paired with Robert Kaufman’s Essex linen, but also is a favorite since I made this basket while attending a class with quilty friend Sarah from Berry Barn Designs at one of my fabulous quasi-local quilt store, Alewives Fabrics.
Most Exciting New Endeavor
2016 was a big year of new endeavors for me, so this category requires a tie:
I kicked off my quilt photography business venture by doing all of the photography for the 2017 Quilter’s Planner, photographing 14 quilts and quilted projects in gorgeous natural locations along the coast of Maine. The photo above features Yvonne from Quilting Jetgirl’s lovely Starlight Crystals quilt, photographed along the coast in Acadia. Quilt photography combines three of my loves: quilting, photography, and the beauty of nature, so I’m so excited to be offering it to anyone seeking to get epic quilt photos for publication or just for fun.
I was also one of seven quilt designers to launch Quilt Theory, kicking off with my premier pattern Ocean Path. With the enthusiasm and drive of fearless leader Michelle Bartholomew, we are working on our second round of patterns and are constantly expanding the reach of the Quilt Theory pattern cards. You can find much more information and the full line of available patterns here.
2016 Best Nine on Instagram
Since I love Instagram so, I would be remiss if I did not share my top viewed posts there as well. This collection is a fun one, including lots of posts about my stress-free stitch-wherever-the-wind-blows embroidery hoop, a fun Alison Glass table runner I don’t think I’ve shared here yet, a progress shot of my Eye Spy Picnic Plaid quilt, a progress shot of all of my thrifted City Sampler blocks, the free Safe with Me pattern I made in an attempt to spread positivity and support for those who need it, and a glimpse of one of my favorite quilt photos for the Quilter’s Planner, the epic sailboat shot of Cheryl Brickey’s Canvas Lines Quilt.
Technically this is my sixth category, but I can’t let my highlights pass without remembering the completion of the Milestone Quilt Blocks for my son Finnian. While the project didn’t make my top viewed posts for 2016, it is still the project that filled my heart the most. My little babe is now 18 months old, walking, talking, signing, dancing, jumping, exploring, and smiling his days away. His quilt top is together, and I hope to get the quilt layered, basted, quilted and bound early next year. There’s something about making a quilt for your child, marking his progress and growth with a bit of stitching, that really takes quilting to a new level. I’m so grateful that my silly husband made the crazy suggestion (fully in jest) on the day our third child turned 1 month old that I should make a quilt block each month for a photo shoot, since without that little laugh-filled exchange, this project would have never come to be.
2016 was a big year, with many new endeavors and a seemingly endless list of fun projects and adventures. I’m still working on the fine art of saying no and understanding my own limitations, since I really truly want to do it all. I’m a maker through and through. I’m hoping to keep 2017 fairly low key, focusing on finishing projects I’ve already begun, and participating in a few sew alongs with a relaxed mentality. Then again, I have some big goals I’d like to pursue, so we’ll see when and if those kick it all up a notch. I’ll write more about that in a future post, since after reflection comes planning and goal setting. I’m so glad I have my Quilter’s Planner for that!
Thank you, as always, for following along with me here, sharing in my inspiration and project progress, and creating the community I hold so dear. I hope you have a wonderful, peaceful holiday season and look forward to a colorful, productive, and FUN 2017.
I’m so happy I obliged, because I just love this little hoop!
When the Stitched fabric arrived, I had just completed my Ocean Path quilt for our big Quilt Theory debut, and I was in the final push stage of finishing a quilt that will be in the February issue of Love, Patchwork and Quilting magazine, so picking up a small, no pressure, no purpose, no pattern hoop of Stitched and my 12wt Aurifil thread stash was the perfect brain palate cleanser.
This was back in September, according to my good ole’ Instagram feed, and since that time, ending just a couple of days ago, I’ve picked this little hoop up for 1-20 minute intervals (and 20 minutes might be leaning on the long end) every here and there: a quiet moment when the kids were all playing nicely together, a few seconds here while having a minute lax time while cooking dinner, or just because I needed to MAKE and had not yet had a chance that particular day.
I stitched whatever I wanted, wherever I wanted, and tried many different stitches.
I used Aurifil 12wt thread from my stash, in colors (left to right from photo above): 2530-Blossom Pink, 2435-Peachy Pink, mystery orange–the only Aurifil tag that has ever fallen off a spool!, 2120-Canary, 1147-Light Leaf Green, 2884-Green Yellow, 5005-Medium Turquoise, 2540-Medium Lavender, and 2515-Light Orchid. I used a single strand for all except the turquoise x’s, for which I use two strands. If I were to do it again, I would probably stick with a single strand since I love the crisp aesthetic that results.
Toward the end, I went a little crazy with french knots, but I do love them so and they make a great “filler” around the edges.
Since the pattern is printed on the fabric, there was no actual end, so it was up to me to decide how close to the edges to stitch. At first I thought I’d leave a bit open, but I just couldn’t stop stitching. As it is, most stitches extend to the absolute edge of the hoop. I kind of love it.
I finished it using the methods (minus the plan-ahead phase, since I didn’t plan ahead lol) shared in this tutorial on Sew Mama Sew. I stitched the running stitch around the excess fabric, pulled it tight, knotted and tied it, then trimmed off the extra fabric. Next I cut a 4″ wool felt circle using my Sizzix machine and stitched it onto the back with coordinating 12wt Aurifil thread and a blanket stitch. I’m quite happy with the finish, and definitely plan to make more. In fact, I very well might aim to always have a free-form brain palate cleanser embroidery hoop laying around, since it really worked wonders for helping me get back into a better mental place during especially hectic, crazy kid, too many (mostly self-imposed) expectations-filled days. Making works magic, doesn’t it?
Ahh! Summer is upon us! My daughter has mere days left of school before summer break is officially here! That means all three kids home all day, every day, which in turn means time to take lots of day trip adventures! Summer also means lots more opportunity for slow stitching, and a need to have some hand stitching available at all times. We all know that the day I forget my handwork will be the day all three kids somehow fall asleep in the car on the way to some adventure!
My portable hand stitching kit this summer consists primarily of English Paper Piecing (EPP) hexies and some experimental embroidery-quilting projects.
After a lull in my Carolyn Friedlander modern hexies project progress, I’m ready to pick it up again and baste more hexies! While 2 1/2″ squares work just fine for EPP hexagons, I really enjoy the neatness that starting with a hexagon of fabric provides.
A lovely stack of fabric hexagons ready to baste. I need to cut a few more cardstock templates, but this will do for now!
I am also continuing to add embroidery quilting to my Rainbow Hex Star mini, as well planning a couple small embroidery quilting experimental projects. My goal is to find a way to get the back to look as neat as the front. Practice, right?
Slow stitching on the go is not the only slow stitching I’m looking forward to this summer! I’m also officially registered for the Slow Stitching Retreat hosted by Sam at A Gathering of Stitches this August. I can’t wait to slow down and sew with Sam, Chawne Kimber, and Alison Glass. I’m doubly excited since I will also be leading yoga on the retreat! Just imagine… slowing down, breathing deeply, stretching out, learning from amazingly talented and inspirational quilters, and slowly stitching in the sun, rocking on the rocking chairs out on the porch in the calm, cool woods of Maine. You can read about my experience dropping in on a day of this retreat last summer HERE. I am very much looking forward to spending the full four days rejuvenating my soul with some slow stitching in inspired creative company. Are you coming!? I sure hope so!
What are your summer stitching plans?
I grab a needle and thread once the kids are in bed