A while back I was contacted about the mini quilt I made for Andover Fabrics‘ booth at QuiltCon 2017, for which I used my Constant Flux pattern paired with Wild Boho-style applique and embroidery to make an Alison Glass fabric bonanza I entitled “The Bee’s Knees in Constant Flux”. A bunch of interview questions and many months later, I’m excited to have gotten a copy of the fall Modern Patchwork magazine, and I’m honored to be featured among such talent!
The article, written by Meg Cox, discusses the appeal of embroidery and hand stitching to modern quilters, and features many of my favorite makers–Alison Glass, Rebecca Ringquist, Nichole Vogelsinger, and Hannah Claire Somerville, all of whom have inspired me along my path to embroidery and its involvement in modern quilting.
I ordered my copy of the magazine through the Quilting Daily website, but I also have seen copies at my local big box bookstore (Books-a-Million) and Joann Fabric stores.
Do you subscribe to this magazine? I’d love to hear what you thought about the interview, and about embroidery’s role in modern quilting! I’m excited to incorporate embroidery and hand quilting into more of my future makes. Now I just need to figure out how to jump back on the “finish the project” bandwagon! ha!
Right before the mad-dash to get packed for our trek to QuiltCon, I finished a mini quilt and excitedly mailed it to a hotel in Savannah, where it patiently waited for Giuseppe to arrive. Here’s a closer look at my mini quilt that hung in the Andover Fabrics booth at QuiltCon.
This quilt got its name after it was nearly completed, as I sat hand stitching the binding to the back. A mini quilt made at the request of Andover Fabrics, out of entirely Alison Glass fabrics, to be displayed in the Andover booth at QuiltCon–can you imagine how thrilled I was to make it? I had selected my pattern Constant Flux since I have been wanting to play with different arrangements and color schemes for it, and simply rearranged the blocks to create a central focal square (I rotated each block 180 degrees).
With freestyle embroidery fresh on my mind and Nichole Vogelsinger’s book Boho Embroidery freshly on my bookshelf, I was inspired to add an embroidered, appliquéd bee from Alison’s Seventy-Six line in the center.
Just getting started with my favorite stitch: Hungarian braided chain, in 12wt Aurifil 2120-Canary.
So when a local friend of mine sent a message connecting me with a textile designer friend of hers who needed product photography, and calling me “the bee’s knees”, the name just felt right. I think the entire world pretty much knows that I think nearly all of Alison Glass’s fabrics are the bee’s knees, so it felt like the perfect name: The Bee’s Knees (aka all of my favorite things–Alison Glass fabrics, plus meticulous cutting, plus embroidered applique, plus detailed machine and hand quilting) in Constant Flux (the pattern name). More figuratively, it’s a nod to the fact that the fabrics and styles that we consider the bee’s knees are constantly changing.
I had a lot of fun with the meticulously cut (yeah, yeah, fussy cut) sections, including bees and flowers as framing for the color flow. I love pairing meticulous cutting with foundation paper piecing. The fussy cutting templates I include in my pattern came in handy, too.
I knew I wanted to incorporate both hand and machine quilting, and I knew that I wanted the machine quilting to be dense. It took me a while to decide between using 50wt Aurifil 2600-Dove or 5015-Gold Yellow for the quilting, and finally I opted for the Gold Yellow to pull out the gold of the centrally stitched bee. I quilted a diagonal grid approx 1/2″ apart on all of the colored sections of the quilt and I love the texture it created. I wanted the white star and central diamond to pop, so I let them be, patiently awaiting hand quilting.
I used a rainbow of 12wt Aurifil thread to help pull the rainbow from the gorgeous fabrics into the white sections, and I love the outcome! I decided to switch to 12wt 2600-Dove for the center so that the bee would stand out.
The back shows that my hand quilting still has plenty of room for improvement (especially when trying to maneuver around the bee), but it’s still fun to see the back, too!
I used Seventy Six fabrics Rising in Graphite and Numbered in Duck Egg for the back, with an Insignia in Chartreuse label.
Labeling is one of my favorite parts–maybe because it helps me know that my name is on my work, or maybe because it means I’m finished with a project!!
This quilt is currently in Andover headquarters in NYC for photography and other fun fabric adventuring before it returns to me, but it was super fun to see it hanging in the booth at QuiltCon (see it, top right??). You can see a photo of me proudly standing next to it in my QuiltCon post here.
I’m linking up with Crazy Mom Quilts Finish it up Friday, since this finished mini hopped right into the mail upon its completion and hasn’t been shared in detail here yet. Finishes do feel good, don’t they!?
Last night kicked off the International Quilt Market, spring edition, which is in Salt Lake City this year. Much of my Instagram feed is flowing with pictures of sample spree booty, gorgeous booths, and peeks at new fabric lines and products. One product that is being introduced at Quilt Market as we speak is a new Sizzix die called Hex Star designed by Victoria Findlay Wolfe.
I got to play with this die in advance and I’m sharing the project I made with it over on the Sizzix blog today! It included my very first y-seams, rainbow hand quilting with 12 wt Aurifil thread, and a fun go at embroidery quilting (I may have invented that term myself–is it such a thing!?) I share a close look at my hand quilting, a tip for even stitches, and many more photos of the full project here.
Although the mini quilt is bound and finished, I am 99.9% sure I am going to do more embroidery-quilting on the Alison Glass Endpaper outer border. I was debating whether to stick with the colors extending from each arm of the star or to mix it up in the outer border, but I think I’m going to stick with the same colors as the center. I shared more detail photos of the quilting and embroidery in my Sizzix post, so head over to see more!
Here are the 12 wt Aurifil colors I used, just in case you want to try some rainbow hand quilting, too:
5002 – Medium Red
1154 – Orange
2120 – Canary
1147 – Light Leaf Green
4140 – Wedgewood
2540 – Medium Lavender
I’ll be sure to show you when I finally decide it’s really finished. For now, I’m linking up with Crazy Mom Quilts since this mini is technically finished (although is anything ever really fully finished when you have thread in your hand?)
I began writing this post this past Sunday, but then caught the cold/fever/cough my kids have been kicking. So instead of finishing this post, sewing, or blogging, I’ve been sleeping. Lots and lots of sleeping. And of course, making the most of the days with as much energy as I can muster. So pretend it is four days ago, and read on! The best laid plans, right?
Over the past two days, I’ve been driving from Maine to New Jersey with my three kiddos to surprise my mom (Grandma) for her birthday. I’m happy to report that the surprise was a complete success! My sister and brother who live in the area were planning on going to my parents’ house to cook dinner for her birthday, so the kids and I arrived at my sister’s house earlier in the day, then we all met up at the far end of the street before dinner, where I parked. My sister and brother walked in and Lucy said, “I invited a few more people over for your birthday; I hope that’s ok” and then Maddie and Max followed by Finn and I walked in. My mom says it was the best birthday surprise ever. Yay!
Who doesn’t love little helpers when it comes to blowing out birthday candles?
Since we will be visiting here for five days before beginning the trek back up to Maine, I packed a good number of hand sewing projects so that my hands (and sewing mind) can be kept busy during the week. I contemplated bringing my sewing machine, but since the entire point of this trip is to spend family time together, I didn’t want to feel at all tempted to duck off to sew in a separate room while here. Hand stitching projects are a solution since they can be pulled out anytime, anywhere, and still ensure that I won’t be left with any thumb twiddling with all of the extra eager playmates for my kids.
I thought it would be fun give you a peek at the variety of projects I brought to satiate my need to create daily.
English Paper Piecing (EPP) at various stages of completion
Basting. I still haven’t decided whether I like glue basting or thread basting best, so I’m doing both.Glue basted and ready to be stitched down.
Needle-turn applique
A new needle-turn applique project ready to go.
Embroidery & Hand Quilting
Embroidery on a mini mini quiltI brought a collection of Aurifil 12wt thread for embroidery and a range of 12wt, 40wt, and 50wt for eventual hand-quilting.
Visible mending supplies.. just in case
Old cut-up jeans and perle cotton just in case my mom actually wants me to patch her jeans for her.
I’m linking up with Freshly Pieced’s WiP Wednesday, since it’s already Wednesday and these are still very much works in progress. C’est la vie! Good night!
I completely missed August for A Lovely Year of Finishes (ALYoF), so I’ll just call it summer break. The ALYoF link up is one of the most successful ones at getting me to finally finish projects, though, so I want to be sure to sneak in September’s goal setting post before it’s too late (in other words, before midnight tonight). I’m choosing a quick and easy goal for this month, since there are a lot of behind-the-scenes projects going on, too.
My goal is to finish my Summer EPP Table Runner. I have a small bit of hand quilting remaining, and then I need to bind it. Easy peasey.
We spent a lovely relaxing family day at the beach today, so I decided to have an impromptu photo shoot. I always carry a couple of hand-sewing projects with me, either a small hand quilting project like this one, some English Paper Piecing, or both! The strong cool breeze of the ocean made the 90 degree day feel absolutely perfect, but it made it a bit tricky to photograph this light weight runner. I took a few photos in full sun, which is typically a photography no-no, but with the gorgeous view and glittering water, how could I resist?
Then I decided that the trek over to the shady half of the beach was worth it. This is just a tiny little lesson in quilt photography. Photographs in full sun result in washed out colors and highly emphasized wrinkles due to resulting shadows (above). Shady photos, however, provide much richer, truer, and almost more gentle colors and a more forgiving look at the quilt despite the lack of an iron’s smoothing touch (below).
I decided to back this table runner in Bee Sweet in the Morning colorway from Bonnie Christine’s Sweet as Honey fabric line. The bees in the table runner top are from the Bee Sweet in the Sunset colorway, so it coordinates fabulously.
I have only a bit more hand quilting to do, and then I MIGHT do a little bit of machine quilting to make sure all stays nice and securely despite the many inescapable washes that surely await anything that will live on our table.
I’m using 12 wt Aurifil thread #4140 Wedgewood, which is a perfect match. I love the subtle effect of the large quilting stitches in a coordinating color, and I’m very much looking forward to having this table runner finished and on our table. It can be a lingering reminder of our fun and beautiful summer. And it WILL be finished by the end of September!