Tag Archives: sampler quilt

Quilt Photography Tips

I’ve long been a fan of the Summer Sampler Sew Along put together by Lee Heinrich, Katie Blakesley, and Faith Jones each summer, so when Katie asked me if I would be a “guest expert” for her 2022 Summer Quilt Along, I couldn’t say no. Plus, what a great spark to get me writing here again!

I used my Summer Sampler 2019 quilt top as my example quilt for this post, which I assembled in my own alternate layout to create space for me to participate in the fun of the sew along without the stress of “keeping up” and making every block. You can see (or buy) this year’s sampler here. If you’re participating in this year’s Sew Along, you might be at the point where you are almost ready to photograph your finished quilt top!! If you’re not there yet, no worries–these tips are timeless. Just bookmark this post, and come back when you’re ready.

I could easily talk for weeks about quilt photography, but wanted to share two of my top tips for photographing your quilts (or quilt tops!) since sometimes a little bit can go a long way. If you want to dive into quilt photography more deeply, be sure to check out my on-demand class Take Great Quilt Photos Now!

Light

First and foremost, LIGHT is the most important thing to consider when taking photos. I’m a big fan of capturing natural light, so I almost always take larger quilts outside for photos. In addition to having abundant natural light outside, there are gorgeous natural locations that help complement and celebrate the quilt being photographed and it’s wicked fun to find them!

That said, a bright overcast day provides the ideal lighting for photography. That’s right–overcast. I can’t tell you how many times I’ve heard someone say, “I finished my quilt but I haven’t been able to take any photos because the sun hasn’t been out!” You don’t want direct sun for photos, and I’ll show you why:

My Earth Song Quilt (an alternate layout using blocks from the 2019 Summer Sampler Sew Along) photographed in a gorgeous spot at Medomak Family Retreat Center in bright direct sun.
Add a bit of wind, a different angle, a few more wrinkles, and you can really see how bright direct sun is not your friend when you’re talking quilt photography.
My Earth Song Quilt photographed in a gorgeous spot at Medomak Family Retreat Center on a wonderfully overcast day.

As you can hopefully clearly see in the photos above, the quilt photographed in the full shade/overcast day is the most accurate, vibrant representation of the fabrics and colors in the quilt.

Bright direct sunlight washes out colors and creates dark harsh shadows in every little wrinkle or wave of the quilt. When you’re photographing a finished, fully quilted quilt, you can imagine the shadows that are created along every stitch line. If you have the flexibility to wait until an overcast day, I strongly recommend you do that for your next quilt photos. If you live in a place that rarely has clouds, taking photos early in the morning or right before dusk will be your best bet!

Clear Communication

Photographing a finished quilt often requires a quilt holder, and I’ve often heard questions about how to “get your quilt holder to….” do any number of things. The answer is a tool that will take you far in every relationship, even beyond the relationship of you as quilt-maker/photographer and your quilt holder: clear communication.

BEFORE you head out to the gorgeous location you’ve chosen for quilt photos, have a solid conversation with your quilt holder about your hopes and expectations for the photos and quilt display. Especially if your quilt holder is not a quilter themselves, taking the time to clearly show and explain how you want them to hold the quilt will make the actual photography much much smoother.

Personally, when I’m taking quilt photos, I want to see as little of the holder as possible. My partner Garrett is my usual quilt holder, and he knows that I don’t want to see him (hah!). For these photos, my friend Allie aka Exhausted Octopus stood in as my quilt holder, and did a great job being invisible behind the winner photo (above). You can see her fingers a bit along the top edges, but that’s it.

I am a big fan of saying yes and talking about what you CAN do, but I think for this, it might be easiest to show you a bunch of commonly seen photo scenarios, with what not to do, and things you can communicate to your quilt holder BEFORE the photoshoot (in a kind and supportive way, of course!) Please note that everyone’s definition of a good quilt photo is different–so if you enjoy using any of these photo styles, that’s ok! This is just based on my own personal preferences when taking photos of quilts in beautiful locations.

What not to do…

I DON’T want to see your legs.

I DON’T want to see your head or arms.

I DON’T want the quilt to be crooked. This is something that is sometimes difficult for the quilt holder to perceive while standing behind the quilt with their arms extended, so you can use an “in the field” communication code when actively taking photos. I will say “level!” and my quilt holder will level the top of the quilt, and I’ll either reply with “other way!” if they angle it more, or “good!” when it’s perfectly level and I’m ready to take the photo.

I DON’T want the corners of the quilt to fold over–I want to see the full quilt if at all possible. This is something that is easily attained with hand placement when holding. When the quilt holder grips the quilt right inside each corner, it allows the quilt to be fully displayed and still have the actual corners visible. Note that some quilts are just too large to hold, in which case I’ll bring two quilt holders along–and sometimes chairs for them to stand on–so that one can hold each corner.

I don’t want there to be a sag along the top of the quilt. Before photoshoots I’m always sure to establish that if I say “taught!” when my quilt holder is holding the quilt, that means that there is a slight sag at the top of the quilt and they need to gently pull their hands away from each other a bit to tighten it up.

Code words often shouted from photographer to quilt holder include:

Taught! (to straighten the top of the quilt)

Level!… other way! …. good!

Head/arms/feet (if they are showing)

Break! (if I’m changing settings on my camera, I make sure to tell my quilt holder so that they can rest their arms!)

The conversations that happen before the photoshoot are absolute gold, and can make the process more enjoyable for everyone. As with everything, the more you practice the quilt holding, the communicating about it, and the photography of quilts in unique and gorgeous locations, the easier it will get. You’ll build a relationship with a quilt holder who knows exactly how you like your quilts to be held for photos AND you get gorgeous quilt photos that show off the full glory of your quilt without any distracting bits. If that’s not a win-win-win, I don’t know what is.

I hope these tips are helpful to you and you enjoy documenting your gorgeous makes in stunning locations. You take so much time and put so much love into making the quilt top, taking a gorgeous photo to document it is absolutely worth it! I go into much more detail in my on-demand class Take Great Quilt Photos Now! so check that out.

Also be sure to check out all of the other great tips shared by the other Guest Experts–you can see all of the Sew Along posts here and there are tips ranging from fabric selection to organizing your sewing space. Many thanks to Katie for inviting me to be a part of this, and happy sewing everyone!

Sew Tiny Sampler Pattern Release

Today is an exciting day! My Sew Tiny Sampler pattern, a foundation paper piecing pattern that includes foundation templates for 16 of the most-oft used blocks from my 100 Days of Sew Smaller project, is now available for purchase from my Payhip shop.sew tiny sampler fpp patternDuring my 100 Days of Sew Smaller project, quite a few people asked about the patterns I was using to make my tiny blocks. Many of my blocks were based upon well-loved traditional blocks, but I created foundation paper piecing templates in Inkscape as I went along. After many requests, I’m happy to finally be able to make the templates and pattern available publicly.

sew tiny sampler pattern fpp quilting tinyThe pattern includes foundation templates for the 16 blocks shown on the cover, plus assembly instructions for putting them all together into a mini mini sampler that finishes at a whopping 7 1/2″ square. Each block measures 1 1/4″ square finished, and 1 3/4″ unfinished. The pattern includes tips on tiny piecing in general, links to resources on foundation paper piecing (FPP) basics and using fussy cutting in your FPP blocks, as well as a long list of project ideas for your tiny blocks. To help conserve paper when making LOTS of blocks, I also included bulk printing pages for each block design.

quantum fabric by giucy giuce andover fabricsI had fun playing with Quantum fabric by Giucy Giuce for Andover Fabrics for my cover blocks, and of course used meticulous cutting in every possible location. I stitched all of the blocks using 50wt Aurifil thread in 2600-Dove, which is pretty much always in my machine for piecing.

sew tiny sampler quantum fabric fussy cuttingsew tiny sampler quantum fabric fussy cuttingsew tiny sampler quantum fabric fussy cuttingI highly recommend reading my tutorial HERE and using the fussy cutting FPP tips in your tiny blocks. As you can see, it really adds a special touch!

sew tiny sampler fpp pattern quiltingI’m looking forward to seeing all of the tiny blocks created by all of you, and will be sharing some of the blocks some of my friends are making to help celebrate the pattern release soon. In the meantime, you can head over and read about Yvonne’s blocks and what she made out of them here, or check out the hashtag #sewtinysampler on Instagram to witness the miniaturization of March.

sew tiny sampler angleHead over and get your Sew Tiny Sampler pattern here to join the fun. I can’t wait to see what block you make first!!

 

Splendid Sampler 2: Adventure Abounds

splendid sampler 2 adventure aboundsToday I’m excited to reveal the block I designed for the Splendid Sampler 2 book: Adventure Abounds, found on page 122.  Those of you who know me are most likely not surprised by this block one bit! For those of you who are new, welcome! I’m Kitty Wilkin, aka Night Quilter, and I’m so glad you’re here! I am a full time mom of three kiddos in rural Maine, but I’m also a pattern designer (EPP, FPP, traditional piecing–I love it all!), quilt and product photographer, teacher, social media manager for the Quilter’s Planner, AND an avid fussy cutter, which I prefer to call meticulous cutting. I’m often inspired by the natural world around me, and when Pat and Jane asked me to design a block reflecting my best quilty life, I knew it had to include family adventures in nature tied together through the creation of a quilt. With strong influence from my Summer Adventure quilt pattern, this block has a bit of everything–sea, trees, and lots of love!

If you’re new to the Splendid Sampler books curated by Pat Sloan and Jane Davidson, find out more about the Splendid Sampler 2 book and sew along HERE.

splendid sampler 2 adventure aboundsToday I am going to share 3 tips for using fussy cutting in foundation paper pieced blocks, using my Adventure Abounds block from the Splendid Sampler 2 book. If you’re new to foundation paper piecing (FPP), read my beginner basics FPP tutorial HERE first to make sure you know all of the key components and basic tips. Then let’s dive in!

splendid sampler 2 adventure abounds fppThere are a few things you should remember before beginning FPP: First, the templates are a mirror image of the finished block, so when planning your fabric placement, visualize the right side of your fabric on the back of the template. Second, I highly recommend color coding your paper templates before starting so that you know exactly where each fabric should be. Third, don’t forget to use paper scissors to cut out and trim the templates! Your fabric scissors don’t want to go there!

color code foundation paper piecingOnce your fabrics are selected, your templates are cut out along the 1/4″ seam allowance line and color coded, you’re ready to dive in. Here are three tips for using fussy cutting in FPP:

1. Place your fussy cut on piece 1

One of the easiest ways to use fussy cutting with FPP is to position your fussy cut fabric on the very first piece placed. With this method, simply hold your fabric up to a light source on the wrong side of the paper template, aligning the fabric motif you want to feature. Use a little dab of washable glue stick to hold it in place, and then continue piecing the rest of the block as you normally would. Your fussy cut can be perfectly positioned with very little effort. Depending on the block you’re creating, even this little use of fussy cutting can create quite an impact.

positioning fussy cut fppAs an example of this for my Adventure Abounds block, I decided to position a subtle bird in the sky above the ocean, and held it up to a window to make sure it was positioned exactly how I wanted it. With a white on white background for my blocks, this example is subtle, but sometimes those subtle details are my favorite!

2. Create templates

Another way to make fussy cutting a bit easier while foundation paper piecing is to create a template for the pieces you wish to meticulously cut. You can use template plastic for this, or can even repurpose clear plastic lids to food containers. You want to use something that you can see through or at least trace through using a light source.

creating templates fpp fussy cuttingTo create a template, first trace the shape from the paper foundation template onto the plastic. Be sure to label your piece, AND make note of directionality since the paper template is a mirror image.

creating templates fpp fussy cuttingOnce I trace the shape, I flip over the template plastic and write my notes on the opposite side, so that when I cut the fabric for that piece, I know that my notes should be legible on the right side of the fabric.

creating templates fpp fussy cuttingNext, using a quilting ruler with 1/4″ measure, draw seam lines 1/4″ outside all the edges of your drawn lines.

creating templates fpp fussy cuttingCut out the template along that seam allowance line.

Repeat for all of the shapes you want to fussy cut. You can use the clear templates to be sure you’re cutting your fabric piece exactly as you want it. Note that you will want to use all of the tips outlined in this tutorial when piecing so that the perfectly cut piece of fabric gets sewn in exactly how you want it.

creating templates fpp fussy cuttingFor my block, I decided to fussy cut the heart so that the fabrics for the two pieces of the heart look continuous despite consisting of two fabric pieces. I decided to make a third reference template of the full heart and traced the pattern from the fabric onto the template, which I used as a reference when cutting out each individual part.

creating templates fpp fussy cuttingOnce you have your template positioned over the exact motif you want, carefully trace around the template with a fabric marking tool and cut out the fabric, or very carefully use a rotary cutter to cut around the template. Note that with planning templates made with template plastic or repurposed food lids, using your rotary cutter contains a good level of danger–so either purposefully live on the wild side, or use the trace and cut-with-scissors method!

creating templates fpp fussy cuttingYour perfectly planned fabric piece is ready to carefully stitch onto your growing foundation paper pieced section.

Because this piecing is quite meticulous, you’ll want to be sure to align this next piece perfectly before stitching.

fpp fussy cuttingfpp fussy cuttingFolding along the seam on which you are about to stitch and trimming the overhanging fabric to 1/4″ will help you line up the next piece accurately.

fpp fussy cuttingYou can also fold over the piece you are about to stitch along the seam line to see how it looks before actually stitching.

Note that meticulous cutting is exactly that–meticulous. Be sure to be meticulous in all phases of this process to get the best results. Also, be gentle with yourself. This is not easy! Use a stitch length that you are comfortable ripping out if needed to get those first fabrics lined up. I give myself a Rule of 3 when stitching any block: I’m allowed to use my seam ripper to rip out progress and make it align better 3 times during the stitching process for any block. Once I hit my 3 times, I need to just accept the imperfections and move on. We are human, after all. But don’t be afraid to try! As with anything, the more you practice, the easier it will get.

fpp fussy cuttingOnce your fussy cut pieces are cut and stitched as desired, continue piecing your non-fussy cut pieces as you would any other FPP block.

3. Focus on the joining seam

A third tool to use while fussy cutting in FPP is to pay close attention to the edge of the motif you want to feature. This works particularly well for lining up directional prints along the seam line, or for less precise fussy cuts.

This method is used for any piece AFTER the first piece placed. If your fussy cut is the first piece, use Tip 1!

splendid sampler 2 adventure aboundsIn the Adventure Abounds block I made for the original Splendid Sampler 2 quilt, I used this tip when piecing the text on the tree, specifically the word “love”, since the word “listen” was the first piece placed, and was therefore easy to simply glue in place and piece around. Knowing that I wanted the top of the word love to be juuust below that darker top piece, when I cut the square of fabric I carefully cut just a tad bit more than 1/4″ from that top edge of the word love. I left the rest of the rectangle of fabric a bit larger and less specific, since as long as that edge lined up properly, the rest didn’t matter.

With the Adventure Abounds block I’m making for my own Splendid Sampler 2 quilt, I am not using as finicky or directional of fabric for the tree, so there is no need for fussy cutting. However, I wanted to control the directionality of the fabric in a few of the waves, so that the dots on the Cotton and Steel basics and the wavy paths on the bike path fabric by Alison Glass ran parallel to the seam line. The piece is not the first one placed, so I couldn’t use Tip 1. All I want to control is the directionality of the fabric, so making a template seems like more work than is necessary. Enter Tip 3: Focus on the joining seam.

 

fussy cutting with fppWhenever employing any type of meticulous cutting in your FPP, it’s always a good idea to trim your 1/4″ seam allowance before positioning and stitching your fussy cut shape. To do this, simply fold back the foundation paper along the line you are about to sew on, and using a quilting ruler with 1/4″ measure, trim the fabric 1/4″ away from the fold. (Obviously use a cutting mat underneath! This photo shows without the mat for aesthetic consistency). Once your fabric is trimmed, you have a clean line with which to line up your next meticulously placed piece.

This also helps facilitate another key FPP tip, which I originally learned from Lee Heinrich of Freshly Pieced, and which has saved me countless brain-scruntches trying to be sure a fabric piece would align properly on wonky angles in FPP.

fussy cutting with fppWhen your paper is folded along the seam-to-be-sewn, you can place it on your next fabric (right side up) and the paper shape as folded will be exactly on top of the fabric that will end up in that space once you sew along the line. Be sure to visit Lee’s tutorial for a perfectly clear and in depth explanation–it’s truly life changing when it comes to FPP!

https://weallsew.com/how-to-make-paper-piecing-easy/What that means for us is that with that clear 1/4″ seam line showing us the direction we want our print to go, simply lining up the folded seam line with the directional print will ensure the pattern runs in exactly the direction we want. Fold up the edge a bit to peek under and make sure the pattern is positioned the way you want it, then without changing the position of the fabric, fold the paper back up and sew along the line.

https://weallsew.com/how-to-make-paper-piecing-easy/You will end up with your directional fabric meticulously positioned along the seam line, just how you wanted it. Paired with that fun bird flying over the ocean that we placed using Tip 1, these tips can help take your foundation paper piecing blocks to a whole new, intentional level.

splendid sampler 2 adventure aboundsHere’s the block I made for my slowly growing Splendid Sampler 2 quilt, about which I’ll show you more soon! I’m creating monochromatic blocks and using an alternate rainbow layout I sketched out in my Quilter’s Planner. This Adventure Abounds block will be positioned in the teal row, but as you can see, it is transitioning to the green. I made a compromise from my monochromatic-rule for this block, since I make the rules around here anyway! ha!

the splendid sampler 2 night quilter quilters plannerOkay, just one peek at my planned layout and a few of my blocks so far. A full look will come in its own blog post soon, so be sure to follow this space!

Thank you so much for joining me today–I hope this tutorial is helpful and entices some new fussy cutters to try adding some meticulous cutting to their foundation paper piecing! Please show me what you’re making and either comment with a photo, or tag me on social media @nightquilter . Most of all, have fun!!

If you’re sewing along with the Splendid Sampler 2 excitement, be sure to head over to the Splendid Sampler website, and post your completed Adventure Abounds block. There is a fun Martingale book giveaway for one lucky person picked from the blocks shared on their website.

splendid sampler 2 adventure aboundsHave fun with your Adventure Abounds block, and may your adventures abound!

Splendid Sampler II

Do you remember The Splendid Sampler, the epic sew along from a couple of years ago organized by Pat Sloan and Jane Davidson that included 100 blocks and sooo many of our favorite quilty bloggers? On Tuesday, Pat & Jane announced that because their first sew along was so successful and so much fun, they are doing it again with the release of The Splendid Sampler 2!

Splendid sampler 2 coming soonI’m excited to share that I was invited to contribute a block to The Splendid Sampler 2 party, and I happily obliged! There are still a lot of unrevealed details around this splendid sequel, so I can’t tell you anything else about my block, but I am excited to get started sewing along!

The Splendid Sampler 2 book is now available for preorder on Amazon (no affiliate link), and will include 100 unique blocks, all finishing at 6″ square. To mix things up this year, and to let everyone get in on the fun a bit early since the book won’t ship until mid-October, Pat and Jane are giving away the first 20 blocks free, beginning on June 14th. Here’s the plan:

▪ Between NOW and June 14 there are some fun things planned
▪ June 14 – Sew Along STARTS with one block a week on Thursday
▪ Nov 1 – the 20th block is given out
▪ Dec 6 – we start sewing from the book with blocks announced on Thursdays.
▪ May 2 is the planned end date. So it’s a full year of fun!

You can get all of the details HERE.

I won’t be sewing ALL of the blocks, but I do plan to sew as many as I can! Can you guess the color theme I’m planning? As my mom always said, “I’ll give you three guesses and the first two don’t count.”

Back to my regularly scheduled stitching and mommy-ing. I hope to have more to share here soon!