Tag Archives: andover fabrics

The Bee’s Knees in Constant Flux

Right before the mad-dash to get packed for our trek to QuiltCon, I finished a mini quilt and excitedly mailed it to a hotel in Savannah, where it patiently waited for Giuseppe to arrive. Here’s a closer look at my mini quilt that hung in the Andover Fabrics booth at QuiltCon.

alison glass constant flux mini quilt for andoverThis quilt got its name after it was nearly completed, as I sat hand stitching the binding to the back. A mini quilt made at the request of Andover Fabrics, out of entirely Alison Glass fabrics, to be displayed in the Andover booth at QuiltCon–can you imagine how thrilled I was to make it? I had selected my pattern Constant Flux since I have been wanting to play with different arrangements and color schemes for it, and simply rearranged the blocks to create a central focal square (I rotated each block 180 degrees).

applique embroidered bee from alison glass fabric constant flux detailWith freestyle embroidery fresh on my mind and Nichole Vogelsinger’s book Boho Embroidery freshly on my bookshelf, I was inspired to add an embroidered, appliquéd bee from Alison’s Seventy-Six line in the center.

hungarian braided stitch aurifil 12wt
Just getting started with my favorite stitch: Hungarian braided chain, in 12wt Aurifil 2120-Canary.

So when a local friend of mine sent a message connecting me with a textile designer friend of hers who needed product photography, and calling me “the bee’s knees”, the name just felt right.  I think the entire world pretty much knows that I think nearly all of Alison Glass’s fabrics are the bee’s knees, so it felt like the perfect name: The Bee’s Knees (aka all of my favorite things–Alison Glass fabrics, plus meticulous cutting, plus embroidered applique, plus detailed machine and hand quilting) in Constant Flux (the pattern name). More figuratively, it’s a nod to the fact that the fabrics and styles that we consider the bee’s knees are constantly changing.

foundation paper piecing progressI had a lot of fun with the meticulously cut (yeah, yeah, fussy cut) sections, including bees and flowers as framing for the color flow. I love pairing meticulous cutting with foundation paper piecing. The fussy cutting templates I include in my pattern came in handy, too.

half inch grid quilting aurifilI knew I wanted to incorporate both hand and machine quilting, and I knew that I wanted the machine quilting to be dense. It took me a while to decide between using 50wt Aurifil 2600-Dove or 5015-Gold Yellow for the quilting, and finally I opted for the Gold Yellow to pull out the gold of the centrally stitched bee. I quilted a diagonal grid approx 1/2″ apart on all of the colored sections of the quilt and I love the texture it created. I wanted the white star and central diamond to pop, so I let them be, patiently awaiting hand quilting.

hand quilting detail I used a rainbow of 12wt Aurifil thread to help pull the rainbow from the gorgeous fabrics into the white sections, and I love the outcome! I decided to switch to 12wt 2600-Dove for the center so that the bee would stand out.

hand quilting detail back of quiltThe back shows that my hand quilting still has plenty of room for improvement (especially when trying to maneuver around the bee), but it’s still fun to see the back, too!

the bee's knees in constant flux quilt back alison glassI used Seventy Six fabrics Rising in Graphite and Numbered in Duck Egg for the back, with an Insignia in Chartreuse label.

label your quilts!Labeling is one of my favorite parts–maybe because it helps me know that my name is on my work, or maybe because it means I’m finished with a project!!

Andover Booth Quilt Con 2017This quilt is currently in Andover headquarters in NYC for photography and other fun fabric adventuring before it returns to me, but it was super fun to see it hanging in the booth at QuiltCon (see it, top right??). You can see a photo of me proudly standing next to it in my QuiltCon post here.

I’m linking up with Crazy Mom Quilts Finish it up Friday, since this finished mini hopped right into the mail upon its completion and hasn’t been shared in detail here yet. Finishes do feel good, don’t they!?

AG Challenge Finish: Noodlehead Diaper Pouch

Sometimes you just need a quick finish. Something small and beautiful that you made with your own hands, but that takes only hours (instead of days) to create. When Yvonne announced her Quilting Jetgirl Alison Glass Challenge as an incentive for the rest of us to get one of our Alison Glass fabric makes into the finished pile, I had a few different ideas of which of my many Alison Glass-influenced projects I should finish first. At first I thought I’d focus on the table runner I started late last year using the Insignia and Seventy-Six fabric lines, but then thought it might be the perfect boost to finally finish Max’s Eye Spy quilt that has a dominance of bright Alison Glass prints from across the years. Then I gave myself a reality check and decided to select something small. I have two big deadline projects to finish within the next month, so to be real I decided to pull a diaper pouch project off of my WIPs shelves and finish it up. I’m so glad I did!!

noodlehead diaper pouch alison glass art theory panelI made this Diaper Pouch using a free tutorial by Anna Graham of Noodlehead, found here. It took me about two (2) hours to make, start to finish, which is pretty awesome as far as projects go.

noodlehead diaper pouch alison glass art theory panelI used my all time favorite Alison Glass Print, the Art Theory Panel from her Ex Libris line as the outer panel, and lined it with Artifact in Charcoal from her Abacus line (Andover Fabrics). I was lucky enough to buy all of these fabrics, AND the cotton webbing strap from my local quilt shop Fiddlehead Artisan Supply.

I used my go-to 50wt Aurifil thread 2600-Dove for all the piecing and 50wt 2692-Black for sewing on the velcro so that the stitches would not stand out. I love that Fiddlehead also carries a good selection of Aurifil threads! One stop shopping for the win!

noodlehead diaper pouch alison glass art theory panelOf course I had to plan it so that the rainbow star from Artifact was visible right on the top. I should have given myself a tiny bit more space in that seam, but I’m not losing sleep over it. It’s gorgeous anyway!

noodlehead diaper pouch alison glass art theory panelNow instead of having a purse filled with diapers and wipes floating every which way, I can have a beautiful and function space to store them compactly, not only making the inside of my purse a bit more organized, but also making it easy for me to visually check that I have a diaper for my little one before I head out!

noodlehead diaper pouch alison glass art theory panelSince pens are another item I’m often digging for in the chaos within my gorgeous bag, I decided to store two of my favorite micron pens tucked in the corner of the diaper pouch, so that they are easily found when I think of something to add to my Quilter’s Planner Mini–my traveling to-do list, grocery list, and inspiration keeper. Pst… you can now order the Quilter’s Planner Minis individually, here. Just a PSA for the day!

noodlehead diaper pouch alison glass art theory panelThis pouch also perfectly coordinates with the amazing Alison Glass fabric bag my husband bought me for my birthday last year, made by the ever talented Kristy at Rock Baby Scissors. There’s no such thing as too much Alison Glass fabric, right?! No way!! What next?…. I’m thinking a few zip pouches to help organize the other contents of my purse. What’s your favorite simple zip pouch pattern? (Noodlehead’s Open-Wide Zippered Pouch is a fab one, but should I know about others?)

I’m linking up with Amanda Jean at Crazy Mom Quilts Finish it up Friday, and of course Yvonne’s Alison Glass Challenge. Yippee for gorgeous and functional finishes!

Foundation Paper Piecing Tutorial on Andover Fabrics’ Blog

Today’s the day! A few months back Giuseppe (aka @giucy_giuce on social media) from Andover Fabrics asked if I would like to do a guest post on their blog. For those of you who haven’t put it together, Andover Fabrics is the manufacturer who houses fabric lines by Alison Glass, Lizzy House, Libs Elliot… and more! You know how much Alison Glass fabric alone is include in my makes, so of course I said YES! I decided to share a tutorial for my favorite quilting technique that sadly often has a bad rep–foundation paper piecing. Today a revamped foundation paper piecing tutorial featuring my newest pattern, Constant Flux, which features Handcrafted Patchwork by Alison Glass, went live on the Andover blog.

foundation paper pieced block from constant flux andover tutorialThis tutorial takes you through the basics of foundation paper piecing, but also includes some special hints, tips, and helpful cutting measurements for sewing together the Constant Flux pattern. You can read more about Constant Flux HERE, and be sure to visit the foundation paper piecing tutorial on the Andover blog HERE.

constant flux pattern coverIf you haven’t yet added Constant Flux to your pattern library, it’s still on sale for a few more days in my Craftsy shop (and Payhip for those of you in the EU). Get it now for only $5, since at the end of the week it will head back up to its usual $8.

Many thanks to Andover Fabrics for hosting me, and I hope all of you find my foundation paper piecing tutorial helpful! Happy stitching!

Constant Flux: Flimsy Finish & Pattern Release

It’s no secret that I love to design foundation paper pieced patterns. You’ve seen me create the likes of Lupine, Love Struck, Bean SproutLove is the Key, Fish Panels, Buoys, and more. Recently, though, I’ve been wanting to play more with geometric foundation paper pieced patterns, and I’m excited to share my very first one with you today!

constant flux pattern coverConstant Flux is an easy, very beginner-friendly, and diverse pattern. There are no tricky angles, odd shapes, or difficult joins, yet the design options are boundless. The mini quilt consists of four 12″ blocks, finishing at 24″, but it’s easy to make a quilt of any size by simply making more blocks or adding borders!

alison glass handcrafted patchwork fabric andoverAndover Fabrics asked me a while back if I would do a guest post on their blog. Of course I said yes, and decided to share a foundation paper piecing tutorial to try to spread the love of this oft-disparaged quilting style. This pattern is the result, and the tutorial will be posted on the Andover blog soon, so keep your eye out for it! The tutorial will take you step by step through how to foundation paper piece this pattern, which in turn can be applied to all other foundation paper pieced patterns! I’ll be sure to link to it as soon as it’s live. In the meantime, go ahead and buy the pattern and start choosing your fabrics!

fussy cutting for foundation paper piecingI created my version of Constant Flux inspired by Handcrafted Patchwork by Alison Glass from Andover Fabrics and just had to keep her gorgeous large motifs intact, so the pattern includes tools to help you plan meticulously cut elements if you so desire. I also include measurements for precutting fabric to make the process move more smoothly, so be sure to check out the tutorial early next week.

constant flux mini quiltConstant Flux is available in my Craftsy store (and Payhip for those of you in the EU) and will be on sale for only $5 for the first week, after which it will return to its normal price of $8.

The name of Constant Flux makes me happy because of the play on words. The visual aspect of the pattern strongly elicits movement, thus the “Flux” part. Yet aspects of the quilt can be meticulously cut as exact replicas, which is where the “Constant” part of the name comes in. Depending on the way you look at it, the constant can imply both that the movement is happening at all times, or that there are some things that are constant despite the movement! Constant Flux.

Constant Flux color optionsFor now, I haven’t quilted my first one and I already want to make Constant Flux in a different colorway. Look at all of the options I came up with in just a short moment of color arrangement play! The pattern comes with a full page coloring sheet so that you can explore your options before diving in. That bottom right version is calling to me–which one would you make first?!

I’d love to see what you create, so when you stitch up your Constant Flux quilt, please tag #constantfluxquilt and @nightquilter so that I can see your creation!

I’m linking up with Crazy Mom Quilts Finish it up Friday, Needle & Thread Thursday, and TGIFF. Happy stitching!

Pin Cushion Sew Along with Fat Quarter Shop

Today I’m taking part in yet another fun, quick sew along hosted by Fat Quarter Shop. Kimberly from FQS teamed up with Sherri McConnell once again to bring you a video tutorial for a really simple and cute pin cushion, which is being released today. I definitely will be making more of these!

fat quarter shop pin cushion sew alongI really love clear video tutorials since I am very much a visual learner. Seeing each step helps make the process smooth and easy to complete without hang up or confusion. That, to me, is a big win!

fat quarter shop pin cushion sew alongI decided to make my pin cushion with a range of warm Alison Glass Sun Prints 2015 and 2016, and once it was finished, it begged to be photographed out in the garden with the peonies. Such vibrant colors need to be in colorful company.

fat quarter shop pin cushion sew alongI used a Tula Pink ribbon I won in a giveaway from Renaissance Ribbons a year or so ago as the ribbon detail, top stitched with Aurifil 40wt 2230-Medium Peony (so fitting!). I topped the pin cushion with Robert Kaufman Quilter’s Linen, which is a fabulous all-purpose blender fabric that happened to coordinate wonderfully. Aurifil 50wt 5022-Mustard was the perfect thread for hand stitching the opening in the Quilter’s Linen closed, too. I just love when perfectly coordinating fabrics and thread can be found in my stash.

fat quarter shop pin cushion sew alongI backed the pin cushion in Ex Libris Bookplate in Charcoal by Alison Glass (Andover Fabrics), and really would be tempted to use the pin cushion upside down every so often, it’s so pretty. This pin cushion is not for me, though, so the recipient can do with it as she pleases!

fat quarter shop pin cushion sew alongThis is the first pin cushion I’ve stuffed entirely with crushed walnut shell, at Sherri’s suggestion, and I really like the sturdiness and ease with which pins go into it. I bought the crushed walnut shell from a quasi-local, fabulous quilt shop, Clementine in Rockland, Maine months ago but had not yet had a chance to use it. Leah at Clementine suggested the crushed walnut shells since the oils from the nut shells help keep the pins and needles sharp and rust free. They also provide a nice, sturdy base for your pins and needles.

fat quarter shop pin cushion sew alongCheck out the video below and make your own pin cushion if you want! There’s no such thing as too many pin cushions, right?

Be sure to visit the other bloggers in the hop to help spark your inspiration and see what they did with this pin cushion:

Kitty from Night Quilter <–You’re here!

Amanda from Jedi Craft Girl

Nicole from Modern Handcraft

Jessica from Quilty Habit

Jessee from Art School Dropout

Tina from Emily Ann’s Kloset

Michele from Island Life Quilts

Angie from Gnome Angel

Sinta from Pink Pin Cushion

Melissa from Happy Quilting

Stash Building: Art Theory Panels in a Panic

My recent scour of the internet in search of Carolyn Friedlander’s old Architextures fabrics for THIS project has given me a new appreciation for stashing your favorites before they disappear. Once a fabric line is out of print, especially if it’s been out of print for a while, those fabrics are GONE. Legit, no stores have them, not even Etsy, gone.

art theory panels ex libris alison glassThis realization gave me a little bit of a panic, so I quickly contacted my local quilt shop Fiddlehead Artisan Supply and had them set aside three yards of the Alison Glass Art Theory panels from Ex Libris (Andover Fabrics) in charcoal and one yard in white. Better safe than sorry, right? If I could afford to buy a bolt of each and every Sun Print fabric, too, I totally would. But the line has to be drawn somewhere!!

art theory panels ex libris alison glassIt’s no secret that I love Alison Glass fabrics, and these panels are just SO gorgeous. I have a few projects in mind already for these, and I don’t think I will ever tire of the colors and design. Having a bit of “extra” in the stash never hurt anyone.

art theory panels ex libris alison glassMaybe I’ll even get brave and cut into a few to use bits and pieces in a project beyond the full intact round panel. Maybe.

art theory panels ex libris alison glassIf you want to stock up before it’s too late, Fiddlehead does still have some yardage of these panels available, I think. They are not listed online, but if you call the store you can order some. No, I’m not *trying* to be an enabler. No, I don’t work for Alison Glass (to answer your question, Nancy! lol But wouldn’t that be a dream!?), but I really do honest-to-goodness love the vivid designs in her fabric. I’m trying to help. Really. Or if you are on a fabric diet, go ahead and let me know your birthday and I’ll set a panel aside for you.

art theory panels ex libris alison glassI mean, look at those details!

I’m linking up with Molli Sparkles’ Sunday Stash traveling edition, which is hosted by Irene from Patchwork and Pastry today.

 

 

Riot of Color: Quilter’s Planner Cover Tutorial

Today I’m sharing the tutorial for how to make the outer panel of a Zippy Quilter’s Planner Cover like the one I made. I’m calling it Riot of Color and it’s a tribute to Alison Glass and her consistently bold and beautiful fabrics. A full color pdf of this tutorial is available on the Quilter’s Planner website, so head on over there to download it!

alison glass quilters planner coverThis tutorial is for creating the outer  panel for the Zippy Quilter’s Planner  Cover pattern customized by Stephanie (Late Night Quilter) and Amanda (What the Bobbin) for the Quilter’s Planner. This  tutorial will provide cutting and piecing instructions for the outer panel (11”x19 1/2”). From there, follow the instructions in the   Quilter’s Planner cover pattern found at http://quiltersplanner.com to make the full zippy planner cover, using this 11”x19 1/2” panel as the “exterior fabric”.

zippy quilters planner cover tutorialThe secret to this cover’s creation is the fabric choices. The dark grey of the Essex linen in Charcoal (Robert Kaufman Fabrics) lets the bright bold colors of Alison Glass’s Sun Prints 2016 and Art Theory panel in Charcoal (from Ex Libris – Andover Fabrics) shine. This could also be made using a favorite large scale print for the feature fabric and fussy cut bits for the squares, but be sure to use a contrasting solid or reads-as-solid background fabric so that the construction shines.

General Notes:  Seam allowances are 1/4” throughout unless indicated otherwise. I like to press seams open, but in some cases I pressed to the side for this project. I will note those places in this tutorial.

Cutting

zippy planners cover tutorial cutting instructionsFirst, cut all of your fabric pieces according to the Cutting Requirements chart and diagram above.

A Note About the E Pieces

Here’s where I’m going to be real with you. The DE strips have a lot of seams. This means that if your 1/4” seam allowance is off by even a little bit, your strip may be slightly the wrong size. In the cutting chart above, I’ve accounted for this human error. (You’re welcome!)

*IF* your seams are an absolute perfect 1/4” and your cutting is precise, the top and bottom E pieces on both strips (four E pieces total) only need to measure 1 1/2” x 3/4”.

This tutorial allows you to trim the excess at the end so that you don’t have to worry as much about the precision of your 1/4” seam. That said, focus on straight, consistent seams and we will adjust for scant or generous seams during the process!  If you feel like you want to be a Perfect Seams Superhero and save yourself some math and cutting, use 1 1/2” x 3/4” E pieces on the top and bottom of each strip. Go ahead and cut your pieces.

Ready? Lay it all out how you want it and then start assembling!

Assembly

Pair each D piece right sides together with an E piece and sew with a 1/4” seam allowance. 

chain piecingI like to get them all ready and then chain piece to save time.

Organization Tip
Be sure to take a photo of your layout before sewing so that you have a visual reference along the way!

Set seams and press open. Lay them out again and check your reference photo. There should be one E that has not yet been paired and sewn. Pair and sew components of the DE strips until they are completely assembled. Press seams open.

If you are being a Perfect Seams Superhero today and used 1 1/2” x 3/4” E pieces on the tops and bottoms of your strips, confirm that your fully assembled strip now measures 1 1/2” x 11”, pat yourself on the back and skip ahead to the full panel piecing.

If you are being merely human today, give your strips a good press and lay them on your cutting mat. It’s time to measure how much excess you have and take care of it.

Planner Cover StripsWe want the finished strips to measure 11” long, but we want to be sure our colorful bits  stay centered. To do this, take the following steps (the example shown is in parenthesis):

  1. Measure each strip to the nearest 1/8” being sure to press it flat so that it extends to its full length. (My strips shown measured 11 1/2” when I held them flat.)
  2. Take the difference of 11” from the length of your strip.   (11 1/2 – 11 = 1/2”)
  3. Divide the difference by 2.  (1/2” / 2 = 1/4”)
  4. That’s how much you should trim from each end of your strip. (I trimmed 1/4” from each end)

Now, measure your strips again. Each strip should measure 1 1/2” x 11”. Don’t worry about a little wobble or wonk at this point. Everything will be smoothed out during the final assembly!

Next, we will piece the rest of the panel.

zippy quilters planner tutorialLay out all of your pieces again as shown (left to right): C,  DE strip, B, A, B, DE strip, C.

Sew them together!

Here’s the order in which I assembled it, but do what works logically for you.

  1. Right sides together, sew B pieces to A. Press seams open. This is the BAB unit.
  2. Right sides together and double-checking the orientation of the DE strips, sew C outer pieces to DE strips. Press toward C. These are your DEC units.
  3. Sew DEC units to the BAB unit, pressing seams toward BAB.

Give your panel a good press, check that it measures 11” x 19 1/2” and trim if needed.

zippy quilters planner cover tutorialFrom here, head over to the Zippy Quilter’s Planner Cover tutorial by Amanda and Stephanie to complete your planner cover!  Use this Riot of Color panel as the “exterior fabric”.

alison glass quilters planner coverHave fun creating your own versions of this cover, and please tag me @nightquilter if you post pictures on social media. I always love to see what you create!

I’m linking up with Stephanie’s Tips and Tutorials Tuesday. I love collaborating with that girl! Can you tell?

February Finish {ALYoF}: Rainbow Jellyroll Quilt

With one day to go, I did it! I finished my daughter’s first quilt–a Rainbow Jellyroll Quilt! I’m excited on many levels, since not only was this my first finished quilt for an immediate family member, it was also my goal for February in A Lovely Year of Finishes. A late night binding session last night and a specially requested free-motion quilted dedication session this morning were the final touches.

rainbow jellyroll quilt

I’m happy with how this quilt turned out, but it was a definite lesson in dealing with and loving imperfection. Mental note: when choosing a backing for a VERY linearly directional quilt top, avoid extremely linearly directional fabrics. Before beginning this quilt, I bought some yardage of “The Dotted Line” by De Leon Design Group for Alexander Henry Fabrics as backing. It really is perfect; I just didn’t PERFECTLY line up the backing with the front before quilting, so it’s a little off kilter. I opted to quilt this before squaring it up, since the edges of the jellyroll strips weren’t perfect, but I think that due to the linear nature of both front and back fabrics, I should have squared up my top before quilting. We’re always learning, right?

rainbow jellyroll quilt

quilting rainbow back

I do like how the quilting from the front looks on the back, even though it’s not perfectly parallel to the dots. Maddie certainly doesn’t love it any less due to its off kilter elements.
rainbow jellyroll quilt and maddie

maddie and her quilt

I quilted this quilt with primarily Aurifil 40wt thread, which worked perfectly. It was enough extra weight to make the quilting visible (especially the free motion quilted dedication: “Made for Madeline Joyce with love from Mommy”).

free motion quilted dedication

free motion quilting 40wt aurifil detail

The 40wt Aurifil really helps the stitches pop!
The 40wt Aurifil really helps the stitches pop!

I decided to machine bind the quilt using Cluck Cluck Sew‘s fabulous Machine binding tutorial, since I’m counting on this quilt getting loved to tatters by my little (big!?) five year old. After sewing the binding to the front, I pressed it out around the edges with a hot iron, and folded and pressed the corners how I wanted them to look. Using this little trick, when sewing the binding to the back, I didn’t sew onto the front binding at all! At least one part turnedy out perfectly!

rainbow jellyroll quilt

maddie on her quilt

maddie on her rainbow quilt

maddie on her rainbow quilt
Maybe she will share with her little brother… one can hope!

Quilt Stats

Pattern: Inspired by a Rainbow Jellyroll Quilt seen on Creativebug; I simply sewed jellyroll strips together.

Size: 42″x 61″

Fabric:
Front: Andover Fabrics Color Collection jellyroll
Back: “The Dotted Line” by De Leon Design Group for Alexander Henry Fabrics 2012
Binding: Poppy Passion Bead Stripe by Springs Creative Products Group

Batting: 100% cotton Warm & Natural batting

Thread: Aurifil 40wt in coordinating colors (contrasting color used for free motion quilted dedication)

Quilting: Straight line echo quilting 1/4″ from each seam; Free motion quilted dedication: “Made for Madeline Joyce with love from Mommy” “2015”

Related blog posts: Work in Progress: Rainbow Jellyroll Quilt, Friday Finish: Rainbow Jellyroll Quilt Top, Rainbow Thread Eye Candy, February Goals {ALYoF}

I’m linking up my finish for A Lovely Year of Finishes February Goals PartyTGIFF & Sew Can She Show off Saturday.

Rainbow Thread Eye Candy

I have a confession to make: I’ve never made a quilt for an immediate family member. There, I said it. Yes, I have two kids and another on the way. Yet, I’ve never made a baby quilt for one of my own babes let alone myself or my husband. Well, that’s finally about to change! I’ve been working on a Rainbow Jelly Roll quilt for my daughter Maddie since early July of last year (as seen HERE and HERE), but it always seems to get shoved to the back burner behind projects for other babies, baby showers, and other family members. Finally, on Maddie’s birthday right before Christmas, we laid out the quilt and matched some threads to help psyche myself up for quilting and hopefully finishing her very first quilt.

matching rainbow thread

I decided that I wanted to quilt this with simple seam-echoing straight lines in coordinating thread, but that would require a rainbow gradient of thread (awww, darn! I have to buy a spectrum of Aurifil!?). I had a couple of spools of organic cotton Scanfil and one 50wt spool of Aurifil that already matched, so I went onto the Hawthorne Threads site and ordered the supplementary colors. I opted for 40wt since I had never tried them before and the website said they were good for machine quilting. I figured a little bit thicker than 50wt wouldn’t hurt, so these 40wt beauties were added to my stash.

rainbow aurifil thread

I’ve since then started and almost finished quilting this Rainbow Jellyroll Quilt, so I think my eye candy photo shoot worked! Here are some more gorgeous photos from my photo shoot with my adorable five year old, her rainbow jellyroll quilt, and the matching Aurifil thread.

matching rainbow thread

matching rainbow thread
Most of the time, Maddie had fun giving me a smile for these photos.

I think she may have been a bit bored during some of it, though! LOL!

matching rainbow thread
Bored Maddie

I seriously love Aurifil thread. It shines, has never broken once, and doesn’t fuzz up my machine NEARLY as much as other hand-me-down threads I use upon occasion. I’m excited to be slowly growing my supply of Aurifil.

rainbow aurifil thread gradient

rainbow thread gradient

It’s a bit of a motley crew, but I think the resulting quilting is going to be gorgeous!!

Here’s an Instagram selfie I posted while quilting. It’s my first-ever quilting selfie! See!? I’m making progress!

quilting IG selfie

I’m linking up with Molli’s Sunday Stash and Lee’s WiP Wednesday. Building my stash to move a work in progress forward a bit more is always fun!

A Garden {Quilt} Full of Florals

For as much as I photograph and swoon over flowers, florals are foreign to my fabric stash. Last week, I built my stash with this fabric it rarely sees: florals. I bought in 1/4 yard cuts since it was the smallest possible cut at the local fabric store I visited, and I don’t typically use florals in my projects. I must say, though, I am happy with the floral fabrics I did find, and they are perfect for the project gift I have in mind.

stash building for a new projectThis project is a surprise gift with a short deadline. I KNOW the recipient will love it, and I’m exciting to share details with you. But for now, I’ll just show off these fabrics.

Grace fabric rjr fabrics flowers

Grace fabrics rjr fabrics flowers

I don’t know the full information for all of the fabrics, since I didn’t have a chance to write them all down, and I bought small enough cuts that the selvedges don’t all have the manufacturer/designer information present. Many of the fabrics are from the Grace fabric line by Mary McGuire for RJR Fabrics, which I love. I had to buy some of the Snug as a Bug (spiderwebs) fabric  by Melly & Me for Riley Blake Designs, since how could I resist sneaking a spider web into the garden?! I also bought a couple of fabrics by Andover and Studio E, with two coordinating Cotton Couture (I think?) solids, one for sky and one for border.

big fabric flower fussy cut

fussy cutting plan
Planning my 2″ square assiduous cutting (okay… fussy cutting!), with the help of the 2.5″ square template I made.

As you may have guessed with the little hidden templates, I plan to fussy cut most of these to make a garden quilt wall hanging. Some of it will consist of 2″ squares on point (2.5″ unfinished), and some will consist of 1″ squares on point (1.5″ unfinished).

small flowers fussy cutting planning

Some small 1" flowers to be assiduously cut.
Some small 1″ flowers to be assiduously cut.

More than that, I cannot yet tell you. I have my work cut out for me, though (pun intended!). Stay tuned to see this secret garden bloom!