Today is an exciting day! My Sew Tiny Sampler pattern, a foundation paper piecing pattern that includes foundation templates for 16 of the most-oft used blocks from my 100 Days of Sew Smaller project, is now available for purchase from my Payhip shop.During my 100 Days of Sew Smaller project, quite a few people asked about the patterns I was using to make my tiny blocks. Many of my blocks were based upon well-loved traditional blocks, but I created foundation paper piecing templates in Inkscape as I went along. After many requests, I’m happy to finally be able to make the templates and pattern available publicly.
The pattern includes foundation templates for the 16 blocks shown on the cover, plus assembly instructions for putting them all together into a mini mini sampler that finishes at a whopping 7 1/2″ square. Each block measures 1 1/4″ square finished, and 1 3/4″ unfinished. The pattern includes tips on tiny piecing in general, links to resources on foundation paper piecing (FPP) basics and using fussy cutting in your FPP blocks, as well as a long list of project ideas for your tiny blocks. To help conserve paper when making LOTS of blocks, I also included bulk printing pages for each block design.
I had fun playing with Quantum fabric by Giucy Giuce for Andover Fabrics for my cover blocks, and of course used meticulous cutting in every possible location. I stitched all of the blocks using 50wt Aurifil thread in 2600-Dove, which is pretty much always in my machine for piecing.
I highly recommend reading my tutorial HERE and using the fussy cutting FPP tips in your tiny blocks. As you can see, it really adds a special touch!
I don’t travel often, and when I do, I usually have three kids in tow who demand quite a bit of my attention, so traveling solo to and from QuiltCon early last month was quite a treat. Even with layovers, long flights, and all-day travel days, it seemed like I was on vacation traveling solo. Well, okay, I WAS on vacation… but you know what I mean! All the free time meant that I made a lot of progress with my hand stitching, which I want to finally share with you today.
I headed off to QuiltCon with an English Paper Piecing (EPP) project–the Mandolin Quilt Block by Jodi at Tales of Cloth. I had gotten a bit further than my last blog update on this project, but I still had the entire outer ring to baste and stitch on, as well as some of the inner colored segments to attach. EPP is my favorite travel stitching project at the moment, since it’s compact, fun, and easy to pick up and put down. I also don’t seem to be tiring of rainbows and high contrast, so hopefully you’re not getting bored, either!
As you can see, I was able to completely finish stitching my Mandolin Quilt block during my travels, which means this is next in line to become an awesome pillow right behind its Moonstone brother. I used Alison Glass fabric in that saturated stunning rainbow for which she’s so well known, and threw in some fun meticulously cut Libs Elliott fabrics from her True Love line for Andover Fabrics for contrast. I stitched it together using Aurifil monofilament thread in smoke, which meant I didn’t need a headlamp for precision on the poorly lit plane, yet you still can’t see any of the stitches. Bonus!
While I was traveling, the mending on my most-worn jeans began to wear through, but fortunately I was able to pick up a mending kit from the Brooklyn Haberdashery booth at QuiltCon, and I stitched on a new patch during my travels home. I love the texture on this patch, and also am kind of loving the mending of mending layered play between the stitches on the original mending and the stitches on the new.
I used the 12wt Aurifil thread I had with me to stitch on the new patch, whip stitching the full edge in place and then used simple vertical running stitches to secure the patch further. These jeans contain a bit of stretch, which is part of why they are wearing through so quickly, but also means that there’s a good clear Kitty-knee worked into them. That knee mountain makes me laugh, but gosh are these jeans comfortable!
My long flight back to NJ after QuiltCon allowed me to finish both of these hand stitching projects, which felt pretty amazing since I typically make progress at a snail’s pace.
I’m still working on my QuiltCon Reflections post, but hope to be sharing that soon. Spoiler: Finishing these projects was the icing on the cake of a wonderful trip.
Selecting fabric combinations and color arrangements is one of my favorite stages in the quilting process. So a few months ago, when my friend Bernie asked if I would be interested in putting together a Blogger Bundle of fabric for her Etsy store Needle & Foot, of course I said yes! Today I’m excited to introduce you to the bundle I put together.
While this bundle is versatile enough that any one of the fabrics could shine, there is definitely a star of the show in my mind, and that’s the Tartan Field in Midnight print from Bountiful, designed by Sharon Holland for Art Gallery Fabric (top left in the photo above). I selected this entire bundle based up on that one print. I’ve had my eye on it ever since Sharon first revealed her Bountiful fabric line peeks, and there’s just something about the grid work paired with the subtle colors, a touch of geometry and a good dose of nature (it’s the top down view of a garden, right?) that really makes my quilty heart sing.
The other fabrics have all been carefully selected from Bernie’s shop to coordinate and complement Sharon’s print, and I love how the colors of all of the other fabrics mesh so well with it.
The bundle includes (from top down in the photo above):
You didn’t think I would put together a bundle of fabric without a single Alison Glass print, did you?! hah!
Just for fun, these tulips had to join the fun since spring is not even close to appearing here in midcoast Maine yet, and I was in dire need of some cheer. Aren’t they luscious?!
Now, for the giveaway! Today I’m flying across the country to Pasadena for QuiltCon, but I thought it would be fun to kick off my QuiltCon adventures with a blog giveaway. Bernie has generously offered this bundle of five (5) fat quarters to one of my lucky readers.
This giveaway is open to US only. The giveaway will be open for one week, until my return home to Maine Wednesday, February 28th, when I’ll select the winner randomly with random.org. The winner will have 48 hours to reply or I will select a new winner.Good luck! This giveaway is now closed! Congratulations to Wendy!!
*Please note that comment moderation is on, so if you do not see your comment right after posting, do not be alarmed! I try to respond to each and every comment I get on my blog, but with giveaway posts the numbers are usually too great to do this. Plus, I’m at QuiltCon!! Follow me on IG @nightquilter or my Night Quilter Facebook page to see some live updates.
Love this bundle and don’t want to wait? You can get yours here! I would love to see what you make!
I haven’t been able to escape the sew-in-rainbows bug, but I admit I haven’t been trying too hard to escape it! Now that my Moonstone Quilt pillow is in basting, quilting, and finishing mode, I’ve begun a new English Paper Piecing project to have on the ready for any travel stitching that might arise. The Mandolin Quilt pattern by Jodi at Tales of Cloth will be the next addition to my rainbow and black and white quilted pillow collection, and I thought I’d share my progress.
I’m using *gasp* Alison Glass fabrics for the rainbow, with the center cameo from an Art Theory panel from her Ex Libris line and a couple of rounds of Sun Print 2018 before diving into her older lines. I’m also adding Libs Eliott fabrics as a black and white zap to the vibrant rainbow. Both Alison and Libs design for Andover Fabrics, so I feel like they can be buddy buddy quite happily in the same project. Plus, my husband’s favorite fabric designer is Libs Elliot, so this pillow will have both of our favorites included, and will coordinate wonderfully with my Alison Glass Moonstone pillow (once it’s finished) and Gare’s Libs pillow.
I have a highly technical approach to selecting fabrics when it comes to a project like this. I place my center on the floor, surround it with all of the Alison Glass fabrics I can find, and then play.
I audition fabrics not only in person, but also through the screen of my phone’s camera, since oddly, some fabric arrangements look different from afar. Alison makes it pretty easy since her fabrics are such a vibrant spectrum of tone on tone color that already transition so well through the rainbow. It’s still fun to decide where to put each bright little bit, and mixing fabrics from new and old fabric lines.
I love English Paper Pieced patterns that have acrylic templates, since I’m a big fan of meticulous cutting (aka fussy cutting). These Mandolin templates help me see exactly what section of each fabric will be showcased in the quilt and which will be included in the seam allowance. It makes the basting step a lot easier, since the work is done in the cutting!
Even with a project focused on the color flow and not so much the individual pieces, I still fit meticulous cutting in where I can. You *might* notice that the squares around the center are all meticulously cut from Compass from Sun Print 2018, alternating designs since I only had fat eighths of the fabric, which didn’t include a full repeat of the design. The triangles are also meticulously cut, alternating between Latitude from Diving Board and Link from Sun Print 2017.
Once I extended beyond those triangles, the meticulous cutting is less consistent, since I focused more strongly on color flow around the circle.
I’ve been using Aurifil monofilament thread in smoke to stitch these together, which makes the process a little bit quicker since the thread is essentially invisible and I don’t take *quite* as long with my meticulously tiny stitches, since I’m less worried about it showing on the front. I can definitely see why so many folks stitch EPP together with monofilament. It’s a bit more fiddly in hand, and a bit tougher to sew with because of its invisibility, but I think the result is well worth the effort.
I made pretty consistent progress on this Mandolin block in January, stitching here and there, and taking advantage of rare quiet moments to stitch a bit. Early last week, though, QuiltCon prep began to overtake every free moment, and I’m admittedly still in the thick of it. I’m very excited to be co-teaching four classes with my friend Michelle Bartholomew (two each of Quilt Photography Basics, and two of Advanced Quilt Photography), as well as giving a lecture on Quilts to Mark Milestones Sunday morning at the event. I’ve been working hard to get everything perfect, and am very excited that in just over a week, I will be beginning my trek to get to Pasadena.
The one positive to my not being able to make much additional progress on my Mandolin block these past weeks is that now I will have a perfect hand-stitching project to take with me for the flights and any airport waiting time. Hopefully I will be returning from Pasadena not only with a feeling of class and lecture success, shared and gained inspiration, and a refreshed tank of quilty friend time, but also a nearly or fully finished Mandolin block!
Who will I see in Pasadena? If you’re headed to QuiltCon and see this bright thang in the airport or along your way, please do stop and say hi!
It’s no secret that I love rainbows. It’s probably also no secret that I’m a huge fan of how Alison Glass does rainbows with her fabric lines for Andover Fabrics. Saturated tone-on-tone fabrics, with a bright spectrum of tertiary-heavy colors, natural elements in each print that sing to my nature-loving heart, and fabric lines that flow into and complement each other wonderfully; what’s not to love?! With the rainbow stage set, I will apologize in advance for enabling my fellow rainbow lovers, but I’m excited to be adding a bit of Alison Glass’s newest Sun Print line to my stash. She & Chen kindly sent me a fat eighths bundle of the line, and I can assure you there will be more joining my stash (or hopefully if all goes as planned, an actual in-progress project or two!) as soon as the fabric is available in shops (slated for late January 2018).
Feast your eyes upon this! Can you blame me!? I mean, seriously…. is there anyone who doesn’t love a rainbow? Here’s a quick introduction to the line, with attention drawn to a few details I especially love, and far too many photos, as is my style.
Here are the full spectrums of each line within Sun Print 2018, from left to right: Diatom, Compass, and Depths.
Diatom reminds me a bit of Insignia, with its large solid portions, only a bit softer. I love how the colors play wonderfully together, yet you can get different value play within each color.
Compass is definitely the boldest in color, and I love the addition of complementary colored details on some of the fabrics.
With the dense white sketch-like pattern on Depths, it reads the lightest in color.
The designs are reminiscent of Alison’s most recent fabric line Diving Board, with a definite nautical vibe. You can see one of the Diving Board prints on the card in the center in the photo above, and see how compatible it all is.
Together, these fabrics make a rainbow that fits in wonderfully with the rest of my rainbowtized stash (let’s be honest, it’s probably 90% Alison Glass fabrics anyway), and I can’t wait to work them into my projects. I already have two new rainbow project ideas in the works, even though I really could do with some project finishing before I begin more new ones (shhh).
I also love that Alison includes white and grey versions of each print, since both act as the perfect neutral to help the rainbow truly pop. She’s thought of everything.
Soooooo so pretty! I’m thinking I’ll use these in an EPP project or two, and I’m planning on using mostly this line (with a few other Alison Glass fabrics of old) in my Quilter’s Planner Sampler quilt for the Sew Along happening in 2018.
What would you make with this rainbow?
I’m linking up with the sparkly Molli Sparkles’ next Sunday Stash since it’s been AGES since I’ve added to my stash and shared about it. I have a few new books and notions to share, too, so hopefully I’ll get those photographed soon! Happy sewing!
I was bitten by the EPP bug years ago, but this summer I came down with a serious case of Moonstone Madness, and in the best possible way! In June, my talented friend Giuseppe Ribaudo aka @giucy_giuce released his first English Paper Pieced pattern in partnership with Karen of @karenthediyaddict, called Moonstone. He was kind enough to send me a kit and boy has it kept me busy and grinning pretty much all summer! I love EPP and hand stitching is the perfect solution for busily adventuring makers in the summer months, and this pattern didn’t disappoint.
In the spirit of setting myself up for success, I opted to make four (4) blocks to make a pillow rather than a full sized quilt, and I dove into my bright Alison Glass stash to put together a fully saturated, smooth rainbow gradient. You know how I feel about rainbows. Alison Glass fabric rainbow + Giucy Giuce EPP project = heaven on a summer’s day!
I used mostly 50wt Aurifil thread, with a few 80wts thrown in, using coordinating colors so that the stitches blend right in with the blocks. The threads shown here are (from top left clockwise): 2535-Magenta, 1154-Dusty Orange, 5015-Gold Yellow, 5017-Shining Green, and 1125-Medium Teal, all 50wt. There’s nothing quite as satisfying as matching the perfect thread to your fabric!
Alison’s Art Theory print from her Ex Libris line (still my ultimate favorite fabric ever) was my color inspiration, so I planned my 4-block panel around the color flow in the center octagon. Throughout the course of the summer, I finished the four blocks and completely stitched them together!
Now I am at the point in the game where this could lounge in the works in progress pile for a while, but instead, I am going to use my excitement to forge ahead and aim to finish this beauty, which is sure to be my most favorite pillow of all time.
My next step is to choose background fabric, press the pieced panel thoroughly, remove the template papers (so that I can use them again!!), and then hand stitch the panel down onto the background fabric. Just last week, I visited my local quilt shop Fiddlehead Artisan Supply in Belfast, ME, in the hopes of buying some yardage of Insignia in charcoal by Alison Glass, which is a nearly-solid. While Fiddlehead did not have the Insignia, they did have two other options that I bought to try out: Flying Geese in Dark Charcoal from Handcrafted, and Ink in Charcoal from Sun Print 2016 (all for Andover Fabrics).
After looking at those options, I still felt like I needed to see the Insignia before deciding, and with the encouragement of a few friends on Instagram, especially Erin who said, “I’m a strong believer in first instinct=best instinct!”, I ordered a yard of Insignia in Charcoal from Alison Glass’s shop. (Thank you Erin!). Clearly, my first gut choice is the winning choice!
Next I will hand stitch this epic panel to the perfect Insignia background using Aurifil’s monofilament thread in Smoke. I plan to quilt this with the Smoke monofilament thread, too, and I’m so excited just thinking about how amazing this pillow will be. This will be my first time sewing with monofilament thread, either by hand or machine, so I’ll be sure to share how it goes.
If you’d like to get a Moonstone kit for yourself, you can order one HERE on Karen the DIY Addict’s site. The kit is pretty amazing, with acrylic templates for every piece, as well as enough pre-cut foundation papers to make a full 72″x72″ quilt (or lots of pillows!), a booklet with Giuseppe’s reflections, thoughts, tips, and four (4) different layout suggestions, and of course coloring pages for all four layouts.
As for me, I’m nearly finished piecing my next rendition of a Moonstone block, going with the Gems layout and a more nautical theme. I plan to make only one block and top stitch it to a large zippered pouch for a friend to whom I owe a quilt. I’m hoping the consolation diaper pouch/zipped pouch will hold her (and her nearly 1 year old baby) over until I manage to make the quilt!
As you can see, I’ve been absolutely struck with Moonstone Madness and it doesn’t appear to be tapering off just yet. I’ve had a wonderful time piecing together these blocks, and the portable nature of English Paper Piecing ensures that it is still very much on the top of my “summer stitching” projects list!
What did you stitch this summer?
I’m linking up with Let’s Bee Social, since it’s about time I was social in blogland again!
Today I’m sharing a finish that has been completed since early May as a gift for my husband’s birthday, but could not yet be shared since the pattern hadn’t been released. Now that the pattern has been released, the pillow has been gifted, and it has lived in our rough and tumble home for a month, I thought it would be fun to share all the details, as well as a sneak peek behind the scenes of my quilt photography process!
My husband has been requesting a pillow made with Libs Elliott fabric for a while, and so when the latest round of Quilt Theory pattern testing came around, I thought it was the perfect opportunity to get his pillow made. I tested Cheryl Brickey’s pattern Arrow Point Path, and the pattern struck me as the perfect choice for the bundle of True Love fabrics I had patiently waiting for a project.
I made 16 quick blocks using the white heavy fabrics and black-heavy fabrics from True Love, Libs Elliott‘s first fabric line for Andover Fabrics as the color/background pieces, and added a few pops of the awesome neon print. I love the way this pattern looks as a pillow, and it’s also really fun to see the pattern in a completely different aesthetic style.
I quilted it with straight lines on my Bernina 560 using my walking foot and 50wt Aurifil 2600-Dove thread.
I threw in a few sharp angles to help keep the edge, and staggered the distances between lines for some fun.
I used the large scale Wound Up in Bright for the pillow backing, and closed it with my first ever side-seam zipper.
I love how this magenta zipper I had on hand coordinates with the pink from the Wound Up print. Perrrrfect. I do need quite a bit of practice with sewing zippers, but we won’t focus on the wobbles and such. The pillow was well received and lives happily on our couch. Now I just need to make about 5 more to cover the rest of our *cough-cough-ugly-cough* couch pillows, and then redo our living room decor to match our more modern design aesthetic. All in good time, right? (haha laugh with me here).
I did enjoy making this pillow, though, and I’m happy I can finally say I’ve sewn something for my husband. Today is our 10th wedding anniversary, too, so it seems fitting that I share this true love pillow gift!
Behind the Scenes at a Quilty Photoshoot
Just for fun, I thought I’d share a little peek at what goes into getting the perfect quilty photo, since while I absolutely LOVE these photos, I very easily could have gone home without them.
Rather than photograph this pillow on our couch, which is brown and doesn’t coordinate *at all*, I wanted to photograph it out in the wild, as is my preference. I again borrowed this awesome chair from my friend Emily, and requested that she bring it on our Mommy hiking club hike yesterday. While trying to get it into her trunk, one of the legs snapped pure off. Yikes! Fortunately, the leg was able to be propped on, AND it seems like something that should be able to be fixed. Talk about a wrench thrown into the day, though!
After that rough start, we all met at a hiking spot with our babies and toddlers and went on a 3 hour hike up a mountain. There was plenty of fun, plenty of whining and crying, and a good dose of bug bites and skinned knees. Overall, though, it was a fabulous day and my boys got good and tired out. My plan was to find the perfect photo shoot spot along the way home, and because I wanted to photograph this pillow in more of an urban scene, I stopped at the one town between the hike and our home, in search of a good alley or building face in the shade. Not so easy to find in Maine at 1pm on a bright sunny day!
The first spot that seemed like it could potentially work was the shaded side of a cafe. The dark blue-grey surface first attracted my attention, and the fact that it was in full shade was a big plus. However, it seemed flat. Above you can see try #1. I did a full photo shoot here, just in case I didn’t find anything better. Fortunately my nearly 5 year old son was asleep in the car, and my 2 year old was content to watch from his carseat. After the shoot, I drove around a bit more seeing if I could find a better spot.
The second spot I tried was a rusted metal shed in a back parking lot, which I spied while turning around to get back to the main road after my first attempt. This was a bit more of the urban feel I was looking for, but still a bit flat. A bit of graffiti or added interest would have made this potentially a winner, but still, I felt there had to be a better spot. While running back and forth from the shed to the trunk of my car, I spotted the back of a red brick building. The big concrete slabs and tall seeded dandelions are what attracted my attention most. Rather than move my car again, I simply carried everything the extra 50 feet to this next, winning location and had at it!
Definitely my favorite of all of the attempts, and the photo shoot location winner of the day! The moral of this story? When seeking that perfect photo location, don’t be afraid to experiment and try a few different spots! That perfect shot will come.
If you’re interested in learning ALL about how to take epic quilt photos, you’re in luck! I’ll be teaming up with Michelle Bartholomew to teach both Basic (MSC 101 or 102) and Advanced (MSC 300 or 301) Quilt Photography at QuiltCon 2018 in Pasadena in February! You can see the full Quilt Con 2018 Catalog here, and I do hope to see you there!
Today I’m excited to share my pattern for Quilt Theory’s collection for spring 2017. I’m really excited about this collection as a whole; there is such a great variety of easy, innovative, and fun quilt patterns, and I’m sure you’ll fall in love with all of them. For our second collection, we challenged ourselves to write patterns that utilize precut bundles of fabric. Our hope is that you find a lot of inspiration in our collection to make quilts from your favorite bundles in your stash. In this post you’ll also have a chance to win a copy of my Staggered pattern, a rainbow bundle of Alison Glass fabric, and a spool of Aurifil thread, so read on!
First, to introduce you to my contribution to the second Quilt Theory pattern collection! Staggered is a fun, easy, extremely versatile pattern that is a fun way to showcase your favorite fabric line.
When thinking about possible patterns to create for this collection, I turned again toward nature. With the vision of rock strata, water ripples, and windblown sand swirling in my mind, Staggered was born. Designed to be jellyroll friendly, the assembly instructions make it a very quick sew, perfect for all styles and quilty needs.
I used 14 of my favorite prints from the Sun Print 2017 line by Alison Glass for Andover Fabrics, with Lizzy House‘s Asterisk in white as a background. I love the vibrancy of Alison’s fabrics, and the hand of Andover fabrics is the perfect balance of soft and supple and sturdy and strong. When searching for a rainbow, I always head to Alison Glass fabrics first! Many thanks to Andover Fabrics for providing the fabric for this quilt!
Whether using a strip of yardage from your favorite designer, or an old stashed jelly roll of a favorite fabric line that’s been sitting in a drawer for years, this is the perfect pattern to put your favorite fabrics on show! I’m not a Liberty of London girl, typically, but for some reason I’m itching to make this quilt using Liberty fabrics and a textured solid background. I can’t wait to see what fabric combinations you use!
I quilted my sample with alternating vertical and horizontal straight lines, emphasizing the stagger in the pattern. I used 50wt Aurifil thread in 2021-Natural White horizontally and 2600-Dove vertically, with the walking foot on my Bernina 560. The subtle color difference in thread is nearly imperceptible, but it was a fun experiment to see if Dove truly does blend in with every color. It does! Many thanks to Aurifil for supporting Quilt Theory and providing the thread needed for our projects!
Staggered also includes a link to instructions for a bonus rainbow binding, since I couldn’t help but extend that rainbow off the edge of the quilt. So much fun!
All of the Quilt Theory patterns are simple enough to be printed on 4″x6″ cards or a single page downloadable pdf. At only $3 each, they are perfect for gift giving or collecting, too!
About Quilt Theory
Let me tell you a bit more about the designer team behind Quilt Theory.
Our goal at Quilt Theory is to create simple and modern quilt patterns, and as I mentioned above, for this collection we focused on using precuts. I am so excited about this collection as a whole, since I can see that we are really melding as a group and the efforts show.
We have become a strong team as we worked through writing, testing, editing, and quilting the patterns in our collection, and I’m excited to see how you take these patterns and make them your own.
I think many of you are familiar with the Quilt Theory team members, but for those of you who are not, here’s a brief introduction. Quilt Theory designers have been featured in 20+ major quilting publications and international quilt exhibits. Combined, we have 47 years of quilting experience, and we are excited to share our second collection for Spring 2017.
How to buy or stock Quilt Theory Patterns
You can buy either individual or a pattern collector’s package of PDF patterns through our Quilt Theory website right now!
Pattern cards will be coming soon to a local quilt shop near you! If you are a quilt shop and want to carry our patterns, set up a wholesale account here, or order through Checker Distributors, EE Schenck Company, or Erie Quilt Art for Canadian shops.
Want to buy the cards, but don’t own a quilt shop? Let your local quilt shop know you want them to carry Quilt Theory patterns (click for a handy note to send to your favorite local quilt shop!)
Now, for the Giveaway!
To celebrate the release of Collection 2 for Quilt Theory, I am giving away a copy of my pattern, Staggered (printed or PDF, your choice!) along with a bundle of 11 Alison Glass fabric fat quarters straight from my stash and a large spool of Aurifil 50wt 2600-Dove, my panacea thread. See? I really do love you!
To enter the giveaway today, tell me what fabric collection you would use to create Staggered. Leave a comment and make sure I’m able to get ahold of you if you win. For an additional entry, leave another comment telling me how you follow Night Quilter (email list, instagram, facebook, twitter, blog follower, etc.) Follow Quilt Theory (facebook, twitter, Instagram, etc.) and tell me how in a third comment for a third entry.
This giveaway is open to US and international participants. The giveaway will be open until Sunday, May 21st, at 8pm eastern time when I’ll select the winner randomly with random.org. Giveaway is open to participants 18 years or older. *If you buy my pattern and then you win it, I’ll refund you or let you pick out another free Quilt Theory pattern!Giveaway is now closed! Congratulations to Mary!
Be sure to visit the rest of the Quilt Theory designers this week during our blog hop.
Right before the mad-dash to get packed for our trek to QuiltCon, I finished a mini quilt and excitedly mailed it to a hotel in Savannah, where it patiently waited for Giuseppe to arrive. Here’s a closer look at my mini quilt that hung in the Andover Fabrics booth at QuiltCon.
This quilt got its name after it was nearly completed, as I sat hand stitching the binding to the back. A mini quilt made at the request of Andover Fabrics, out of entirely Alison Glass fabrics, to be displayed in the Andover booth at QuiltCon–can you imagine how thrilled I was to make it? I had selected my pattern Constant Flux since I have been wanting to play with different arrangements and color schemes for it, and simply rearranged the blocks to create a central focal square (I rotated each block 180 degrees).
With freestyle embroidery fresh on my mind and Nichole Vogelsinger’s book Boho Embroidery freshly on my bookshelf, I was inspired to add an embroidered, appliquéd bee from Alison’s Seventy-Six line in the center.
So when a local friend of mine sent a message connecting me with a textile designer friend of hers who needed product photography, and calling me “the bee’s knees”, the name just felt right. I think the entire world pretty much knows that I think nearly all of Alison Glass’s fabrics are the bee’s knees, so it felt like the perfect name: The Bee’s Knees (aka all of my favorite things–Alison Glass fabrics, plus meticulous cutting, plus embroidered applique, plus detailed machine and hand quilting) in Constant Flux (the pattern name). More figuratively, it’s a nod to the fact that the fabrics and styles that we consider the bee’s knees are constantly changing.
I had a lot of fun with the meticulously cut (yeah, yeah, fussy cut) sections, including bees and flowers as framing for the color flow. I love pairing meticulous cutting with foundation paper piecing. The fussy cutting templates I include in my pattern came in handy, too.
I knew I wanted to incorporate both hand and machine quilting, and I knew that I wanted the machine quilting to be dense. It took me a while to decide between using 50wt Aurifil 2600-Dove or 5015-Gold Yellow for the quilting, and finally I opted for the Gold Yellow to pull out the gold of the centrally stitched bee. I quilted a diagonal grid approx 1/2″ apart on all of the colored sections of the quilt and I love the texture it created. I wanted the white star and central diamond to pop, so I let them be, patiently awaiting hand quilting.
I used a rainbow of 12wt Aurifil thread to help pull the rainbow from the gorgeous fabrics into the white sections, and I love the outcome! I decided to switch to 12wt 2600-Dove for the center so that the bee would stand out.
The back shows that my hand quilting still has plenty of room for improvement (especially when trying to maneuver around the bee), but it’s still fun to see the back, too!
I used Seventy Six fabrics Rising in Graphite and Numbered in Duck Egg for the back, with an Insignia in Chartreuse label.
Labeling is one of my favorite parts–maybe because it helps me know that my name is on my work, or maybe because it means I’m finished with a project!!
This quilt is currently in Andover headquarters in NYC for photography and other fun fabric adventuring before it returns to me, but it was super fun to see it hanging in the booth at QuiltCon (see it, top right??). You can see a photo of me proudly standing next to it in my QuiltCon post here.
I’m linking up with Crazy Mom Quilts Finish it up Friday, since this finished mini hopped right into the mail upon its completion and hasn’t been shared in detail here yet. Finishes do feel good, don’t they!?
Sometimes you just need a quick finish. Something small and beautiful that you made with your own hands, but that takes only hours (instead of days) to create. When Yvonne announced her Quilting Jetgirl Alison Glass Challenge as an incentive for the rest of us to get one of our Alison Glass fabric makes into the finished pile, I had a few different ideas of which of my many Alison Glass-influenced projects I should finish first. At first I thought I’d focus on the table runner I started late last year using the Insignia and Seventy-Six fabric lines, but then thought it might be the perfect boost to finally finish Max’s Eye Spy quilt that has a dominance of bright Alison Glass prints from across the years. Then I gave myself a reality check and decided to select something small. I have two big deadline projects to finish within the next month, so to be real I decided to pull a diaper pouch project off of my WIPs shelves and finish it up. I’m so glad I did!!
I used my all time favorite Alison Glass Print, the Art Theory Panel from her Ex Libris line as the outer panel, and lined it with Artifact in Charcoal from her Abacus line (Andover Fabrics). I was lucky enough to buy all of these fabrics, AND the cotton webbing strap from my local quilt shop Fiddlehead Artisan Supply.
I used my go-to 50wt Aurifil thread 2600-Dove for all the piecing and 50wt 2692-Black for sewing on the velcro so that the stitches would not stand out. I love that Fiddlehead also carries a good selection of Aurifil threads! One stop shopping for the win!
Of course I had to plan it so that the rainbow star from Artifact was visible right on the top. I should have given myself a tiny bit more space in that seam, but I’m not losing sleep over it. It’s gorgeous anyway!
Now instead of having a purse filled with diapers and wipes floating every which way, I can have a beautiful and function space to store them compactly, not only making the inside of my purse a bit more organized, but also making it easy for me to visually check that I have a diaper for my little one before I head out!
Since pens are another item I’m often digging for in the chaos within my gorgeous bag, I decided to store two of my favorite micron pens tucked in the corner of the diaper pouch, so that they are easily found when I think of something to add to my Quilter’s Planner Mini–my traveling to-do list, grocery list, and inspiration keeper. Pst… you can now order the Quilter’s Planner Minis individually, here. Just a PSA for the day!
This pouch also perfectly coordinates with the amazing Alison Glass fabric bag my husband bought me for my birthday last year, made by the ever talented Kristy at Rock Baby Scissors. There’s no such thing as too much Alison Glass fabric, right?! No way!! What next?…. I’m thinking a few zip pouches to help organize the other contents of my purse. What’s your favorite simple zip pouch pattern? (Noodlehead’s Open-Wide Zippered Pouch is a fab one, but should I know about others?)