Tag Archives: aurifil thread

The Bee’s Knees in Constant Flux

Right before the mad-dash to get packed for our trek to QuiltCon, I finished a mini quilt and excitedly mailed it to a hotel in Savannah, where it patiently waited for Giuseppe to arrive. Here’s a closer look at my mini quilt that hung in the Andover Fabrics booth at QuiltCon.

alison glass constant flux mini quilt for andoverThis quilt got its name after it was nearly completed, as I sat hand stitching the binding to the back. A mini quilt made at the request of Andover Fabrics, out of entirely Alison Glass fabrics, to be displayed in the Andover booth at QuiltCon–can you imagine how thrilled I was to make it? I had selected my pattern Constant Flux since I have been wanting to play with different arrangements and color schemes for it, and simply rearranged the blocks to create a central focal square (I rotated each block 180 degrees).

applique embroidered bee from alison glass fabric constant flux detailWith freestyle embroidery fresh on my mind and Nichole Vogelsinger’s book Boho Embroidery freshly on my bookshelf, I was inspired to add an embroidered, appliquéd bee from Alison’s Seventy-Six line in the center.

hungarian braided stitch aurifil 12wt
Just getting started with my favorite stitch: Hungarian braided chain, in 12wt Aurifil 2120-Canary.

So when a local friend of mine sent a message connecting me with a textile designer friend of hers who needed product photography, and calling me “the bee’s knees”, the name just felt right.  I think the entire world pretty much knows that I think nearly all of Alison Glass’s fabrics are the bee’s knees, so it felt like the perfect name: The Bee’s Knees (aka all of my favorite things–Alison Glass fabrics, plus meticulous cutting, plus embroidered applique, plus detailed machine and hand quilting) in Constant Flux (the pattern name). More figuratively, it’s a nod to the fact that the fabrics and styles that we consider the bee’s knees are constantly changing.

foundation paper piecing progressI had a lot of fun with the meticulously cut (yeah, yeah, fussy cut) sections, including bees and flowers as framing for the color flow. I love pairing meticulous cutting with foundation paper piecing. The fussy cutting templates I include in my pattern came in handy, too.

half inch grid quilting aurifilI knew I wanted to incorporate both hand and machine quilting, and I knew that I wanted the machine quilting to be dense. It took me a while to decide between using 50wt Aurifil 2600-Dove or 5015-Gold Yellow for the quilting, and finally I opted for the Gold Yellow to pull out the gold of the centrally stitched bee. I quilted a diagonal grid approx 1/2″ apart on all of the colored sections of the quilt and I love the texture it created. I wanted the white star and central diamond to pop, so I let them be, patiently awaiting hand quilting.

hand quilting detail I used a rainbow of 12wt Aurifil thread to help pull the rainbow from the gorgeous fabrics into the white sections, and I love the outcome! I decided to switch to 12wt 2600-Dove for the center so that the bee would stand out.

hand quilting detail back of quiltThe back shows that my hand quilting still has plenty of room for improvement (especially when trying to maneuver around the bee), but it’s still fun to see the back, too!

the bee's knees in constant flux quilt back alison glassI used Seventy Six fabrics Rising in Graphite and Numbered in Duck Egg for the back, with an Insignia in Chartreuse label.

label your quilts!Labeling is one of my favorite parts–maybe because it helps me know that my name is on my work, or maybe because it means I’m finished with a project!!

Andover Booth Quilt Con 2017This quilt is currently in Andover headquarters in NYC for photography and other fun fabric adventuring before it returns to me, but it was super fun to see it hanging in the booth at QuiltCon (see it, top right??). You can see a photo of me proudly standing next to it in my QuiltCon post here.

I’m linking up with Crazy Mom Quilts Finish it up Friday, since this finished mini hopped right into the mail upon its completion and hasn’t been shared in detail here yet. Finishes do feel good, don’t they!?

One Year of Stitches: February

I’m still working on a post about my experiences at QuiltCon last week, but as March continues to skip on, I thought I should share February’s stitches for my 1 year of stitches project in the meantime. QuiltCon post coming soon!

My 1 year of stitches project is a personal challenge to stitch at least one stitch every single day. I am working with no set plan, I don’t mark the fabric before stitching; I simply stitch whatever wherever whenever. It’s quite fun!! You can follow along with my daily stitches at @NQ1yearofstitches on Instagram.

Even after a short month, it grows! As a reminder, here’s the hoop after the month of January:

night quilter 1 year of stitches month 1and here it is showing the progress from February:

february progress for 1 year of stitchesI guess 28 days can make a big difference!

erin from aurifil thread live at quiltconThe highlight of the month was getting the chance to chat with Erin from Aurifil on Facebook live while attending QuiltCon in Savannah. You can see my low key chat HERE on the Aurifil Facebook page. I talk about my process, how the project came to be, why I use Aurifil 12wt thread, and I show a quick demo on how to stitch a French knot. It was a really fun opportunity, and while a bit nerve-wracking knowing I would be live, Erin made it easy by being totally awesome and relaxed. Plus, she’s from Maine. Perfect! The whole experience inspires me to try a bit harder to figure out a way to video my stitches live each day, or at least some days each week. I’ll get right on that and will let you know if I figure it out!

1 year of stitches freestyle embroidery progress february 12wt aurifilBack to my embroidery progress! Here are some close up shots of the various sections of this freestyle hoop.

1 year of stitches freestyle embroidery progress february 12wt aurifilI am still stitching without a plan, deciding each day’s stitches the morning–or sometimes night!–of the current day. I have tried a handful of new stitches and look forward to trying even more as the year progresses!

1 year of stitches freestyle embroidery progress february 12wt aurifil1 year of stitches freestyle embroidery progress february 12wt aurifil1 year of stitches freestyle embroidery progress february 12wt aurifilThose little white three-petalled trillium flowers are the most recent addition. Time will tell where this will go from here!

Finn helping me with photographyThis month, I had a photography helper, so of course I can’t end the post without a few Finn cameos. I often use the photos on my phone as a reference, so I pulled up January’s photo to make sure I arranged the thread in a consistent way. Finn was please as punch that they matched.

Finn helping me with thread positioningHe also helped me put the thread back into the box, then arranged around the hoop, back into the box, then arranged around the hoop. What a helper!

Hmmm what shall I stitch today?

One Year of Stitches: January

As a full time mom of three little ones, but one with a strong innate need to create every day in order to maintain sanity, I feel like I do a fairly good job of creating opportunities for creativity and stitching, sprinkled throughout even the busiest of days. First, it was knitting–something I could carry with me and leave next to the couch to pick up while nursing or holding a sleeping baby in my lap. But as my children grew, their desire to turn yarn into spider webs, spy laser obstacles, leashes for stuffed pets, etc. also grew and knitting became quilt a risky endeavor.  English paper piecing helped and I dove into basting hexies and honeycombs. Then I felt like I needed something new. Enter: embroidery. It’s small, I can store it up on the counter out of reach, it’s clearly mommy’s–not simply a ball of yarn begging to be unravelled or little fabric bits to be tossed around–, and it’s something I can pick up and put down quickly.

AG stitched embroidery hoop aurifil 12wtLate last year, I kind of got hooked on the quick mental fix that comes with freestyle embroidery while I was creating this Alison Glass hoop. In late December, when some friends brought my attention to the 1 year of stitches project initiated by Hannah Claire Somerville, I was intrigued. After a bit of googling, I found this invitation by Sara Barnes of Brown Paper Bag, who helped spread Hannah’s open invitation for others to join, and I knew that I had to join in. Hannah’s specific personal rules and stipulations are here, but I chose to take a looser approach. The goal is to stitch at least 1 stitch every single day for a full year, 365 days.

night quilter 1 year of stitches beginningsI went into the year with a 10″ hoop of Robert Kaufman Essex linen in light blue, my stash of Aurifil 12wt threads, and no plan at all.

night quilter 1 year of stitches month 1Here is my hoop after 1 month of daily stitch-whereever-the-wind-blows stitching. Fun, right!? I created a separate account on Instagram @NQ1yearofstitches to document my daily stitches, and I am trying my hardest not to make any kind of formal plan at all.

night quilter 1 year of stitches month 1My basic strategy began as a daily google of “embroidery stitches” as an image search. I would scroll through, find a stitch that looked cool, and then find a tutorial on how to make the stitch.

night quilter 1 year of stitches month 1I began by learning bullion knots, so this whole project began with that little mass of turquoise squiggles and has grown organically from there.

night quilter 1 year of stitches month 1I love the texture that results when you stack embroidery stitches together. Those white floppy things are my first attempts at braided picot stitch, another fun one!

night quilter 1 year of stitches month 1This has been really fun so far, and as of the writing of this post, I’m already over halfway through February, too! (You’ll have to wait until March, or check the IG account, to see those additions, though!) I’ll plan to share an update each month, so that you can see how this grows.

night quilter 1 year of stitches month 1My personal guidelines include stitching at least one stitch each day, trying to plan as little as possible and simply stitch whatever feels right each day, and not remove any stitches no matter how much I dislike the final outcome (cough, cough, that octopus family, cough). I figure this way, the stress of getting everything *just* right disappears, and instead the thought that it will all work out somehow in the end dominates. No stress!

1 year of stitches embroidery month 1This is a really fun, exhilarating project since it is pure spur of the moment random creativity. If you have any cool, unusual embroidery stitches to recommend, I’d love to add some more to my arsenal. There’s something about learning something new that makes my day.

If you are itching to learn embroidery, this is also a really fun way to do it. In the end, you end up with a hoop of many different stitches, as well as a visual story of your progress! Happy stitching!

I’m linking up with Beth at Cooking Up Quilts for MCM, since I’m excited to be blogging, and always excited to stitch!

Not-So-Ugly Christmas Sweater Block Sew Along with Kid Giddy

A while back, Kerry from Kid Giddy asked if I wanted to sew along with her Ugly Christmas Sweater Sew Along, and of course I said yes. I have been wanting to make her “Ugly Sweater” block since it came out last year, so this was the perfect excuse to get it (and a deadline) on my to-do list. Plus, quick little finishes are really nice this time of year. I don’t think my sweater is very ugly, but that’s ok!

kidgiddy ugly sweater blockThe block finishes at 6″ square, so my initial thought was to shrink it down to a 3″ square and make an ornament. I love making functional items, and you know how I love to sew teeny tiny ridiculously small things! But then when I sorted through my stash and decided upon the Tula Pink Prince Charming print as the sweater body, I decided the scale would look better with the 6″ size.  Now we are going to have a festive mug rug/coaster, which I plan to have out for all of sweater season, which is nice and long here in Maine!

kidgiddy ugly sweater blockI love the subtle Cotton + Steel Mustang twinkle trim on the sweater, and the Kona Wasabi arms round it out nicely.

kidgiddy ugly sweater blockHindsight, I should have made the shoulder bits with the greeny-yellow part of the Tula print instead of the blue, since they kind of disappear into the background, but c’est la vie. My husband says he likes it this way, so all is well.

kidgiddy ugly sweater blockI plan to do some simple diagonal crosshatch quilting with the walking foot on my Bernina 560, but haven’t yet decided whether to use Aurifil 50wt Medium Delft Blue-2783 or Lemon-2115. I’m leaning toward the lemony yellow, I think. Which would you use?

Be sure to check out the other fun ugly and not-so-ugly sweater blocks on Instagram at #uglysweaterblock, or get Kerry’s pattern here.

kidgiddy ugly sweater blockI’ll be sure to share this block in action once I quilt it up and plop some delicious treats or a warm mug of something sweet on top! I borrowed some of the tiny glittery ornaments from the tiny tree my son cut for our kitchen island for my block photo shoot and now there’s glitter EVERYwhere! I hope your holiday season has been glittery and bright so far, too!

Quilt Theory Debut – Ocean Path

quilt theoryIt’s finally time to share one of the big “secret sewing” projects I’ve been working on behind the scenes for the past few months! Those of you who are also on social media have most likely seen the announcement that I have teamed up with six (6) other pattern designers to launch a new company called Quilt Theory. Today is my day to introduce you to my pattern called Ocean Path, its inspiration and creation, and tell you a bit more about Quilt Theory. You also will have a chance to win a copy of my pattern, Quilt Theory coloring pages, and all of my Art Gallery Pure Elements scraps (enough to get you amply started on your very own Ocean Path Quilt) and Aurifil thread.

Ocean Path

ocean path quilt white brick quilt theoryFirst, I’d like to introduce you to Ocean Path, my contribution to the debut Quilt Theory pattern line. Our underlying theme for this first collection of patterns was “Where can your quilt take you?” since the designers that comprise Quilt Theory live all across the country.

ocean path quilt theory patternLiving in midcoast Maine, an ocean path felt like the perfect inspiration for my quilt. I wanted to embrace the simple beauty of nature while providing a pattern that could be adapted to fit any color scheme, style, or decor.

quilt theory ocean pathI should note here that the stunning photos included in this post were taken by Michelle Bartholomew all the way across the country in Washington state. Michelle is the mastermind behind Quilt Theory, a talented quilter and photographer, and I’m so grateful to be working with her!

ocean path quilt theory pattern
Oh, how it glows!

There’s something about the simple beauty of the ocean–the clean lines, soothingly subtle color play, and oh so much space to breathe that makes my heart happy–-and I aimed to captured it all in this simple yet striking pattern. I would like to think that you can take a stroll along the coast through the making of the Ocean Path quilt.

quilt theory ocean pathUsing simple construction from easily cut triangles and sashing, this quilt comes together in a breeze. Generous negative space provides room for intricate free motion quilting, or you could finish it with simple modern straight line quilting.

quilt theory ocean pathMany thanks to Art Gallery Fabrics for providing the beautifully soft Pure Elements fabric for this quilt. I used Tile Blue PE-418, Emerald PE-417, Ocean Waves PE-442, Warm Wave PE-464, and Mirage Blue PE-424 for the feature triangles. The background and sashing are Snow PE-433. The backing is Seawater NE-123 from Skopelos by Katarina Roccella, which is the absolute perfect fabric to back this design!

quilt theory ocean path urban in cashmereI quilted Ocean Path with echoing, organic triangles within each colored portion using 50wt Aurifil variegated 4654-Seamist. I quilted the bulk of the background with organic horizontal wavy lines with 50wt 2021-Natural White using the walking foot on my Bernina 560, and went a little wild and free motion quilted pebbles into all of the sashings between the triangles and drifting out into the wavy lines. It was one of those times that once I had the vision in my head, there was no turning back. I’m excited to report that it turned out pretty much the way I hoped! I did all of my piecing with 50wt Aurifil 2021-Natural White and 2600-Dove. Many thanks to Aurifil for providing the thread!

I think Ocean Path would look equally striking in many other color combinations–from fiery reds and oranges on a dark background, to the soothing calm of cool colors on a light background. I can’t wait to see your version!

quilt theory ocean pathAll of the Quilt Theory patterns are simple enough to be printed on 4″x6″ cards or a single page downloadable pdf. At only $3 each, they are perfect for gift giving or collecting, too!

About Quilt Theory

Let me tell you a bit more about the designers behind Quilt Theory.

Quilt Theory pattern mosaic
2016 collection of Quilt Theory patterns.

In February 2016, a group of quilters connected to cultivate relationships with others running businesses in the quilting industry. A tight-knit group was quickly woven together as we shared successes, answered questions, and supported one another. What started as a way to collect real-time insight and expertise quickly evolved into an opportunity to collaborate.

Our goal at Quilt Theory is to create simple and modern quilt patterns, and we challenged ourselves to design a line of patterns printed on small cards. As a group, we have become a strong team as we worked through pattern writing, testing, editing, and quilting.

quilt-theory-designers-row
Quilt Theory Designers (l to r): Cheryl Brickey-Meadowmist Designs, Daisy Aschehoug-Ants to Sugar, me!, Yvonne Fuchs-Quilting Jetgirl, Lorinda Davis-Laurel, Poppy and Pine, Stephanie Palmer-Late Night Quilter & The Quilter’s Planner, Michelle Bartholomew

Quilt Theory designers have been featured in 20+ major quilting publications and international quilt exhibits. Combined, we have 47 years of quilting experience, and we are excited to share our debut collection for Fall 2016.

How to buy or stock Quilt Theory patterns

You can buy either individual or a pattern collector’s package of PDF patterns through our Quilt Theory website right now! 

Pattern cards will be coming soon to a local quilt shop near you! If you are a quilt shop and want to carry our patterns, set up a wholesale account here, or order through Checker Distributors.

Want to buy the cards, but don’t own a quilt shop? Let your local quilt shop know you want them to carry Quilt Theory patterns (click for a handy note to send to your favorite local quilt shop!)

Now, for the Giveaway!

quilt-theory-ocean-path-4x6-kitty-front-01To celebrate the launch of Quilt Theory, I am giving away a copy of my pattern, Ocean Path (printed or PDF, your choice!) along with a PDF of all of the Quilt Theory Coloring Pages. I’m also including all of the fabric leftover from the making of my quilt, which contains enough fabric to get you amply started on your Ocean Path quilt, plus the rest of my large spool of color coordinating 50wt variegated Aurifil thread in 4654-Seamist.

To enter the giveaway today, tell me what color way you would use to create Ocean Path. Leave a comment and make sure I’m able to get ahold of you if you win.  For an additional entry, leave another comment telling me how you follow Night Quilter (email list, instagramfacebook, twitter, blog follower, etc.) Follow Quilt Theory (facebooktwitter, Instagram, etc.) and tell me how in a third comment for a third entry.

This giveaway is open to US and international participants.  The giveaway will be open until Sunday, October 16th, at midnight eastern time when I’ll select the winner randomly with random.org. Giveaway is open to participants 18 years or older. *If you buy my pattern and then you win it, I’ll refund you or let you pick out another free Quilt Theory pattern! This giveaway is now closed! A winner will be announced shortly!

Be sure to visit the rest of the Quilt Theory designers this week during our blog hop.

Quilt Theory Release Blog Hop Schedule

Friday 10/7 – Quilt Theory
Saturday 10/8 – Yvonne @Quilting Jetgirl
Monday 10/10 – Daisy @Ants to Sugar
Tuesday 10/11 – Cheryl @Meadow Mist Designs
Wednesday 10/12- Kitty @Night Quilter <—-You are here!
Thursday 10/13 – Michelle @Michelle Bartholomew
Friday 10/14 – Stephanie @Late Night Quilter
Saturday 10/15 – Lorinda @Laurel Poppy and Pine
Monday 10/17 – Quilt Theory

I’m linking up with Crazy Mom Quilts’ Finish it up Friday!

Color Inspiration Thursday {77}

“Gardens are not made by singing ‘Oh, how beautiful!’ and sitting in the shade.”
Rudyard Kipling, Complete Verse

Today’s color inspiration brings us into my vegetable garden. From afar it looks like a fenced in plot of weeds and wildflowers. Pass through the gate, wade through the grasses and clover, though, and you will see three little somewhat tended garden beds, gleefully holding a bunch of delicious veggies. Get a little bit closer, and you have the photos shared here today. Want to sing “oh, how beautiful!” while we sit in the shade and enjoy today’s color inspiration? Let’s! This year my garden is severely neglected, but has been weeded just enough for it to do its job: produce food for our family. Balance and nurture, right? Color palettes are made using Play Crafts’ Palette Builder 2.1 and my photographs, craftily taken at such a scale so as to crop out the weeds!

kale color paletteCorresponding solids from left to right:
Kona Limestone, Bella Clover, Bella Terrain Cactus, Kona Basil, Kona Grass Green, Kona Black

Corresponding Aurifil thread from left to right:
2324 – Stone
5010 – Beige
5024 – Dark Brown
5021 – Light Grey
5018 – Grass Green
2692 – Black

Our first stop is with the hardy, delicious, and dare I say–GIANT–kale. We eat kale in egg scrambles, as kale chips, in soups and stews, stir-fries, and more. Kale does amazingly well in our garden and climate, so each plant grows about 3 1/2 feet tall and 2 feet across. Each leaf is as big as my son’s head. One of these years, I’ll realize that even with our family of five, we only need two kale plants, not eight. In the meantime, kale abounds! I love how intricately frilly each leaf is! The range of greens is amazing, too, including everything from earthy subdued to vibrant and fresh. Mmm!

yarrow soft pink paletteCorresponding solids from left to right:
Kona Forest, Bella Dill, Bella Thistle, Kona Smoke, Bella Parfait Pink, Kona Pearl Pink

Corresponding Aurifil thread from left to right:
2892 – Pine
2890 – Dk Grass Green
1140 – Bark
2606 – Mist
2515 – Lt Orchid
2405 – Oyster

Next up we have Yarrow. Honestly, when I ordered these seeds from our local organic seed company Johnny’s Seeds, I thought the yarrow would be white or yellow. To my pleasant surprise, it bloomed this beautiful pink! Yarrow is a great companion plant to many vegetables and is one of those plants you should feel free to plant all over your garden. It repels soil nematodes, aphids, bean beetles, and many more. I planted mine near my brussel sprouts, kohrabi, and kale and it is doing its job well so far!

onions earthy color paletteCorresponding solids from left to right:
Kona Hunter Green, Bella Betty’s Teal, Bella Green Tea, Bella Fig Tree Cream, Bella Paper Bag, Bella Etchings Charcoal

Corresponding Aurifil thread from left to right:
4026 – Forest Green
2850 – Med Juniper
5014 – Marine Water
5020 – Light Military Green
2375 – Antique Blush
1140 – Bark

Finally, onions. Onions are my garden pride and joy (very quickly followed by carrots!). After experimenting with a few different varieties of onions, trying seeds vs. sets, I finally discovered the type of onion that thrives well in our area: Copra onions. These are storage onions that I will soon pull, cure in the dry, sunny garden bed, then braid to hang in my kitchen. I learned all of this from a local friend, since I saw a braid of huge gorgeous onions hanging in her kitchen a few years ago and asked if she would teach me everything she knew. She did, and I’m so grateful. I grew less onions this year than last, but they should still last me far into the frigid snowy days of winter. And that earthy color palette that results just embraces the richness of a garden, doesn’t it!?

How does your garden grow?

Color Inspiration Thursday (76)

*Note that this was mostly written before last week’s Slow Stitching Retreat. It still holds true, just add a week of slow stitching to the list of adventures that have been keeping me busy!*

I feel like I’ve been overly absent from this space these past few weeks. I have been wrapping up SO many projects and making things happen behind the scenes, but I promise I will return to more regularly posting here soon. Most of my time lately has been spent going on grand adventures to the coast of Maine with my trusted and ever-able assistant (also known as my husband) and a giant chest full of quilts to photograph for the Quilter’s Planner.

I’m excited, relieved, happy, and have I mentioned excited?… that I have officially finished the photography for this year’s planner and I couldn’t be happier with it and the fantastic planner Stephanie and her graphic designer Lindsie are putting together this year. I will definitely be sharing much more about the Quilter’s Planner 2017, so I will hold back the excitement just a little bit for now. However, this week’s color inspiration comes from photographs taken along the coast of Maine, during our photo shoot adventures. As always, color palettes were created using Play Crafts’ Palette Builder 2.1 and my photographs. Maybe you find even a fraction of the inspiration these natural details bring me!

grey barnacles color palette Corresponding solids from left to right:
Kona Pearl Pink, Bella Platinum, Kona Medium Grey, Kona Coal, Kona Pepper, Kona Black

Corresponding Aurifil thread from left to right:
2405 – Oyster
2606 – Mist
2625 – Arctic Ice
1158 – Med Grey
2785 – V Dk Navy
2692 – Black

This first one fills that final gap in “colors that don’t often star in color palettes” in getting ALL the greys. Barnacles are such gorgeous tiny creatures, both dainty and tough as nails all at once. They also provide a gorgeous aesthetic randomly arranged on a tide-swept stone. These beauties were underfoot as I photographed Rita from Red Pepper Quilts‘ contribution to the planner (recently revealed on IG), so before hustling off to the next photo location, I had to give them a private photo shoot. Gorgeous greys!

orange rusty chain color palette maine coastCorresponding solids from left to right:
Bella Lead, Bella Etchings Stone, Kona Cobblestone, Bella Rust, Bella Burgundy, Bella Kansas Green

Corresponding Aurifil thread from left to right:
1246 – Grey
5011 – Rope Beige

2375 – Antique Blush
2335 – Lt Cinnamon
4012 – Copper Brown
2370 – Sandstone

This vibrant rusty chain was sitting right next to the barnacles on the beach in Bar Harbor! Again, a tiny detail that when seen closer simply jumps out at you, begging to be captured in photo. I love the subtle neutrals on the stony beach, with just a few tinges of green from seaweed, boldly divided by a lone rusty chain. I’m holding onto summertime as long as I can, but this palette has an air of autumn to it. Shhh, let’s not talk about that.

Back to berry-picking, lake splashing, sun-kissed summer bliss! Enjoy your day!

 

Foundation Paper Piecing Tutorial on Andover Fabrics’ Blog

Today’s the day! A few months back Giuseppe (aka @giucy_giuce on social media) from Andover Fabrics asked if I would like to do a guest post on their blog. For those of you who haven’t put it together, Andover Fabrics is the manufacturer who houses fabric lines by Alison Glass, Lizzy House, Libs Elliot… and more! You know how much Alison Glass fabric alone is include in my makes, so of course I said YES! I decided to share a tutorial for my favorite quilting technique that sadly often has a bad rep–foundation paper piecing. Today a revamped foundation paper piecing tutorial featuring my newest pattern, Constant Flux, which features Handcrafted Patchwork by Alison Glass, went live on the Andover blog.

foundation paper pieced block from constant flux andover tutorialThis tutorial takes you through the basics of foundation paper piecing, but also includes some special hints, tips, and helpful cutting measurements for sewing together the Constant Flux pattern. You can read more about Constant Flux HERE, and be sure to visit the foundation paper piecing tutorial on the Andover blog HERE.

constant flux pattern coverIf you haven’t yet added Constant Flux to your pattern library, it’s still on sale for a few more days in my Craftsy shop (and Payhip for those of you in the EU). Get it now for only $5, since at the end of the week it will head back up to its usual $8.

Many thanks to Andover Fabrics for hosting me, and I hope all of you find my foundation paper piecing tutorial helpful! Happy stitching!

Color Inspiration Thursday {75}

Over the past two weeks, we’ve been searching for colors rarely seen in my previous color palettes, namely white, grey, blue, and purple. Last week, we attempted some white palettes and settled for white with a pop of color. This week, I’m sharing a couple of palettes addressing the purples and blues. We tried something a bit new for the second palette, but I don’t think it will be the last time we try it! Color palettes were created using Play Crafts’ Palette Builder 2.1 and my photographs, with conveniently matched cotton solids and Aurifil threads in case a palette so inspires you to sew!

purple blue color palette natureCorresponding solids from left to right:
Kona Black, Kona Shadow, Bella Baby Blue, Bella Aubergine, Kona Storm, Bella Betty’s Blue

Corresponding Aurifil thread from left to right:
2692 – Black
2615 – Aluminum
2562 – Lilac
2566 – Wisteria
2745 – Midnight
4140 – Wedgewood

Purple, lovely purple! Literally one, maybe two days after deciding to seek less frequent colors in nature, one of my kids spotted this pinecone refuse left by some critter alongside a hiking path. I went to investigate in response to, “What’s this, mama?” and viola! Purple! and a bit of blue! I love when my kids find little treasures out in the natural world, since that spark of wonder is what makes the world go ’round! I certainly will do all I can to keep it going as long as I have a speck of influence, and will cherish the treasures found.

reverse color scavenger hunt blue violet Corresponding solids from left to right:
Bella Stone, Kona Surf, Kona Ocean, Kona Copen, Kona Periwinkle, Kona Blueberry

Corresponding Aurifil thread from left to right:
2605 – Grey
2525 – Dusty Blue Violet

2780  – Dk Delft Blue
2725 – Lt Wedgewood
2720 – Lt Delft Blue
2770 – V Lt Delft

For this palette, we tried something a bit different. There are bits of blue appearing around our gardens–blueberries are beginning to ripen, the blue bachelor button buds are ready to pop any day, and the borage is flowering its fuzzy blue blooms. But no where is there a strongly dominant blue; it is mixed in with the rest of the colorful bits of beauty but alone would not hold its own in a color palette.

To combat that, I decided to try a reverse color scavenger hunt. I picked a couple of borage flowers and gave my oldest the challenge of finding things in the house that matched the color perfectly. Borage is a tricky color–a blueish violet that’s very soft and subtle, but she managed to find one book that was an absolute perfect match: a little book called the Dali Lama’s Book of Love & Compassion, a sweet little collection of positive reflections that was a gift from my husband way back before we were even engaged. Everything else we tried was either too blue or too purple, so I headed up and grabbed some blue-violet Aurifil spools to see if we could get lucky. Sure enough, 2525-Dusty Blue Violet is the perfect match! If you look at the matching Aurifil threads pulled from the palette, the second coordinating color is exactly that! Once again, Aurifil has the perfect match.

It has been fun to seek the rarer colors, and I still have yet to find a convincingly grey palette, nor have I fully succeeded with a white one, so I will keep looking! I challenge you to spot some odd colors in the world around you this week–where do you see blue? purple? or any other unusual colors that stand out to you? Let me know in the comments, or link to a photo!

Enjoy the search!

Color Inspiration Thursday {74}

I have had some fun this week searching out some of the colors in nature less commonly seen in my color palettes, as you helped me name last week: white, grey, blue, and purple. I have also been getting more comfortable with a new camera, since I very recently upgraded our nearly 10 year old Canon with a newer version. Upon reading up on editing RAW photo files in preparation for the big Quilter’s Planner photo shoot, I also made the executive decision to begin a trial version of Photoshop and Lightroom just last night (or should I say, early this morning?). Combine all of those three things together, and that makes for a lot of late nights and fun photo experimentation. AND some really fun color palettes! All color palettes were created using Play Crafts’ Palette Builder 2.1 and my photographs.

white flat lay color palette natureCorresponding solids from left to right:
Kona Sky, Kona Silver, Kona Cloud, Bella Baby Blue, Bella Petal Pink, Kona Zucchini

Corresponding Aurifil thread from left to right:
2024 – White
2560 – Iris
2606 – Mist
2564 – Pale Lilac
2562 – Lilac
5015 – Gold Yellow

Since low volume fabrics are among my favorites, I decided to begin by searching for white. I enlisted the help of my big kids and we gathered all of the white and light grey flowers and treasures we could find around our yard and garden. Since I wanted to emphasize the white, we laid them out on a big white poster board. Through this whole search for white-rich color palettes, I’ve discovered that it is quite difficult to find a palette created from nature without the green, yellow, or pinks sneaking in. For the palette above, I ignored the green in creating the palette, even though, for me, the green jumps out at you in the photo.

Since I am getting the hang of a new camera, I wanted to experiment with the quality of light in different places, so before photographing in earnest, I took simple top-down photos in a few different locations: inside near a bright window, outside in direct bright sunlight, and outside in a shady spot. It’s amazing how simply moving the location of the photo subject changes the quality of the color so drastically. Here are my unedited photos in each location, to show you the differences:

inside near windowInside near a bright window = dancing shadows

outside in direct sunOutside in direct bright sunlight = garishly bright with dark shadows

outside in a shady spotOutside in a shady spot without direct sun = gentle and flat, and with a little bit of lightening in a photo editor, it creates the bright photo with soft shadows that was used to create the color palette above.

I decided to try my favorite, macro photography, to see if I could isolate some fully white-spectrum photos. Lo, once again, this just proved that pink and yellow love to sneak into the whites! I also discovered that it is quite difficult to get true white to pull from a photograph. Greys and beige, yes. But white? No such luck.

white attempt yellow color paletteCorresponding solids from left to right:
Kona Blue Bell, Kona Silver, Bella Saffron, Bella Longhorn, Kona Cheddar, Kona Limestone

Corresponding Aurifil thread from left to right:
5008 – Sugar Paper
2560 – Iris

2318 – Cachemire
2930 – Toast
6010 – Toast
2324 – Stone

I knew that the golden center of this flower would pull through just as strongly if not more so than the white, but how could I resist? Such a gorgeous bloom, and a soothing palette. In quilting, I love good contrast and a crisp aesthetic, which often is aided by using a low volume/white or dark/black background fabric. This palette is one that I could definitely see myself using, perhaps in a gender neutral baby quilt, or summery pillow. I probably would drop the Stone and pick up pure White, though, even though it didn’t push through in the actual photo.

white snuck pink color paletteCorresponding solids from left to right:
Bella Lt Blue, Kona Thistle, Kona Lupine, Kona Plum, Kona Cloud, Kona Sky

Corresponding Aurifil thread from left to right:
2612 – Arctic Sky
2510 – Lt Lilac
2566 – Wisteria
4030 – Plum
2560 – Iris
2710 – Lt Robins Egg

Ahh Thistle, Lupine, Plum; what gorgeous colors! This is a palette that appears in my creations often, although usually with some other colors joining ranks. Again, despite the attempt to find a fully white-grey palette, this was another no-go. Clearly, Mother Nature likes color, too! I still love the photos and resulting palettes, even if they don’t quite fulfill the request for low volume color palettes. I will keep hunting, and look forward to sharing my finds with you next week!

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Reminder!! The Christmas in July Pattern Bundle Sale ends today at 3pm EST!! It’s your last chance to get a fabulous deal on 23 versatile patterns from some of your favorite designers, including Meadowmist Designs, Quilting Jetgirl, Quiet Play, Blossom Heart Quilts, Live Love Sew, 13 Spools, and many more! At the end of the sale, this bundle of patterns will no longer be available, so get it while you can! As an added bonus, everyone who buys it HERE is entered to win a Quilter’s Planner 2017 Starter Kit. Creativity overload (in a totally great way!)! **The sale is now over!

Also, my giveaway for the Raindrop fat quarter bundle by Rashida Coleman-Hale for Cotton + Steel Fabrics, sponsored by Fat Quarter Shop ends tonight at 8pm! Comment on my post HERE to enter to win if you haven’t already!