Category Archives: Paper piecing

My Typecast of Characters Blog Tour: U is for Unicorn

Today I’m excited to be joining the My Typecast of Characters Blog Tour with Sheri at Whole Circle Studio with the ubiquitous yet uplifting, uniquely utilized U is for Unicorn! When Sheri asked if I would sew up an English Paper Pieced letter with curves and landed on U, I knew immediately that it was a perfect project to showcase Tula Pink’s Pinkerville fabrics and the fabulous U-nicorn.

my typecast of characters epp UThough it’s subtle, I meticulously cut the background so that the unicorn is continuous and the fabrics all line up (mostly). The coordinating Tula Pink solid in Limeade made the perfect coordinating yet stand-out pop for the U. I used coordinating 50wt Aurifil thread to sew up my block, and between the 1231-Spring Green and 1148-Light Jade the stitches blended right in.

my typecast of characters epp U backsideTo conserve fabric with the fussy cutting, I opted to keep a few of the paper shapes together, as you can see if you inspect the backside of my letter. Can you see where there are perforations but no fabric seam? That’s where I condensed my shapes. If you’re new to EPP, basting and stitching smaller shapes may be easier, so do what’s comfortable for you.

One of the really cool aspects of these Typecast letter patterns designed by Sheri and produced by Paper Pieces is that they arrive completely assembled, with perforations where you’re to separate each piece, as you can see above. This means that not only is it easy to know exactly where each EPP pieces goes (especially if you label them before tearing the individual pieces apart–hint hint!), but it also gives you the option to condense pieces easily if you so desire and are fairly comfortable with EPP. I’m all for saving time and fabric! The Typecast Pattern Guide and paper packs are all now available, so be sure to check out details at Whole Circle Studio HERE so that you can stitch up your own EPP sentiment.

I’m pretty happy with how my fussy cutting went, and was able to give the impression that the U was just set right down on top of the continuous unicorn fabric, Frolic Imaginarium from Pinkerville by Tula Pink.

I could see this U framed in a shadowbox or stitched down onto a background fabric and wrapped around a canvas in a child’s room, or of course stitched into a pillow for a Unicorn-loving friend.

You can see the full Typecast of Characters Blog Tour schedule below, so be sure to check out all of the other letters that have been stitched up, and visit Sheri’s website to check out the weekly giveaways.

What would you spell with EPP?

TYPECAST OF CHARACTERS BLOG TOUR hosted by Whole Circle Studio:
• Wednesday, March 27: Tour Introduction by Whole Circle Studio
• Monday, April 1 — A: Kate Brennan of Aurifil
• Tuesday, April 2 — B: Mathew Bourdreaux of Mister Domestic
• Wednesday, April 3 — C: Tara Curtis of Wefty Needle
• Thursday, April 4— D: Leah Day of Free Motion Quilting Project
• Friday, April 5 — Week 1 Wrap Up featuring A-D and GIVEAWAY at Whole Circle Studio
• Monday, April 8 — E: Jess Finn of Paper Pieces
• Tuesday, April 9 — F: Sylvia Schaefer of Flying Parrot Quilts
• Wednesday, April 10 — G: Giuseppe Ribaudo of Giucy Giuce
• Thursday, April 11— H: Hilary Jordan of By Hilary Jordan
• Friday, April 12 — Week 2 Wrap Up featuring E-H and GIVEAWAY at Whole Circle Studio
• Monday, April 15 — I: Kim Soper of Leland Ave Studios
• Tuesday, April 16 — J: Yvonne Fuchs of Quilting Jetgirl
• Wednesday, April 17 — K: Karen O’Connor of Lady K Quilts
• Thursday, April 18 — L: Kristy Daum of St. Louis Folk Victorian
• Friday, April 19 — Week 3 Wrap Up featuring I-L and GIVEAWAY at Whole Circle Studio
• Monday, April 22 — M: Molli Sparkles of Molli Sparkles
• Tuesday, April 23 — N: Nicole Daksiewicz of Modern Handcraft
• Wednesday, April 24 — O: Scott Hansen of Blue Nickel Studios
• Thursday, April 25 — P: Pat Sloan of Pat Sloan
• Friday, April 26 — Week 4 Wrap Up featuring M-P and GIVEAWAY at Whole Circle Studio
• Monday, April 29 — Q: Joanna Marsh of Kustom Kwilts
• Monday, April 29 — Q: Lindsay Széchényi of Lindsay Széchényi (and Patchwork Threads)
• Tuesday, April 30 — R: Andrea Tsang Jackson of 3rd Story Workshop
• Wednesday, May 1 — S: Sarah Thomas of Sariditty
• Thursday, May 2 — T: Rachel Rossi of Rachel Rossi
• Friday, May 3— Week 4 Wrap Up featuring Q-T and GIVEAWAY at Whole Circle Studio
• Monday, May 6 — U: Kitty Wilkin of Night Quilter <–YOU ARE HERE
• Tuesday, May 7 — V: Jenn McMillan of Fabric, Ink
• Wednesday, May 8 — W: Jenny Meeker of Bobbin Roulette Studio
• Thursday, May 9 — X: Stephanie Kendron of Modern Sewciety
• Friday, May 10 — Week 5 Wrap Up featuring U-X and GIVEAWAY at Whole Circle Studio
• Monday, May 13 — Y: Debby Brown of Debby Brown Quilts
• Tuesday, May 14 — Z: Nisha Bouri and Kim Martucci of Brimfield Awakening
• Wednesday, May 15 — Week 6 Wrap Up featuring Y-Z, Tour closeout and GIVEAWAY at Whole Circle Studio

Sew Tiny Sampler Pattern Release

Today is an exciting day! My Sew Tiny Sampler pattern, a foundation paper piecing pattern that includes foundation templates for 16 of the most-oft used blocks from my 100 Days of Sew Smaller project, is now available for purchase from my Payhip shop.sew tiny sampler fpp patternDuring my 100 Days of Sew Smaller project, quite a few people asked about the patterns I was using to make my tiny blocks. Many of my blocks were based upon well-loved traditional blocks, but I created foundation paper piecing templates in Inkscape as I went along. After many requests, I’m happy to finally be able to make the templates and pattern available publicly.

sew tiny sampler pattern fpp quilting tinyThe pattern includes foundation templates for the 16 blocks shown on the cover, plus assembly instructions for putting them all together into a mini mini sampler that finishes at a whopping 7 1/2″ square. Each block measures 1 1/4″ square finished, and 1 3/4″ unfinished. The pattern includes tips on tiny piecing in general, links to resources on foundation paper piecing (FPP) basics and using fussy cutting in your FPP blocks, as well as a long list of project ideas for your tiny blocks. To help conserve paper when making LOTS of blocks, I also included bulk printing pages for each block design.

quantum fabric by giucy giuce andover fabricsI had fun playing with Quantum fabric by Giucy Giuce for Andover Fabrics for my cover blocks, and of course used meticulous cutting in every possible location. I stitched all of the blocks using 50wt Aurifil thread in 2600-Dove, which is pretty much always in my machine for piecing.

sew tiny sampler quantum fabric fussy cuttingsew tiny sampler quantum fabric fussy cuttingsew tiny sampler quantum fabric fussy cuttingI highly recommend reading my tutorial HERE and using the fussy cutting FPP tips in your tiny blocks. As you can see, it really adds a special touch!

sew tiny sampler fpp pattern quiltingI’m looking forward to seeing all of the tiny blocks created by all of you, and will be sharing some of the blocks some of my friends are making to help celebrate the pattern release soon. In the meantime, you can head over and read about Yvonne’s blocks and what she made out of them here, or check out the hashtag #sewtinysampler on Instagram to witness the miniaturization of March.

sew tiny sampler angleHead over and get your Sew Tiny Sampler pattern here to join the fun. I can’t wait to see what block you make first!!

 

Splendid Sampler 2: Adventure Abounds

splendid sampler 2 adventure aboundsToday I’m excited to reveal the block I designed for the Splendid Sampler 2 book: Adventure Abounds, found on page 122.  Those of you who know me are most likely not surprised by this block one bit! For those of you who are new, welcome! I’m Kitty Wilkin, aka Night Quilter, and I’m so glad you’re here! I am a full time mom of three kiddos in rural Maine, but I’m also a pattern designer (EPP, FPP, traditional piecing–I love it all!), quilt and product photographer, teacher, social media manager for the Quilter’s Planner, AND an avid fussy cutter, which I prefer to call meticulous cutting. I’m often inspired by the natural world around me, and when Pat and Jane asked me to design a block reflecting my best quilty life, I knew it had to include family adventures in nature tied together through the creation of a quilt. With strong influence from my Summer Adventure quilt pattern, this block has a bit of everything–sea, trees, and lots of love!

If you’re new to the Splendid Sampler books curated by Pat Sloan and Jane Davidson, find out more about the Splendid Sampler 2 book and sew along HERE.

splendid sampler 2 adventure aboundsToday I am going to share 3 tips for using fussy cutting in foundation paper pieced blocks, using my Adventure Abounds block from the Splendid Sampler 2 book. If you’re new to foundation paper piecing (FPP), read my beginner basics FPP tutorial HERE first to make sure you know all of the key components and basic tips. Then let’s dive in!

splendid sampler 2 adventure abounds fppThere are a few things you should remember before beginning FPP: First, the templates are a mirror image of the finished block, so when planning your fabric placement, visualize the right side of your fabric on the back of the template. Second, I highly recommend color coding your paper templates before starting so that you know exactly where each fabric should be. Third, don’t forget to use paper scissors to cut out and trim the templates! Your fabric scissors don’t want to go there!

color code foundation paper piecingOnce your fabrics are selected, your templates are cut out along the 1/4″ seam allowance line and color coded, you’re ready to dive in. Here are three tips for using fussy cutting in FPP:

1. Place your fussy cut on piece 1

One of the easiest ways to use fussy cutting with FPP is to position your fussy cut fabric on the very first piece placed. With this method, simply hold your fabric up to a light source on the wrong side of the paper template, aligning the fabric motif you want to feature. Use a little dab of washable glue stick to hold it in place, and then continue piecing the rest of the block as you normally would. Your fussy cut can be perfectly positioned with very little effort. Depending on the block you’re creating, even this little use of fussy cutting can create quite an impact.

positioning fussy cut fppAs an example of this for my Adventure Abounds block, I decided to position a subtle bird in the sky above the ocean, and held it up to a window to make sure it was positioned exactly how I wanted it. With a white on white background for my blocks, this example is subtle, but sometimes those subtle details are my favorite!

2. Create templates

Another way to make fussy cutting a bit easier while foundation paper piecing is to create a template for the pieces you wish to meticulously cut. You can use template plastic for this, or can even repurpose clear plastic lids to food containers. You want to use something that you can see through or at least trace through using a light source.

creating templates fpp fussy cuttingTo create a template, first trace the shape from the paper foundation template onto the plastic. Be sure to label your piece, AND make note of directionality since the paper template is a mirror image.

creating templates fpp fussy cuttingOnce I trace the shape, I flip over the template plastic and write my notes on the opposite side, so that when I cut the fabric for that piece, I know that my notes should be legible on the right side of the fabric.

creating templates fpp fussy cuttingNext, using a quilting ruler with 1/4″ measure, draw seam lines 1/4″ outside all the edges of your drawn lines.

creating templates fpp fussy cuttingCut out the template along that seam allowance line.

Repeat for all of the shapes you want to fussy cut. You can use the clear templates to be sure you’re cutting your fabric piece exactly as you want it. Note that you will want to use all of the tips outlined in this tutorial when piecing so that the perfectly cut piece of fabric gets sewn in exactly how you want it.

creating templates fpp fussy cuttingFor my block, I decided to fussy cut the heart so that the fabrics for the two pieces of the heart look continuous despite consisting of two fabric pieces. I decided to make a third reference template of the full heart and traced the pattern from the fabric onto the template, which I used as a reference when cutting out each individual part.

creating templates fpp fussy cuttingOnce you have your template positioned over the exact motif you want, carefully trace around the template with a fabric marking tool and cut out the fabric, or very carefully use a rotary cutter to cut around the template. Note that with planning templates made with template plastic or repurposed food lids, using your rotary cutter contains a good level of danger–so either purposefully live on the wild side, or use the trace and cut-with-scissors method!

creating templates fpp fussy cuttingYour perfectly planned fabric piece is ready to carefully stitch onto your growing foundation paper pieced section.

Because this piecing is quite meticulous, you’ll want to be sure to align this next piece perfectly before stitching.

fpp fussy cuttingfpp fussy cuttingFolding along the seam on which you are about to stitch and trimming the overhanging fabric to 1/4″ will help you line up the next piece accurately.

fpp fussy cuttingYou can also fold over the piece you are about to stitch along the seam line to see how it looks before actually stitching.

Note that meticulous cutting is exactly that–meticulous. Be sure to be meticulous in all phases of this process to get the best results. Also, be gentle with yourself. This is not easy! Use a stitch length that you are comfortable ripping out if needed to get those first fabrics lined up. I give myself a Rule of 3 when stitching any block: I’m allowed to use my seam ripper to rip out progress and make it align better 3 times during the stitching process for any block. Once I hit my 3 times, I need to just accept the imperfections and move on. We are human, after all. But don’t be afraid to try! As with anything, the more you practice, the easier it will get.

fpp fussy cuttingOnce your fussy cut pieces are cut and stitched as desired, continue piecing your non-fussy cut pieces as you would any other FPP block.

3. Focus on the joining seam

A third tool to use while fussy cutting in FPP is to pay close attention to the edge of the motif you want to feature. This works particularly well for lining up directional prints along the seam line, or for less precise fussy cuts.

This method is used for any piece AFTER the first piece placed. If your fussy cut is the first piece, use Tip 1!

splendid sampler 2 adventure aboundsIn the Adventure Abounds block I made for the original Splendid Sampler 2 quilt, I used this tip when piecing the text on the tree, specifically the word “love”, since the word “listen” was the first piece placed, and was therefore easy to simply glue in place and piece around. Knowing that I wanted the top of the word love to be juuust below that darker top piece, when I cut the square of fabric I carefully cut just a tad bit more than 1/4″ from that top edge of the word love. I left the rest of the rectangle of fabric a bit larger and less specific, since as long as that edge lined up properly, the rest didn’t matter.

With the Adventure Abounds block I’m making for my own Splendid Sampler 2 quilt, I am not using as finicky or directional of fabric for the tree, so there is no need for fussy cutting. However, I wanted to control the directionality of the fabric in a few of the waves, so that the dots on the Cotton and Steel basics and the wavy paths on the bike path fabric by Alison Glass ran parallel to the seam line. The piece is not the first one placed, so I couldn’t use Tip 1. All I want to control is the directionality of the fabric, so making a template seems like more work than is necessary. Enter Tip 3: Focus on the joining seam.

 

fussy cutting with fppWhenever employing any type of meticulous cutting in your FPP, it’s always a good idea to trim your 1/4″ seam allowance before positioning and stitching your fussy cut shape. To do this, simply fold back the foundation paper along the line you are about to sew on, and using a quilting ruler with 1/4″ measure, trim the fabric 1/4″ away from the fold. (Obviously use a cutting mat underneath! This photo shows without the mat for aesthetic consistency). Once your fabric is trimmed, you have a clean line with which to line up your next meticulously placed piece.

This also helps facilitate another key FPP tip, which I originally learned from Lee Heinrich of Freshly Pieced, and which has saved me countless brain-scruntches trying to be sure a fabric piece would align properly on wonky angles in FPP.

fussy cutting with fppWhen your paper is folded along the seam-to-be-sewn, you can place it on your next fabric (right side up) and the paper shape as folded will be exactly on top of the fabric that will end up in that space once you sew along the line. Be sure to visit Lee’s tutorial for a perfectly clear and in depth explanation–it’s truly life changing when it comes to FPP!

https://weallsew.com/how-to-make-paper-piecing-easy/What that means for us is that with that clear 1/4″ seam line showing us the direction we want our print to go, simply lining up the folded seam line with the directional print will ensure the pattern runs in exactly the direction we want. Fold up the edge a bit to peek under and make sure the pattern is positioned the way you want it, then without changing the position of the fabric, fold the paper back up and sew along the line.

https://weallsew.com/how-to-make-paper-piecing-easy/You will end up with your directional fabric meticulously positioned along the seam line, just how you wanted it. Paired with that fun bird flying over the ocean that we placed using Tip 1, these tips can help take your foundation paper piecing blocks to a whole new, intentional level.

splendid sampler 2 adventure aboundsHere’s the block I made for my slowly growing Splendid Sampler 2 quilt, about which I’ll show you more soon! I’m creating monochromatic blocks and using an alternate rainbow layout I sketched out in my Quilter’s Planner. This Adventure Abounds block will be positioned in the teal row, but as you can see, it is transitioning to the green. I made a compromise from my monochromatic-rule for this block, since I make the rules around here anyway! ha!

the splendid sampler 2 night quilter quilters plannerOkay, just one peek at my planned layout and a few of my blocks so far. A full look will come in its own blog post soon, so be sure to follow this space!

Thank you so much for joining me today–I hope this tutorial is helpful and entices some new fussy cutters to try adding some meticulous cutting to their foundation paper piecing! Please show me what you’re making and either comment with a photo, or tag me on social media @nightquilter . Most of all, have fun!!

If you’re sewing along with the Splendid Sampler 2 excitement, be sure to head over to the Splendid Sampler website, and post your completed Adventure Abounds block. There is a fun Martingale book giveaway for one lucky person picked from the blocks shared on their website.

splendid sampler 2 adventure aboundsHave fun with your Adventure Abounds block, and may your adventures abound!

Let the Summer Adventures Begin! (Pattern Release)

The summer solstice marks the longest day of the year in the northern hemisphere, as well as the start of summer. What better way to celebrate than with the release of my long awaited Summer Adventure Quilt pattern!?

summer adventure quilt patternToday I’m excited to share my Summer Adventure Quilt pattern, a 30 page pattern complete with 14 foundation paper pieced blocks, traditionally pieced blocks, clear assembly diagrams, and instructions for two different methods of construction. You can choose to either sew the cover quilt, which finishes at 60″ x 70″, or you can choose your own adventure and create your quilt in the same way I created my original summer adventure quilt–by earning one block per adventure you take. I walk you through both options in the pattern.

summer adventure quilt block tree
I am making my summer adventure quilt out of Alison Glass fabrics for Andover Fabrics, since their bright and vibrant colors help the blocks to really pop! Aurifil 50wt thread is my go-to for piecing and quilting!

The pattern is available on Payhip for an introductory price of $15 through the end of June. On July 1st, the pattern will return to its normal $25 price. With 14 FPP block templates, traditional block instructions, and more, this is a steal!

Summer Adventure Quilting with Kitty Wilkin on FacebookI also created a Facebook group called Summer Adventure Quilting with Kitty Wilkin, where I hope you’ll share your summer adventuring–both in the sewing room and out in the world! It will be a platform where I will be able to answer questions, and where we can all celebrate in each other’s adventures and share inspiration. One of the biggest reasons I create patterns is to help share inspiration with the larger quilting community. The community is what makes me tick!

blue hill mountain summer adventure quiltYou probably remember the improv, make-it-up-as-I-go Summer Adventure quilt I made last summer (you can see the finished quilt top HERE), which inspired this pattern. I had such a fun time documenting our summer family fun with that, that I wanted to be able to share it with you. Bring on my favorite foundation paper piecing, some quilt math puzzle solving, and I think that this pattern meets that goal! I’m hoping that this Summer Adventure Quilt pattern inspires you to get outside and enjoy the natural world around you a bit more, and tie your love of quilting and sewing together with a love and appreciation of nature. Enjoy the journey, and adventure often!

If you’ve opted in for Night Quilter emails, be sure to check your email for an additional 20% off coupon code good on Payhip through the end of the month. If you *want* to opt in for Night Quilter emails, click here to get in the know.

Happy adventuring!

 

The 100 Day Project: Sew Smaller

Well, I did it again. While I knew I couldn’t commit to another 365 days of stitching like last year’s One Year of Stitches embroidery project, I couldn’t pass on the opportunity to jump on another daily creativity bandwagon.

#100daysofsewsmaller tiny sewing quiltingI’m officially 11 days into The 100 Day Project, and my focus is on sewing smaller. So far I’ve sewn 11 tiny quilt blocks that will finish at 1 1/4″ square. I’m using the hashtag #100daysofsewsmaller on Instagram and aiming to share my progress daily.

Here is a closer look at each of my blocks thus far!

#100daysofsewsmaller tiny sewing quilting1/100

#100daysofsewsmaller tiny sewing quilting2/100

#100daysofsewsmaller tiny sewing quilting3/100

#100daysofsewsmaller tiny sewing quilting4/100 (which was also the day when I created a foundation paper pieced template for my day 11 block. I didn’t sew that one until today, but the idea was born on day 4!

#100daysofsewsmaller tiny sewing quilting5/100

#100daysofsewsmaller tiny sewing quilting6 & 7/100 – Day 6 was the day of my daughter’s First Communion & Confirmation and my family was visiting all weekend, so I got a self-granted “bye” on posting. I caught up on my birthday, day 7!

#100daysofsewsmaller tiny sewing quilting8/100

#100daysofsewsmaller tiny sewing quilting9/100

#100daysofsewsmaller tiny sewing quilting10/100

#100daysofsewsmaller tiny sewing quilting11/100

I’ve been sharing updates on both my @nightquilter feed and also @thequiltersplanner feed, since I’ve been using my Quilter’s Planner to track each block.I am making blocks that fit perfectly in each daily column on the weekly planning pages, so it works wonderfully. My planner is always open to the weekly planning pages, so it is a great way to get a visual of my week’s blocks together. Maybe for my next post I’ll show you a photo of my blocks on my personal in-use planner instead of the nice neat, clean one I have for staging photos!

I’ve been having fun taking summary photos for the QP feed, since I love creating rainbows in any way possible.

#100daysofsewsmaller tiny sewing quiltingDays 1-3

#100daysofsewsmaller tiny sewing quiltingThe first week of blocks

#100daysofsewsmaller tiny sewing quiltingThe first 10 days

Going into this project, I first imagined making the same block for 100 days, but once I started stitching them, I started to think about how many different blocks could be sewn in miniature. So then my plan morphed into 10 different blocks sewn 10 times each, alternating color and background like the first 10 blocks. It would allow me to mix up the blocks sewn, still play with color and tiny stitching, and have a pretty predictable finished 12″x12″ mini at the end of the 100 days.

Then my friend Sharon of Sharon Holland Designs shared some really wise advice:

I love how your challenge is going Kitty and how it relates to you as a quilter but also think you should let it be organic and use the 100 days to explore if needed and push yourself also if needed. Don’t get locked into a direction.

How wise is that!? What better activity than a 100 day project to use as a springboard for experimentation and stretching the limits and bounds of my creativity!? It is so ingrained in my habit to be able to visualize the end product before I begin a project, and I really think it would be a great growing experience for me to let go, give myself some very loose guidelines, and just allow myself to experiment.

So, that’s the plan. My “rules” are:

  • I am only allowed to use scraps from my scrap bin, and will aim to make them using a colored scrap with a white or low volume scrap.
  • I will do my best to stay current, but am allowed to work ahead up to 5 days. This (I’m hoping) will allow me to stick with it even when there are days when I know I won’t be able to get to a sewing machine. It’s my attempt at being gentle with myself while still pushing myself to stick with a habit of making.
  • I have to have fun with it. If it becomes a stress or source of self-deprecating thoughts, I will stop and try again next year. The last thing I need is another “I should be able to…” thing to beat myself up over.
  • and recently added: I will try NOT to plan at all, will experiment as desired, but will try to keep at least one dimension of each block at 1 1/4″ finished size.

That’s it! So far, all of my blocks are 1 3/4″, which will be 1 1/4″ finished.

#100daysofsewsmaller 100 day projectI’ve worked ahead twice (once when my entire family was visiting for the weekend for my daughter’s First Communion, and once today since I know weekends are often filled with family time and not necessarily sewing time), but have stuck with the block per day format.

Most importantly, I’m having FUN! I had forgotten how giggly-fun it is to sew on a teeny tiny scale, and with lots of exciting big (albiet secret) projects going on behind the scenes, it’s really fabulous to have a little project I can sew and share daily.

#100daysofsewsmaller 100 day projectI’ll leave you with a cheeky peek at the backside of my latest block, since one of the big questions I’ve gotten so far over on Instagram is “How big is your seam allowance?”.  My answer: 1/4″ seam allowance, just like always. Note that so far I’ve created blocks with mostly straight joins, and I might scale a few seam allowances down to 1/8″ to decrease bulk as I experiment further, but for the most part, the 1/4″ seam works just fine!

If you’re on Instagram, you can follow my daily progress both in my Night Quilter feed or updates in The Quilter’s Planner feed. You should also be able to see my latest Instagram posts over on my right sidebar -> so keep an eye on that as well!

Until next time, I hope you have a *little* stitching fun this weekend!

Stitching on the Go: EPP & Visible Mending

I don’t travel often, and when I do, I usually have three kids in tow who demand quite a bit of my attention, so traveling solo to and from QuiltCon early last month was quite a treat. Even with layovers, long flights, and all-day travel days, it seemed like I was on vacation traveling solo. Well, okay, I WAS on vacation… but you know what I mean! All the free time meant that I made a lot of progress with my hand stitching, which I want to finally share with you today.

travel stitching progress EPP mandolin quilt blockI headed off to QuiltCon with an English Paper Piecing (EPP) project–the Mandolin Quilt Block by Jodi at Tales of Cloth. I had gotten a bit further than my last blog update on this project, but I still had the entire outer ring to baste and stitch on, as well as some of the inner colored segments to attach. EPP is my favorite travel stitching project at the moment, since it’s compact, fun, and easy to pick up and put down. I also don’t seem to be tiring of rainbows and high contrast, so hopefully you’re not getting bored, either!

As you can see, I was able to completely finish stitching my Mandolin Quilt block during my travels, which means this is next in line to become an awesome pillow right behind its Moonstone brother. I used Alison Glass fabric in that saturated stunning rainbow for which she’s so well known, and threw in some fun meticulously cut Libs Elliott fabrics from her True Love line for Andover Fabrics for contrast. I stitched it together using Aurifil monofilament thread in smoke, which meant I didn’t need a headlamp for precision on the poorly lit plane, yet you still can’t see any of the stitches. Bonus!

travel stitching visible mendingWhile I was traveling, the mending on my most-worn jeans began to wear through, but fortunately I was able to pick up a mending kit from the Brooklyn Haberdashery booth at QuiltCon, and I stitched on a new patch during my travels home. I love the texture on this patch, and also am kind of loving the mending of mending layered play between the stitches on the original mending and the stitches on the new.

travel stitching visible mendingI used the 12wt Aurifil thread I had with me to stitch on the new patch, whip stitching the full edge in place and then used simple vertical running stitches to secure the patch further. These jeans contain a bit of stretch, which is part of why they are wearing through so quickly, but also means that there’s a good clear Kitty-knee worked into them. That knee mountain makes me laugh, but gosh are these jeans comfortable!

travel stitching progress EPP and visible mendingMy long flight back to NJ after QuiltCon allowed me to finish both of these hand stitching projects, which felt pretty amazing since I typically make progress at a snail’s pace.

I’m still working on my QuiltCon Reflections post, but hope to be sharing that soon. Spoiler: Finishing these projects was the icing on the cake of a wonderful trip.

Constant Flux Christmas: Pattern Release!

constant flux christmas foundation paper pieced pattern snowfallBack in July, I promised to release this pattern to the public when the snow began to fly. This past weekend, we had our very first snow of the season here in midcoast Maine, which happened to be perfect timing since today I’m pleased to present Constant Flux Christmas, a pattern hack on my original Constant Flux pattern.

constant flux christmas foundation paper pieced pattern snowfallWhen playing around with color placement on my Constant Flux pattern, I realized that by merging large sections, an entirely new pattern emerged–one that looks to me like a modern take on a wreath and star. I decided to make it easy and adjusted the pattern templates to reflect this heavily altered version, and thus Constant Flux Christmas was born. This is a fun, beginner-friendly pattern that would look great not only in traditional colors, but also in any other colors you throw its way! I’ll be sharing photos of all of the gorgeous versions sewn up by my pattern testers so you can see for yourself!

Constant Flux Cover--Christmas! foundation paper pieced patternThe pattern includes printable foundation templates, cutting suggestions, general foundation paper piecing tips, clear assembly instructions, and a coloring page to help you plan your project. There are no tricky angles, odd shapes, or difficult joins, yet the design options are boundless.

constant flux christmas foundation paper pieced patternConstant Flux Christmas is now available for digital download both on Craftsy and in my Payhip shop for those of you in the EU. This week it will be available for an introductory price of $5, after which it will return to its standard price. ‘Tis the season for adding one more holiday sew to your list, right?

Pattern Tester Versions

Constant Flux Christmas by Jitka Clements
Pattern tested by Jitka Clement @jitkadesign

With this pattern, I finally got brave and put a call out for pattern testers on Instagram. I was amazed by the response, and within 24 hours had an eager and skillful crew of quilters ranging from absolute foundation paper piecing beginner to experienced, ready to tackle Constant Flux Christmas and provide feedback.

Constant Flux Christmas by Jitka Clement straight on
Pattern tested by Jitka Clement @jitkadesign

Future pattern testing groups will be quite a bit smaller, but there was so much excitement, I accepted quite a few!

Constant Flux Christmas by Isabelle Selak
Pattern tested by Isabelle Selak @southbaybella

Every single one of them did an amazing job, sewed up the mini quilt in less than a week (some were finished the first day!), and provided excellent feedback on ways to make the pattern even better. I’m so grateful for all of them, and am excited to show you all of their different versions.

Constant Flux Christmas by Nissa Boeckman
Pattern tested by Nissa Boeckman @baladigiraffe

Some stuck to the traditional red, green, and gold colorway, using both consistent fabrics throughout and scrappy versions.

Constant Flux Christmas by Lauren Wood
Pattern tested by Lauren Wood
Constant Flux Christmas by Jessical Lopez Enriquez
Pattern tested by Jessica Lopez Enriquez @thegorillaandthepig
Constant Flux Christmas by Angela
Pattern tested by Angela Hardin @pepperhardin4356
Constant flux by Amanda Allen
Pattern tested by Amanda Allen @another.amanda
Constant Flux by Alyson Olander
Pattern tested by Alyson Olander @alysonwonderlan
Constant Flux Christmas by Karen Weiderman
Pattern tested by Karen Weiderman @kayweedie
Constant Flux Christmas detail by Karen Weiderman
Constant Flux Christmas quilting detail by Karen Weiderman.
Constant Flux Christmas by Katharine Vonbibra
Pattern tested by Katharine Vonbibra. Love that EPP center!!!

I love how a couple of the testers got really creative with their centers–maybe the clever additions cover up a not-quite-perfectly-aligned center, or maybe the centers are PERFECT and it’s simply an added design element–you’ll never know, and the mini quilts look fantastic! LOL

Constant Flux Christmas by Darlene Cunningham
Pattern tested by Darlene Cunningham @dcapulus

Some of the pattern testers tried out different color palettes, and I really love the way this pattern looks in all of them!

Constant Flux Christmas by Lisa Tucker
Pattern tested by Lisa Tucker @duhquilts
Constant Flux Christmas by Cheryl Kirk
Pattern tested by Cheryl Kirk.
Constant Flux Christmas by Kat Ayers
Pattern tested by Kat Ayers @kitkabbit
Constant Flux Christmas by Evie Landry
Pattern tested by Evelyn Landry @evie_landry
Constant Flux Christmas by Rachael Loving-Painter
Pattern tested by Rachael Loving-Painter @glamstream

Aren’t they all gorgeous!?

I can’t wait to see Constant Flux Christmas done up in your fabric choices! Get yours on Craftsy and in my Payhip shop for those of you in the EU. Enjoy, and happy holidays!

I’ll be linking up to Let’s Bee Social, Finish it up Friday, and TGIFF. Flimsy finished are double the fun when they come with a pattern release!

The Mug Club: Paper Love Doppelganger Mug

Today I’m joining in on another sew along hosted by Kerry Goulder of Kid Giddy and her twin sister Sue of Moss and Lotus. The Mug Club Sew Along is a year long event hosted on Instagram in which participants sew up any one of the 12+ mug paper pieced patterns in the Mug Club and share on social media. Check the hashtags #TheMugClub or #TheMugClubSAL to see the most eclectic and amazing collection of fabric mugs you’ve ever seen.

There’s something particularly inviting about these mug patterns, since anything can go on a mug. A person’s collection of coffee mugs can tell you so much about them–places they’ve gone, their sense of humor, their family (do they have a “I love Grandma” mug? Most likely, they have doting grandchildren!) Maybe it’s just me who reads into coffee mugs, but either way, I feel like these patterns allow SO much room for creativity, expression, and sometimes just straight quirkiness (always a good thing!).

alexander henry steven mug club mug rugAs soon as Kerry asked me to play along, I knew exactly what fabric I was going to use. A few years ago, while stopping in at Clementine Fabrics in Rockland, Maine, after a family day at the beach, I spotted this amazing Alexander Henry fabric with a geometric sketched ocean, sailing ships, anchors, a buxom mermaid figurehead, and (the part that caught my attention) a large face that looks exactly like my brother. The fabric is called Lost at Sea and although my brother is not a salty sailor, it was one of those fabrics that I knew I had to buy even though I had no idea what to make with it, since the face looked so uncannily like Steven. As a little backstory, my brother is an extremely talented artist who spent much of his high school years painting portraits, nearly always using his own reflection as his reference. He already has countless creations sporting his likeness, so what’s one more to the pile, right?

alexander henry steven mug club mug rugI used the 10″ Paper Love Mug since it was *just* large enough to fit the full face, and simple enough not to seem busy with the wavy background. Whether my brother will love the mug rug I make with this mug block or just get a good hearty laugh over it, I don’t care. It’s just one of those gifts that must be given.

the mug club alexander henry lost at seaI visited my local quilt shop Fiddlehead Artisan Supply and got some perfect Robert Kaufman Essex Linen in Navy as the background, and used stashed Kona Navy Blue as the handle. I stitched the block with Aurifil 50wt 2600-Dove, but plan to use a dark navy for quilting. I’m still trying to decide whether to quilt the face, or whether I should leave it as is. I might *try* to stitch some hand quilting with 50wt dark navy thread so that I’m sure to get it exactly on the drawn lines.

the mug club alexander henry lost at seaI also might add some embroidered detail to that anchor tattoo. We’ll see how brave I get. That’s the one thing with using my brother’s Doppelganger fabric–I daren’t mess up the face! Either way, I think he’ll get a kick out of the gift, and I have finally found a way to gift a piece of this stashed fabric to him!

mug club part 1 by kidgiddyThe Paper Love Mug (top center) is part of the Mug Club Part 1, designed by Kerry at Kid Giddy.

mug club part 2 by sue moss and lotusThe Mug Club Part 2 has another fun selection of 6 mugs, designed by Sue of Moss and Lotus. Aren’t they all so fun! Do you see your favorite mug? If you don’t follow Kerry and Sue yet, I recommend it–they are always having some creative sisterly fun together!

Go ahead and have some fun perusing some of the other mugs at #TheMugClub or #TheMugClubSAL since there is SUCH a fun variety.

What would you put on your mug?

A Tiny Bit of {Tomte} Stitching

It’s been quiet here lately, but I have been doing a tiny bit of sewing. Literally, only 2″ finished square little! With the hustle and bustle of life, my sewing progress has slowed a bit. I’m still sewing, and trying to create daily, but progress is slowwww. When I saw that Sue from Moss & Lotus was having a Tomte Sew Along on Instagram, I knew I wanted in. I had been admiring the cute little gnome-like Tomtes popping up in my feed, and resisting the urge to add yet another project to my unfinished projects pile. Then Sue asked me if I would make a block or two, and honestly, how could I say no? These guys (and gals) are adorable! Plus, the bigger Tomtes will make wonderful coaster or mug rug gifts. I love having an end use in mind before beginning a new project!

tiny tomte foundation paper pieced pattern moss and lotusBefore stitching up a Peder or Halvor Tomte (my two favs at the moment), I had to sew one of the adorable Tiny Tomtes! This Tiny Tomte is a free addition when you buy the Tomte Bundle and is the size of a mini charm square. I’m going to try to resist the urge to make sweet little Tiny Tomte ornaments for everyone I know, but no promises! This particular little guy will happily live on our tree this year, once I give him a little French knot nose and finish him up with some hand quilting and binding.

tiny tomte moss and lotus foundation paper pieced blockI used a Henry Glass print for the background, since the mushroom and snail seemed right at home with this Tiny Tomte. This print actually also happens to be the very first fabric I ever bought, years and years ago before I began quilting. The red fabric is from my scrap bin, some gorgeous Oakshott Lipari from my Vesuvius quilt. The white is a tiny scrap of Robert Kaufman Kona white. These blocks would actually be really fun uses for any tiny scraps.  I used 50wt Aurifil 2600-Dove thread since that lives in my machine and works for everything.

large shelf fungus tiny tomte foundation paper pieced pattern moss and lotusAfter sewing up this Tiny Tomte, I had to take him out on an adventure in the woods so that he would feel at home. During my youngest’s nap, I ventured out behind our house and Tiny Tomte had a fun photo shoot! We found a gorgeous shelf fungus on a tree stump, so Tiny Tomte played beneath it.

tiny tomte foundation paper pieced moss and lotus pattern

tiny tomte foundation paper pieced moss and lotus patternAnd on top of it!

tiny tomte foundation paper pieced moss and lotus patternHe climbed some trees and gathered some souvenirs.

tiny tomte foundation paper pieced moss and lotus patternA pinecone three times his size and an evergreen bough will have to hold him over until we cut our Christmas tree this year. I think they will do just fine.

What would you make with a Tiny Tomte?

 

Flit and Bloom Blog Tour: Fussy Cutting Fun

Meticulous cutting is one of my favorite quilting past times, and with all of the new English Paper Piecing (EPP) patterns coming out, there’s ample opportunity for carefully cutting up fabric and piecing it back together in clever ways (widely known as fussy cutting, but read why I prefer “meticulous cutting” here). As soon as I saw Patty Young‘s new Flit and Bloom fabric line for Riley Blake Fabrics, I knew I wanted to create meticulously cut EPP masterpieces with it. From the fanciful hummingbirds and elegant peacocks, to the fact that there are both floral and geometric patterns in the line, there are SO many opportunities for pattern play.

flit and bloom fabric fussy cutting eppToday I’m excited to be the first quilting stop on Patty’s Flit and Bloom Blog Tour, where I get to show you what I’ve been working on these past couple of months using her newest fabric line for Riley Blake Designs. Let’s just say there’s been some meticulous cutting madness in this house lately!

moonstone in flit and bloom eppI began with one of my favorite EPP patterns, Moonstone by Giuseppe (aka @giucy_giuce). I built around the stunning Bloom Henna Blossom in Teal fabric as the center, adding flitting hummingbirds and flowers, some geometric fun to tie the colors together, and coy little pairs of peacocks dancing around the outer edges. I love how this block came together!

peacocks from flit and bloom fabric moonstone eppAren’t these peacocks fun as they dance in pairs around the block?

flowermania epp flit and bloom fabric fussy cuttingWhile I was stitching my Moonstone block, Mathew (aka @misterdomestic)’s new Flowermania quilt EPP pattern arrived on my doorstep. You know I wasn’t going to just let it sit there!! So I dove in, meticulously cutting that same Bloom Henna Blossom in Teal fabric as the petals, showing how versatile this print is with fussy cutting.

flit and bloom fabric fussy cutting flowermania back eppI knew I wanted to incorporate the hummingbirds into this flower block, since hummingbirds and flowers go together like rock and roll, but couldn’t fit them onto any of the individual shapes. Then I realized that I could split the hummingbirds across two background fabrics and decided to go headfirst into meticulous cutting at its best.

flit and bloom fabric fussy cutting flowermania back eppI labeled the humming bird front-back pairs since the Flowermania block is pieced in such a way that they are only joined right at the end as the segments are stitched together. This fussy cutting feat was no easy task, I might add. From the careful cutting to make sure the hummingbird halves would seamlessly meet when stitched together, to basting the pieces *just* so, to then stitching it all together and having it meet perfectly around the green diamonds, this was a challenge. They are not all perfectly matched up, and I learned a few tricks along the way that I’ll keep in mind next time, but overall I’m happy with the outcome.

hummingbird flit and bloom fabric fussy cutting flowermania eppSome hummingbirds match perfectly, but even the imperfect ones are perfect in their own way. Hummingbirds are happily flitting around this Fowermania bloom, and it seems to me that it’s the perfect poster-child block for Flit and Bloom fabrics. Right!?

flit and bloom fabrics lucy boston patchwork of the crosses eppFinally, I started to dive into a Lucy Boston Patchwork of the Crosses block, since what is EPP without Lucy Boston? I love how rotating the fabrics creates even more meticulously cut geometric fun, and I look forward to seeing how this block shapes up.

lucy boston outer pair epp trial runOne of my favorite parts of planning with Lucy Boston blocks is in the outer pairs. I like to make a few “test pairs” with different fabrics and arrangements to see which ones I visually like best.

lucy boston outer pair epp trial runI love that Flit and Bloom has plenty of opportunity for mirror image fussy cutting, since those are my favorites–can you see why?

lucy boston outer pair epp trial runWhich arrangement is your favorite?

aurifil thread 50wt for hand piecing eppI used Aurifil 50wt 2886-Light Avocado thread for all of my piecing, and with the varied colors in these fabrics, its light green color seemed to be the best choice for blending in. Between careful stitching and practicing the flat back stitch, the thread blends right in. I love Aurifil thread for hand stitching!

When I first began piecing these blocks, I was envisioning a sampler EPP pillow, but with the varying sizes of the blocks, I’m thinking I may opt for a table runner instead. That giant Flowermania bloom would make a fantastic centerpiece, wouldn’t it?

flit and bloom fabric fussy cutting eppI hope I’ve inspired you with my meticulous cutting fun with Flit and Bloom fabrics! Fussy cutting opens a whole new world of design, and I encourage you to give it a try!

Giveaway

To help spread the fussy cutting Flit and Bloom love, I have a bundle of Flit and Bloom fabrics left over from my project that I am giving away to one lucky reader.

To enter the giveaway today, let me know what you would make with Flit and Bloom. Leave a comment and make sure I’m able to get ahold of you if you win. For an additional entry, leave another comment telling me how you follow Night Quilter (email listinstagramfacebooktwitter, blog follower, etc.).

This giveaway is open internationally. The giveaway will be open until Saturday, November 11, at 8pm eastern time when I’ll select the winner randomly with random.org. Giveaway is open to participants 18 years or older. This giveaway is now closed. Congratulations to Pamela! 

flit-an-bloom-quilting-tourBe sure to visit the rest of the stops on the Flit and Bloom Blog tour to see what everyone has made with this fun fabric:

Monday, Nov. 6th – Night Quilter <—YOU ARE HERE!
Tuesday, Nov. 7th – Winging It!/Hummingbird Highway
Wednesday, Nov. 8th – Blue Nickel Studios
Thursday, Nov. 9th – ReannaLily Designs
Friday, Nov. 10th – The Sewing Loft
Saturday, Nov. 11th – The Cloth Parcel

 What would you make with Flit and Bloom?