I ordered my copy of the magazine through the Quilting Daily website, but I also have seen copies at my local big box bookstore (Books-a-Million) and Joann Fabric stores.
Do you subscribe to this magazine? I’d love to hear what you thought about the interview, and about embroidery’s role in modern quilting! I’m excited to incorporate embroidery and hand quilting into more of my future makes. Now I just need to figure out how to jump back on the “finish the project” bandwagon! ha!
I’ve replaced my old laptop and I’m excited to have an opportunity to share once again in this space. With so many post ideas and projects underway, I’ll do my best to share my highlights from the past few weeks! Thank you for your patience as I find my blogging stride once again. xoxo
Slow Fashion has been on my mind for the past few months, or more accurately, at least the past year. I even bought a simple tank top pattern that was suggested for first time garment sewists, and have the fabric I need to make at least three. But the apprehension that stands in my way is still strong. While making 20 minutes of quilting or embroidery progress seems reasonable, 20 minutes doesn’t feel like sufficient time to let my brain wrap around the concept of garment sewing enough to dive in.
My dear dear friend Stephanie from Late Night Quilter even surprised me with an Alabama Chanin stitching book about a month ago! It’s meant to be, truly.
When I heard that Sam from A Gathering of Stitches was organizing a Slow Fashion Retreat as well as a Slow Stitching Retreat this year, I knew this was my chance. I arranged childcare thanks to the team efforts of my parents and in-laws, registered, happily agreed to teach yoga during the retreat once again, and here we are only a couple short weeks away from retreat time! I’m hoping to have a wonderfully blissfully relaxing week, knock my fear of garment sewing out of the park, mend some of my holey jeans, and play with natural dyeing! All this on the coast of Maine amidst some of the best company there is. Yes, can you tell I’m excited? If you’re feeling spontaneous, a little bird tells me there are still a few spaces available for the retreat–join me if you so desire!
In reflecting on my experience at last year’s Slow Stitching retreat and getting excited about this year’s retreat, I realized that I never did post my reflection on last year. I wrote nearly all of it, but was waiting to get it *just perfect* before posting, as well as possibly waiting to finish a couple of the projects I began on the retreat, and well… neither of those things happened. In the spirit of retreat reflections, I thought I’d share my reactions now, nearly a year later. Stitching retreats are an experience unlike any other, and rereading my reflections transports me back to the blissfully sun-filled porch, rocking and stitching and enjoying the company of like-minded makers.
*Note: the following was written a year ago, shortly upon returning from the Slow Stitching Retreat at Medomak in August of 2016*
There’s something amazing about the retreat format, where a group of likeminded strangers gathers in a quiet and often intimate setting, spending hours upon hours together in the spirit of learning, relaxing, and reconnecting with self and spirit. The people and the deep and kindred bond I feel with them at the end of such a relatively short time is always what strikes me most upon returning home from a retreat. Here was this group of nearly complete strangers four short days prior, yet tears flow and hugs abound when it’s time to part ways again and head back into our own individual corners of the game called life. It’s a tiny peek at the innate goodness, compassion, and human connection we all share, yet that is often hidden by the bustle and drama of life during our normal day to day existence. That fiber of human connection is truly beautiful, and I’m grateful to have been a part of it.
So many things stand out to me about the Slow Stitching Retreat that quietly happened at Medomak Retreat Center in the woods of Washington, Maine, a couple weeks ago. Yes, the people. The new friends, the realization that even the most talented, well-known and revered makers are real people, just like you and me. And that they can be wicked silly and fun to hang out with! The surprising connections and moments of clear understanding that happen in spontaneous conversations over stitching or wine. We came from all over the country, and reflected all sorts of characters. Some quiet, some not so quiet. Some names widely known, some not. All creative. All open. All building and creating and supporting each other. All of us, human. I’m so grateful to Sam for bringing us all together.
The learning and stitching was also really fabulous, so before I get too deep into a philosophical reflection on the human condition and how hand stitching and quilting helps build positive connections, I’ll jump into the more physical aspects of the retreat–slow stitching!
On the first day, I immersed myself in the reverse applique techniques taught by Alison Glass. It was my first time working with knits, my first reverse applique, and my first time transferring a pattern to fabric by *gasp* writing on the fabric! I used a micron pen, since it was a cut line and would not be visible anyway, and amazingly, not only did it transfer the pattern beautifully, no fabric died in the process!
I decided to create a design based upon the geometry of a chapel ceiling captured by my brother-in-law in Oakland, California, so in light of the whole discussion around “derivatives” in quilting that sparked a heated discussion days before I embarked on the retreat, I spent the week being 100% derivative. And liking it.
The process of sketching out the design, transferring it to the fabric using the tips shared by Alison on how to create a repeated design, finagling the knit fabrics to do what I wanted (sort of) and finally, slowly stitching and cutting, watching the design come to life before my eyes, was extremely enjoyable.
Not to mention making slow stitching progress lakeside after a refreshing swim!
This is most certainly not the last reverse applique I’ll do. The one hesitation I have with it is its durability with washing. Having three young kids who love to have pillow fights, make pillow forts, and sneak food into the living room, I would most likely create reverse applique items and then hide them away for now. Either way, LOVE!
The second day of the retreat, I spent the day giggling uncontrollably while tiny stitching with Chawne Kimber in the amazing barn. Having witnessed this technique the year prior with Chawne, I had a little preview of the fun. There’s something about the mantra “sew smaller; no, even SMALLER” that takes quilting to a whole new level.
Chawne’s work is epically awesome on many levels, and it was fabulous to get to see many of her creations once again. They never cease to amaze me, and hearing her talk about her process is always inspiring. (Chawne will be returning for this year’s Slow Stitching Retreat, so you have a chance to stitch with her, too, if you want! I highly recommend it!)
I went into the retreat with a vague design idea, though without a full plan of how to execute it, but also the desire to keep an open mind and take advice as it was presented. At the advice of both Chawne and Sam, rather than jump into trying to execute my idea with my desired fabrics, I played around with some scraps to see if it would translate into reality the way I envisioned.
I’m very glad I did, since it did not really translate the way I had wanted, BUT I do love what I created and had a ton of fun just going wild and sewing whatever wherever, as long as it was smallllllll. Tiny stitching plus improv curves equals loads of fun!
Here are some other scenes from the retreat:
I’m looking forward to seeing some old friends and creating some more slow stitching retreat memories, this time hopefully with a bonus souvenir of a hand-made garment and the knowledge and confidence to dive more deeply into the world of Slow Fashion. As one who does not like to shop, who feels a strong stewardship toward the earth, and who loves to stitch, I’m excited to embark into this new world! Now that I have a fully functioning laptop, I will be sure to share my experiences with you. This time, I will try to post my reflections a bit sooner than a year later!
If there’s one thing that is consistent about this online quilting community, it’s that when the unbearable happens and someone needs love and support, the community will rise to the occasion and come together to stitch their love, support, prayers, and positive intentions into literal textile hugs–quilts. Quilters have big hearts and give generously. That’s one huge reason I am proud to call myself a quilter. Recently, I’ve found myself contributing to a few different love, support, and help-filled quilting projects, and I wanted to share about them here. Not to toot my own horn, but to spread the word in case you also want to pay it forward and use your sewing powers for good.
Quilts for Seniors by Leanne at Devoted Quilter
A few weeks back, Leanne at Devoted Quilter shared that a senior home near her house burnt down and while all 21 residents thankfully got out unharmed, they lost everything. She made a call for square in a square blocks, and as testament to the huge hearts of quilters, she quickly received offers to make more than the 882 blocks that would be needed to make quilts for each resident!! Please note: She no longer needs blocks for this project!!
The day she announced her block drive, I made three blocks to send along, and used some beloved blues and mustard fabrics from my stash, since I thought it was pretty gender neutral and could be combined with many other colors.
I mailed these blocks and some Anna Maria Horner Field Study yardage for a backing, and after over a week of still not hearing they had been received, I found the package back in my mailbox, sent back from the US-Canada border. Talk about frustrating! Note that writing your first initial and last name instead of your full first and last names on a return address for an international shipping is not sufficient. I’ve mailed the package once again, hopefully properly completed this time and have my fingers crossed that it actually arrives!
If you’d like to contribute to this cause, Leanne is still in need of donations of batting and full backings (she has received more than enough blocks and binding fabrics!). You can find all of the info and can contact Leanne for more details at her blog here: Quilt for Seniors – Update.
Love for Linette, organized by Sarah at Berry Barn Designs
For those of you who followed along with our Honest Craftroomies Periscope hops, you may remember Linette, one of our dear friends and fellow hoppers. Her husband has been battling cancer, and a bit over a week ago, she shared that he’s now receiving hospice care. Sarah from Berry Barn Designs saw this and immediately emailed me and a few other of the Honest Craftroomies originals with the idea to show our love and support by making a quilt. Of course we all agreed and Sarah graciously offered to organize the block drive and quilt top assembly. Stephanie from Late Night Quilter offered to quilt the quilt. The kindness of this community knows no bounds.
Sarah is spearheading the efforts on Instagram, and you can find all of the block construction details here: Love for Linette Call for Nine-Patch blocks. I suggested a bright monochromatic nine-patch block with one white or low volume square as the pattern for the quilt. Linette loves bright colors and we thought wrapping her in a rainbow hug is exactly what each of us wants to do right now. The white square is to represent the hole that will always exist in her life once this part of her journey is over, but the large swaths of bright color represent the beauty and support that remains and will always be there for her.
I made three blocks using some of my favorite tertiary colors, and I plan to help Sarah “fill gaps” in color as needed as more blocks begin to arrive. I do hope that you will contribute to this quilty hug and stitch your love and positive thoughts and prayers into a block or more for Linette. Please DM Sarah @berrybarndesigns for mailing details, or let me know if you need a different form of contact.
Busy Bag Sew Along to Benefit Sadie’s Dream for a Cure
Finally, during the month of May, the Quilter’s Planner is teaming up with Sadie’s Dream for a Cure to sew as many Busy Bags as possible. The busy bags (simple tote bags from a free pattern provided on the Sadie’s Dream website) will be filled with crayons, art supplies, and small toys for children with life threatening illnesses. Sadie’s Dream is an incredible organization, founded by Jessica and her mother, in honor of Jessica’s beautiful child named Sadie, who was diagnosed with cancer at 6 months of age.
Sadie’s Dream offers support to children who are in the hospital receiving treatment for cancer by providing them with tote bags filled with toys! They ask volunteers, like you and me, to make reusable fabric tote bags – “Busy Bags” — to give to children while they are in the hospital, often immobile and hooked to an iv. You mail the bag to Sadie’s Dream and they fill the bags with coloring books, crayons, books, craft projects, card games etc.
I sewed up a Busy Bag to become familiar with the pattern (and so that I would have a bag for photos!), and as one who is filled with trepidation over 3D sewing, I can assure you that this is an easy, clearly written pattern that even the bag-fearing sewists can tackle successfully!
It is a very basic tote bag with extra wide handles to help make it comfortable even when filled with goodies.
I used a fun print by Robert Kaufman fabrics that I had in my stash for ages, since this bag is great for using fun panels. The front has the pocket in the middle and the full panel print is visible on the back. My panel was not quite tall enough, so I added the solid blue to the bottom before constructing the bag. It worked great!
I do hope that you will join in, since I would love to meet and even blast through our goal of having 25 bags made and donated during the Quilter’s Planner Sew Along in May. If you do plan to join, please head over to Instagram and comment with a pledge of how many bags you plan to make. We will be documenting the process and tallying bags as they are finished and mailed to Sadie’s Dream.
There are so many options for sewing from the heart, and many of them don’t take much time at all. After the past few weeks, I’m feeling like I want to add charity sewing to my monthly goals. I can take an hour or two out of my busy schedule to brighten someone’s day or show my love and support to someone in need. Want to join me?
Leave it to Mathew aka Mister Domestic to throw a party instead of a blog tour. Mathew is one of those talented folks whose enthusiasm for making is clearly evident all the time. I love his bubbling enthusiasm, his signature communication style, his bear hugs and kind heart, and after you throw in his mad skills with a sewing machine, how could I resist a chance to party down with him?! I was fortunate enough to meet Mathew at QuiltCon, and he’s as awesome in person as he is online. Plus, who doesn’t love a party!? Needless to say, when Mathew invited me to join in on his #misterdomesticssewingparty to help spread the word about the new Art Gallery FabricsCapsules and Fusions, I was absolutely in! I’m excited to be joining the fun, cranking up the volume for the party with some tall and skinny bins made out of Art Gallery Fabrics’ Lower the Volume Capsule.
When faced with choosing one of the Capsules or Fusions, the Lower the Volume Capsule seemed like the obvious choice since I love low volume fabrics and seem to incorporate them into most of my projects. They go with absolutely everything, and my favorite bright colors shine when they are paired with low volumes. As soon as I RSVPed an enthusiastic yes, I started thinking about what project I could make that would let the low volumes be the star of the show. I decided to add a rainbow of Art Gallery Pure Elements solids and make a rainbow of tall skinny fabric bins to store my small, but not-small-enough-to-toss fabric scraps.
The tall and skinny shape gives you the most bang for your buck when storing small scraps, since you can fit a lot of them along a wall or shelf, but still have enough volume to hold a decent amount of scraps. See? I cranked up the volume with this Lower the Volume capsule bundle! The result? The Skinny Bin!
I love the Lower the Volume Capsule collection, but my favorite might be the little details on the Quiet Downtown print. I can see myself meticulously cutting specific quilty street names to add to my projects, and couldn’t resist some meticulous cutting in making the bins.
To get started, I sketched out a bunch of Skinny Bin design options in my Quilter’s Planner over the course of a week or so. I absolutely love the handy graph paper section of the planner! The first design that came to mind was the hexagon English Paper Pieced (EPP) Skinny Bin. I jokingly call it iBin because of the design that appears when using the extra-long hexagons I used for the bottom of the bin. Even with the time-saving elongated hexagons, I decided that rather than EPP ALL of the bins, why not mix it up and try a whole selection of block designs?!
I love the variety of shapes, color, and design in these bins, and plan to add to them until I have a full primary, secondary, and tertiary rainbow! I sewed all of the bins with my go-to Aurifil 50wt 2600-Dove thread, but used 80wt to piece the EPP iBin. I absolutely understand the excitement about 80wt for EPP–the stitches melt right in!
I am getting better at making introductions at parties, so why don’t I introduce you? Be sure to oogle the awesome variety of low volume prints as we go through introductions.
First in line we have Mr. Plus in Pure Elements Red. He’s first aid certified, so you can rest easy at this party.
Next is Madam Isosceles, a triangle jam in Pure Elements Burnt Orange. She can be a bit pointy at times, but is good at heart.
Third is sunny Sir Wonky Star in Pure Elements Canary. He is channeling a sun a bit more than a star, but all are welcome here, right?
Next is my favorite (shh don’t tell the others), Miss Inset Circle in Pure Elements Dark Citron. She loves to hug trees and has an unusual obsession with maps. Please don’t mistake her for Olive, her twin sister.
No party is complete without Dr. iBin EPP, sporting Pure Elements Emerald. This tech mastermind was put together a bit differently due to her seamless exterior construction, but she fits in just fine despite her genius.
Finally, Mr. Log Cabin in Pure Elements Denim Blue. He’s a bit casual for this party, but who needs a dress code?
There are also two more bins in active progress: Ms. Lucy Boston in Pure Elements Purple Pansy and Miss Raspberry Kiss in fitting Pure Elements Raspberry Rose. They will be fashionably late to the party, but hopefully they’ll bring dessert.
Okay, that was silly but quite fun. All of the bins are lined with their feature Pure Element solids, so it makes for quite a colorful crowd. Now you’re acquainted with my new friends and we can all party on!
While designing this bin, I conveniently discovered that it really is perfect for a party. Not only does it provide a colorful place to put your itty bitty scraps, but it can also double as a wine cozy for storing or toting your party beverage of choice. Totally #winning!
I also discovered that Art Gallery Pure Element solids have writing on their selvedge! Solids are often really difficult to keep track of once they dive into a stash, so the printed selvedge is a super helpful detail!
I’m now excited to sort through my pile of tiny scraps so that I can fill these beauties!
I actually discovered yet another use for these bins, but you’ll have to wait to see any more than this sneak peek. Be sure to keep your eye on this space. Ahhh, gotta love a rainbow of Aurifil thread!
At least in my opinion, one of the best parts of having a party is how clean your house gets in the process. There’s nothing like having an excuse to tidy up and rainbowtize. I haven’t yet decided whether these bins will live right here, hanging from the peg board behind my sewing machine, or if I will hang them near my cutting table for easy access. Either way, they will certainly brighten up the room!
Thank you so much for coming to the party, and be sure to check out all of other talented makers who will be partying down for the next couple of weeks:
I’m excited to be the next stop on the Modern Triangle Quilts book blog tour, in celebration of my friend Rebecca Bryan’s new book published by Stash Books/C&T Publishing. In this post, I’ll tell you about her awesome spin on the typical book tour blog hop, I’ll share my highlights from her book, and I’ll tell you how you can enter to win either a fabulous charity quilt benefitting Living Water International, or a copy of the Modern Triangle Quilts book (or both if you’re crazy lucky!) Read on, friends!
I first met Becca right around when she published her first book, Modern Rainbow, and I knew we’d be fast friends. I mean, rainbow!? I LOVE rainbows! That book did not disappoint, and Modern Triangle Quilts is just as amazing. Becca also just announced her first fabric line with Robert Kaufman Fabrics, called Panache. She’s a rockstar, I tell ya!!
Modern Triangle Quilts takes triangles to a whole new level. With 70 graphic triangle block patterns including equilateral, right, and isosceles triangles, plus 11 sampler patterns and a section on graphic design, the design possibilities are endless. Above are the Isosceles Sampler and Facets, two of the strikingly unique patterns included in the book.
I had so much fun choosing a design and making a block from the book, especially since the color palette requested by Becca meant that I could combine my two favorite fabric designers–a crosshatch from Carolyn Friedlander‘s architextures basics, and two of Alison Glass‘s recent fabrics, Insignia and Sun Print 2017 fit the bill.
The piecing of these designs is so clever, and utilizes many techniques–from foundation paper pieced designs to improv. This book really gets me thinking outside the box (and into the triangle ha ha ha), which is what I look for in a quilting book. This is definitely a book worth adding to your quilty library.
Here’s the block I made for Becca, and I had the pleasure of giving this block to her over lunch while at QuiltCon in Savannah. Read on to see what she did with all of the blocks, and how you can be entered to win the gorgeous sampler quilt that resulted!
Charity Quilt Giveaway Details
Instead of the typical book release blog hop, Becca asked each of us on the blog hop to make a block (or more), and she made all of the blocks into this gorgeous Charity Bee Well Wishes quilt. For the duration of the Blog Tour (April 2 – April 18) Becca is offering the pattern for this quilt in her shop HERE for only $5. Every time you purchase the pattern, you are entered to win the quilt. You can purchase the pattern as many times as you want. Each purchase equals one entry. All proceeds of the sales from the Well Wishes PDF pattern will go directly to Living Water International. Visit her blog post HERE for more details. By purchasing this pattern, not only will you be entering into the running to win this gorgeous quilt, you’ll be directly helping make positive change in the world. That’s a win-win if I ever heard one!
Modern Triangle Quilts Book Giveaway
Rebecca Bryan and Stash Books / C&T Publishing are kind enough to offer one copy of Modern Triangle Quilts to one of my readers!
To enter the giveaway today, tell me what color combination you would use to make a modern triangle quilt. I love sharing color inspiration and hearing favorite color combinations! Leave a comment and make sure I’m able to get ahold of you if you win.
This giveaway is open to US and international participants. Note that only addresses within the U.S. will receive a hard copy of the book. Due to the extreme cost of international shipping, international winners receive the e-book version. The giveaway will be open until April 18th at 8pm EST when I’ll select the winner randomly with random.org. Winners will be announced by the 21st of April. Good luck!Giveaway is now closed! A winner will be announced shortly!
Blog Hop Schedule
Here’s the rest of the schedule so that you can follow along with the fun!
When my local friend Kim told me about an art auction she was organizing to benefit the American Civil Liberties Union (ACLU), I knew that no matter how much I had on my plate, I wanted to make something to contribute. I finished just under the wire, but was able to finish this 6″ hoop for the Art of Action, which will take place tomorrow in Bangor, Maine. Don’t worry–I got the hoop to Kim earlier this week so that she had time to hang it!
This hoop primarily features a quote that has become a war cry that helps women honor their strength and their ability to fight for what they believe in, and I added freestyle embroidery flowers for a light aesthetic touch.
My goal was to make it bold and strong, yet pretty at the same time. Rosie the Riveter meets a lovely sunlit tea room.
This was the first time I actually wrote on a hoop before stitching, but I knew with lettering I wanted it to look perfectly centered, and advance planning was necessary. I printed the quote I wanted in the fonts I wanted, held it up to a window with my cotton and steel background fabric held on top, and then traced it with a regular pencil. I’m really high-tech here, as you can see.
The stem stitch “Nevertheless” was fairly straight-forward, but by golly, that cursive “she persisted” was tricky! Nevertheless, I persisted. I give mad props to those of you who hand embroider lettering regularly! It’s not for the faint of heart.
Overall, I’m happy with the lettering even though it’s far from perfect. I ultimately outlined the thicker parts of each letter with backstitch, and then went back over the entire thing with satin stitch to fill in. Some letters are more rough than others, but that’s all part of the charm of handmade, right?
My favorite part other than the message and the really good letters (there are a couple!) is the bunch of flowers at the bottom. The french knot lavender flowers are so much fun to stitch, and I love the look of the tall, single chain stitch flowers. I used 12wt Aurifil thread for all of the stitching, and as usual, I’m quite happy with the thickness and silkiness of the stitches.
I finished the hoop with a felt backing, blanket stitched in place and embroidered with a very simple signature and date.
If you are in the Bangor, Maine area tomorrow evening, April 8, 2017, please come by the Art of Action Auction, a silent auction of art to benefit the American Civil Liberties Union (ACLU) taking place at 58 Main, a pop-up event venue in the heart of downtown Bangor.
The juried art show will be auctioning more than 60 pieces of art and works at varying price points done by Maine artists, living, working or with roots in Maine. This grass roots effort is intended to promote Maine Artists, bring the community together and safeguard individual rights and freedoms. (Information from the Art of Action website) I’ll see you there!
Ahhh, April! My favorite month! April is the month when spring usually begins to prevail over the last cold days of winter, with days getting a tad bit warmer, hopefully the snow melting enough to make way for sprouting crocuses and daffodils, and a prevalence of sun instead of sleet and snow. Not only that, it’s my birthday month, which is always a fun excuse to celebrate a little bit extra. To add some frosting to the cake, this month, I’m also one of the Queen Bees for The Honey Pot Bee hosted by Molli Sparkles. So fun!
When I was trying to decide what block to throw into the Honey Pot, I stumbled upon the Starry Sky block by Kylie at A Persevering Mom and completely fell in love. Let me count the ways: 1) it’s foundation paper pieced yet very simply so, 2) the possibilities for color play are endless and I just LOVE Kylie’s warm/cool on low volume background sample block, 3) it comes in three sizes–2.5″, 6″ and 12″ finished squares, and 4) it’s free which makes it a prime choice for a bee! Decision made!
Because the foundation paper piecing in this block is so simple, it is a perfect block for some meticulous cutting fun. I decided that I wanted to use my precious Friedlander fabric for the background, but I wanted it to look like the tree scene was continuous across the block. I thought it might be helpful if I shared a few tips on how I did it.
Remember that in foundation paper piecing, you are building the block on the back of the template. For this reason, when cutting each fabric piece, be sure to position the template with the printed lines facing the right side of the fabric to ensure the direction of the fabric is correct.
It’s also helpful to cut as you go, completing one template piece at a time and double checking your progress along the way. This certainly takes longer than cutting all of the necessary fabric pieces and chain piecing each section, but when playing the meticulous cutting game, it’s wise to go slowly and steadily, checking and double checking along the way.
In the photo above, the pieces of background fabric are cut for each section of the final foundation template (remember that the fabric will go on the back, so it appears mirrored when looking at them next to each other this way.) The final adjustment that can be made is with the numbering and order in which fabrics are sewn. With a basic understanding of how foundation paper piecing works, you can rearrange your piecing order to help easily align your fabric pieces. For this block, I always began with the center of the star points when at all possible so that it made it easy to keep the background fabric level and headed in the desired direction. For the piece shown, instead of sewing them in the listed order of A1, A2, A3, etc…, I positioned A3, then sewed A2, then A4, then A1. This way, I only had one angled seam to line up properly (A5 to A6) in the entire block.
While this seamless background didn’t come across as clearly as I hoped due to the intricacies of the branches and print, I’m still glad I went through the extra effort to get those bushes lined up along the bottom. Even if at first glance, it’s not obvious that the background fabric lines up, I know it does, and that’s what matters, right!?
I love how the Friedlander Tree Stripe border in Pistachio looks with the star points, which include fabric from both Carkai and Architextures also by Carolyn Friedlander, some favorite Alison Glass Sun Prints from 2016 and 2017, a Free Spirit solid, Gum Leaves from Terra Australis 2 by Emma Jean Jansen, and an unknown green swirl from my stash. I sewed the block with my favorite 50wt Aurifil thread, 2600-Dove, but was excited to find two lovely greens in my stash, which will come in handy when it’s quilting time! My block will obviously be added to my Greenery Quilt, and I most likely will aim to also make a 12″ version of the block in a different arrangement of greens since I love the block so much. Can’t you see this block looking fab in just about any color combination!?
Head on over to Molli’s blog to see the other gorgeous block for April, and have fun with this Starry Sky block!
Happy Monday morning! I have a few quick reminders to share today for the week ahead, as well as a silly story from over the summer.
First of all, today’s the day that I will be a guest on Pat Sloan’s American Patchwork & Quilting podcast, streaming live at 4pm EST and available for download at 6pm–I hope you’ll tune in! You can listen on your computer, subscribe by iTunes (search American Patchwork & Quilting), or download to a player. If you can’t listen in during the live broadcast at 4pm, you can download the episode (Episode 333) anytime after 6pm. You can read more about my experiences chatting with Pat here.
Second, today kicks off a fun Blog Hop celebrating the expansion of my quilty friend Bernie’s Etsy shop Needle & Foot, which now hosts a selection of modern fabrics. See the kick off blog post and lineup here at Needle & Foot, and visit Cheryl at Meadowmist Designs for the first stop! Come back Wednesday for a chance to enter a great giveaway, and to see what I made! In addition to the giveaways throughout the hop, Bernie is offering everyone a coupon code to her new shop. Use the code NANDFREADERS15 for 15% off any order over $5.00 (the coupon code will be active through Sunday, March 26th).
And finally, a new face! Since the photos were taken over the summer and I never shared, I thought it was high time I updated my headshot photo! While I still think I look much like the old photo, it was taken nearly a decade ago on the windy moors of England. It was time for a new one. So this summer, I requested that my husband, aka fearless quilt holder assistant, take some new headshots for me.
In his typical form, he made the process fun, giving goofy prompts to generate the proper variety of faces. A model I am not, and a photographer he is not… yet I think we got some winners!
“You’re fun and sassy and having a great time…”
“So endearing and sweet…”
“…so you’re walking along and begin to realize there might be a snail in your shoe…”
So which am I really? Not sure, but I ultimately decided on a different headshot altogether; one that I think is a bit less dramatic, but still looks ok and looks like me.
I will be slowly updating my blog and other social media to have this photo, but thought it would be fun to share the process. Really, the snail in the shoe prompt was too silly not to share… what would your face look like if you were walking along and slowly began to realize that there miiiiight be a snail in your shoe…?
Recently Hillary from Entropy Always Wins and I had the opportunity to meet in person after following each other’s work online for years. Both loving embroidery, repurposing textiles, creativity and the sewing community in general we plotted a tutorial that would allow us to play off each other’s creative personality and engage the greater sewing community as a whole.
A year ago Hillary made an Easter Egg shaped pincushion out of velvet and repurposed leather. We expanded on this idea and invite anyone who wants to participate to make a similar pincushion and, if interested, incorporate repurposed leather (Earth Day is coming up after all, and repurposed leather is typically thin enough to easily sew on a domestic sewing machine.) Be bold. Be brave. Let’s sew leather!
In this tutorial we give everyone some guidelines but the emphasis is on PLAY and MAKING THIS PROJECT YOUR OWN. Don’t celebrate Easter? No biggie, make a similar pincushion in another shape. We will be following on Instagram so please tag your makes #eastereggpincushion (as well as tagging @nightquilter and @entropyalwayswins) so we can all enjoy. To celebrate this group project we will both randomly be giving participants some of our own pincushions as well as supplies to make them. All you need to do to be eligible is to play along, tag us, and tag #eastereggpincushion so that we can find you!
Thin leather (~6×12 inches)
Wool felt, velvet, jeans or any other material for the inner portion of the pincushion (~6×6 inches)
Embroidery hoop (a 4” hoop will *just* fit the inner egg)
Crushed Walnut shell or other favored pincushion fill
Step 1: Templates and Leather
Print the Embroidery Egg Template and cut along both inner and outer egg outlines.
Trace the template onto the wrong side of the leather, marking out two eggs–one with only the outline and one with both the inner and outer lines drawn.
Carefully cut along the marked lines, remembering to cut one piece along only the outer egg outline and cut the other piece along both the inner and outer egg outlines.
Set your leather pieces aside.
Step 2: Embroidery
Using chalk or water soluble marker, trace the inner egg outline onto your embroidery surface (felt, velvet, jeans, etc) so you will know the limitations of your embroidery design.
Adorn at your heart’s desire with embroidery, applique, etc. You are welcome to copy our experiments but please feel free to try your own ideas.
Step 3: Attach the Embroidery to the Leather Upper
Align your embroidered material so that the embellishments fit within the window of your leather upper (the egg with the hole cut out of the middle).
Secure the right side of your embroidery to the wrong side of your leather upper with double sided tape, glue, clips, or other method.
Then, using a ¼ or ⅛ inch seam allowance, top stitch the two together along the inner egg as shown.
Thread the top threads to the back of the piece, tie all loose ends together and trim.
Finally, if possible, trim the seam allowance of your embroidered material carefully about ½” away from the stitched line so that it remains easily inside the outer margins of the egg.
Step 4: Make an inner pincushion
Using only the outer margin of your Egg Template, trace and cut two pieces of muslin. Sew the two pieces together using a ¼ inch seam allowance, leaving a small opening to use for filling.
Fill with crushed walnut shell (a funnel can be helpful for this). One half cup of crushed walnut shell for this project seems to be the right amount. Use a little more if you want a more rounded pincushion. Sew the opening of the inner pincushion completely closed.
Step 5: Finishing your pincushion
Place the two leather egg pieces wrong sides together and secure with clips. (Note that pinning will create visible holes in the leather–use clips!) Sew around the outer margin of the egg using a ¼ seam allowance, leaving an opening at least 3 inches long unsewn.
Stuff your filled and fully closed inner pincushion through this opening. Ensuring the inner pincushion remains entirely inside, top stitch the remaining way around the outer edge of the egg.
Thread the top threads to the back of the piece, tie all loose ends together and trim or bury.
When Pat first invited me to be a guest on her show, I was honored, flattered, and more than a bit nervous since I’m severely hard of hearing and the chat typically happens on live radio over the phone. The phone, as silly as it may seem, is strongly in the running for my biggest fear. With a few emails back and forth, Pat was extremely understanding and accommodating, and suggested a number of alternatives. I ultimately decided to go with her offer of prerecording (instead of live), with Facebook messenger chat open so that if I mis-heard something or missed one of her questions, I could ask her to type it out and the editor could edit out the long pauses. I am so incredible grateful for Pat’s willingness to work around my hearing loss, and once we got going, it was honestly SO fun to talk all things quilting with her! We ended up having a really relaxed and fun conversation, and I had no trouble hearing her (after all that!).
I do hope you’ll have a listen, and if you’re like me and relatively new to podcast listening, you have plenty of time to give it a practice run and make sure you know how to listen in by Monday! The show time is Monday, March 20th at 4pm Eastern (3pm Central, 2pm mountain, 1pm Pacific) and you can click this graphic to go to the link to listen:
You can listen on your computer, subscribe by iTunes (search American Patchwork & Quilting), or download to a player. If you can’t listen in during the live broadcast at 4pm, you can download the episode (Episode 333) anytime after 6pm on Monday! In the meantime, feel free to have a listen to previous episodes–you can browse them all here!–there are so many great stories, tips, and laughs shared by many quilters and folks in the industry.
Are you a podcast listener? I know I am looking forward to listening to see how I did (eek), as well as to hear what the other guests have to say. I think I may be hooked on quilting podcasts, now–I may not be able to hear all of them, but they are still so much fun to listen to. Thanks again to Pat Sloan for having me, and happy sewing!
I grab a needle and thread once the kids are in bed