Today I’m excited to be joining the My Typecast of Characters Blog Tour with Sheri at Whole Circle Studio with the ubiquitous yet uplifting, uniquely utilized U is for Unicorn! When Sheri asked if I would sew up an English Paper Pieced letter with curves and landed on U, I knew immediately that it was a perfect project to showcase Tula Pink’s Pinkerville fabrics and the fabulous U-nicorn.
Though it’s subtle, I meticulously cut the background so that the unicorn is continuous and the fabrics all line up (mostly). The coordinating Tula Pink solid in Limeade made the perfect coordinating yet stand-out pop for the U. I used coordinating 50wt Aurifil thread to sew up my block, and between the 1231-Spring Green and 1148-Light Jade the stitches blended right in.
To conserve fabric with the fussy cutting, I opted to keep a few of the paper shapes together, as you can see if you inspect the backside of my letter. Can you see where there are perforations but no fabric seam? That’s where I condensed my shapes. If you’re new to EPP, basting and stitching smaller shapes may be easier, so do what’s comfortable for you.
One of the really cool aspects of these Typecast letter patterns designed by Sheri and produced by Paper Pieces is that they arrive completely assembled, with perforations where you’re to separate each piece, as you can see above. This means that not only is it easy to know exactly where each EPP pieces goes (especially if you label them before tearing the individual pieces apart–hint hint!), but it also gives you the option to condense pieces easily if you so desire and are fairly comfortable with EPP. I’m all for saving time and fabric! The Typecast Pattern Guide and paper packs are all now available, so be sure to check out details at Whole Circle Studio HERE so that you can stitch up your own EPP sentiment.
I’m pretty happy with how my fussy cutting went, and was able to give the impression that the U was just set right down on top of the continuous unicorn fabric, Frolic Imaginarium from Pinkerville by Tula Pink.
I could see this U framed in a shadowbox or stitched down onto a background fabric and wrapped around a canvas in a child’s room, or of course stitched into a pillow for a Unicorn-loving friend.
You can see the full Typecast of Characters Blog Tour schedule below, so be sure to check out all of the other letters that have been stitched up, and visit Sheri’s website to check out the weekly giveaways.
What would you spell with EPP?
TYPECAST OF CHARACTERS BLOG TOUR hosted by Whole Circle Studio:
• Wednesday, March 27: Tour Introduction by Whole Circle Studio
• Monday, April 1 — A: Kate Brennan of Aurifil
• Tuesday, April 2 — B: Mathew Bourdreaux of Mister Domestic
• Wednesday, April 3 — C: Tara Curtis of Wefty Needle
• Thursday, April 4— D: Leah Day of Free Motion Quilting Project
• Friday, April 5 — Week 1 Wrap Up featuring A-D and GIVEAWAY at Whole Circle Studio
• Monday, April 8 — E: Jess Finn of Paper Pieces
• Tuesday, April 9 — F: Sylvia Schaefer of Flying Parrot Quilts
• Wednesday, April 10 — G: Giuseppe Ribaudo of Giucy Giuce
• Thursday, April 11— H: Hilary Jordan of By Hilary Jordan
• Friday, April 12 — Week 2 Wrap Up featuring E-H and GIVEAWAY at Whole Circle Studio
• Monday, April 15 — I: Kim Soper of Leland Ave Studios
• Tuesday, April 16 — J: Yvonne Fuchs of Quilting Jetgirl
• Wednesday, April 17 — K: Karen O’Connor of Lady K Quilts
• Thursday, April 18 — L: Kristy Daum of St. Louis Folk Victorian
• Friday, April 19 — Week 3 Wrap Up featuring I-L and GIVEAWAY at Whole Circle Studio
• Monday, April 22 — M: Molli Sparkles of Molli Sparkles
• Tuesday, April 23 — N: Nicole Daksiewicz of Modern Handcraft
• Wednesday, April 24 — O: Scott Hansen of Blue Nickel Studios
• Thursday, April 25 — P: Pat Sloan of Pat Sloan
• Friday, April 26 — Week 4 Wrap Up featuring M-P and GIVEAWAY at Whole Circle Studio
• Monday, April 29 — Q: Joanna Marsh of Kustom Kwilts
• Monday, April 29 — Q: Lindsay Széchényi of Lindsay Széchényi (and Patchwork Threads)
• Tuesday, April 30 — R: Andrea Tsang Jackson of 3rd Story Workshop
• Wednesday, May 1 — S: Sarah Thomas of Sariditty
• Thursday, May 2 — T: Rachel Rossi of Rachel Rossi
• Friday, May 3— Week 4 Wrap Up featuring Q-T and GIVEAWAY at Whole Circle Studio
• Monday, May 6 — U: Kitty Wilkin of Night Quilter <–YOU ARE HERE
• Tuesday, May 7 — V: Jenn McMillan of Fabric, Ink
• Wednesday, May 8 — W: Jenny Meeker of Bobbin Roulette Studio
• Thursday, May 9 — X: Stephanie Kendron of Modern Sewciety
• Friday, May 10 — Week 5 Wrap Up featuring U-X and GIVEAWAY at Whole Circle Studio
• Monday, May 13 — Y: Debby Brown of Debby Brown Quilts
• Tuesday, May 14 — Z: Nisha Bouri and Kim Martucci of Brimfield Awakening
• Wednesday, May 15 — Week 6 Wrap Up featuring Y-Z, Tour closeout and GIVEAWAY at Whole Circle Studio
I’m excited to be joining in the fun with
When I first saw Mathew’s Aura fabrics, of course I immediately dreamed of
I’m so thrilled with how it turned out!! AND pillows are hard to photograph! I just solved that issue by taking lots, and hope my single monstera potted plant can help bring a bit of tropical vibe to the mid-winter Maine photos.
Looking at the varied and gorgeous flower bundles on
They aren’t all perfect, but I’m mighty happy with the result! I also love how the blue section emphasizes the center star, while also helping blend into the Endless Paradise AGF denim background. One of my favorite aspects of the Pollen Pillow & Pollinate quilt patterns are how incredibly versatile they are.
Here’s a look at the pillow top after it was pieced and quilted, but before it was stuffed as a pillow, so that you can see the fabric placement details a bit better. Here are the Aura fabrics I used: Laki Island Daylight for the center star and outer piehexies, Hawaiian Honu Dusk (turtles!) and Hula Dolphins Ocean (tiny dolphins circle around this one) for the star, Loulu Fans Sand for the outermost triangles, Hawaiian Honu Dusk for the turtle diamonds around the outside edge, and AGF Denim in Endless Paradise for the accent pieces in the outer piehexies and the background. I LOVE the fabric names, too!
I used coordinating 50wt thread to hand stitch the full Pollen Pillow design, stitching during travel to QuiltCon, in cafes, or in the car while waiting for preschool pickup. I adore the portability of English Paper Piecing (EPP)! When the Pollen Pillow design was fully stitched, pressed, papers removed, etc., I then stitched it to the backing using 50wt thread in 2000-Light Sand and 1320-Bright Teal. I quilted the pillow with some minimal quilting to secure the pieces while still letting the fabrics shine. I quilted a fun geometric echoey pattern in the background using the walking foot on my Bernina 560, and making it up as I went along. I love using the wide width of my walking foot as a gauge when quilting, since I avoid marking fabrics whenever possible!
Even having made multiple pillows, the insertion of a zipper still gives me the willies a bit before diving in. This time I used
Those of you familiar with my
Here are just a couple more photos to round out this post. The first is of my daughter Maddie, who really wanted to be a pillow holding model (so helpful!). You can see the most pattern details in this photo, I think, so I’m glad she wanted to help!
Finally, here is a photo of my original Pollen Pillow duking it out with this newbie for the prime spot. It’s so fun to see both of these pillows next to each other, since it’s a perfect example of how different fabric choices and color placement can result in very unique aesthetics with the Pollen Pillow pattern.
A few months ago when Sharon asked me to be a part of her book tour, I didn’t hesitate to say yes. I had made Sharon’s block for the Splendid Sampler 2 and loved it, and English Paper Piecing (EPP) is quickly becoming my go-to style of quilting because of its portability and versatility. A Stitch in Time is a fun book including 18 small projects that combine EPP with vintage linens, embroidery, appliqué, patchwork and quilting. It’s a great resource for hand-stitched gifts that won’t require a year’s worth of stitching.
As I flipped through the beautiful book trying to decide what project to make, I fell in love with the mousie pincushions immediately. I opted to make the larger of the two, and thus my Mummy Rosie came to be.
I used a bunch of turquoise/teal scraps to piece Rosie’s back, and realized that this project would make SUCH a great scrap buster. I might just start making 3/4″ hexies and throwing them in a jar to make mousies!
Any project that involves cutting through a hand-stitched panel always is painful, but I forged ahead with gritted teeth and it was worth the pain of trimming. As you can see, I marked the template plastic with guides around some of the hexies so that when I cut each panel, they would be symmetrical. It worked well!
I love how so many of the projects in Sharon’s book include little embellishments with embroidery, cute ribbon, and vintage lace. Rosie not only has a scissor pocket on the bottom, which makes use of a pretty coordinating ribbon I bought from my local quilt shop
I decided to pull out the
Here’s a peek at the process. You can see how well the lines transfer onto the fabric. It’s reallllly easy to use, too. I used a selection of
I think it’s a good look, don’t you?
The pattern calls for attaching 2 1/2″ scissors, but I opted to attach my 4″
Rosie’s ready for action, don’t you think?
Once again I was honored to have the task of doing the quilt photography for the
This year, we were definitely a lot more relaxed and peaceful during the photoshoots, which I’m sure Garrett appreciated!
With projects photographed all through Maine, next year’s planner is sure to inspire, and if you haven’t ordered yours yet, I definitely recommend doing so! As an added bonus (and added irons on the fire) I also contributed a pattern to the
Perhaps the most exciting and monumental project I tackled over the course of the summer was the design of my very first English Paper Piecing pattern with
Perfect for both beginner and experienced EPPers alike, Pollinate is a diverse pattern that has endless possibilities for design and color play. Plus, the “filler” sections look like bees!! You can see the many different Pollinate quilts taking shape on Instagram by checking out the
This summer I was honored to work with
I photographed all 9 different weights of thread offered by Aurifil in a variety of stagings, and truly enjoyed the process. You can scroll through the photos on the top of the Aurifil Thread website to see a selection of my photos, and I’ve included a couple of my favorites here. There’s also a fun interview with me on the 
This summer I also tackled the
I’m excited to be one of the
Here is a screenshot showing some of the blocks I’ve made so far. You can see all of them on
I headed off to QuiltCon with an English Paper Piecing (EPP) project–the Mandolin Quilt Block by Jodi at Tales of Cloth. I had gotten a bit further than
While I was traveling, the mending on my most-worn jeans began to wear through, but fortunately I was able to pick up a mending kit from the
I used the 12wt
My long flight back to NJ after QuiltCon allowed me to finish both of these hand stitching projects, which felt pretty amazing since I typically make progress at a snail’s pace.

So here I go again, publicly announcing my goals so that maybe the thought that you or someone out there is eagerly anticipating my finish, cheering me on, and helping spark my fire even when I’m feeling heavily weighted with other responsibilities, will help me stay on track.
I still have about 14 days worth of stitches to complete to have fully finished the stitching for my 364 days of stitching, 1 year of stitches freestyle embroidery project I took on in 2017. The photo included above is an old old old one from May 2017, so there is MUCH more stitched at this point (see the photo with the projects together to get a peek!)! I want to get the stitches finished and documented, post the fully updated post on IG at my @nq1yearofstitches account, publish a blog post with monthly updates that has been in draft form since May 2017, and fully finish the hoop so it’s ready to hang on my wall.
I want to completely finish my epically gorgeous (modest, aren’t I? haha) rainbow Moonstone pillow I made using
I’m doing some secret sewing for a book release blog tour in March, and unfortunately can’t tell you much more than that. I have my project chosen and fabrics pulled, but haven’t cut into it yet. I’m planning to use some thrifted leather and scraps of Oakshott Lipari red fabrics in this one, paired with Essex Linen in charcoal. It’s a small project, but I’m excited about this one! This project is my given, since the fact that I have a hard deadline means that I will finish this project no matter what. I don’t mind setting myself up for some success, though, so it’s included here.
This one is a stretch only because of the limited time I have this quarter, but I want to put this quilt at the top of my list. I began it back in






While the blog posts listed above rank highest of those written in 2017, the post about the
Today I’m excited to be the first quilting stop on Patty’s Flit and Bloom Blog Tour, where I get to show you what I’ve been working on these past couple of months using her newest fabric line for
I began with one of my favorite EPP patterns,
Aren’t these peacocks fun as they dance in pairs around the block?
While I was stitching my Moonstone block, Mathew (aka
I knew I wanted to incorporate the hummingbirds into this flower block, since hummingbirds and flowers go together like rock and roll, but couldn’t fit them onto any of the individual shapes. Then I realized that I could split the hummingbirds across two background fabrics and decided to go headfirst into meticulous cutting at its best.
I labeled the humming bird front-back pairs since the Flowermania block is pieced in such a way that they are only joined right at the end as the segments are stitched together. This fussy cutting feat was no easy task, I might add. From the careful cutting to make sure the hummingbird halves would seamlessly meet when stitched together, to basting the pieces *just* so, to then stitching it all together and having it meet perfectly around the green diamonds, this was a challenge. They are not all perfectly matched up, and I learned a few tricks along the way that I’ll keep in mind next time, but overall I’m happy with the outcome.
Some hummingbirds match perfectly, but even the imperfect ones are perfect in their own way. Hummingbirds are happily flitting around this Fowermania bloom, and it seems to me that it’s the perfect poster-child block for Flit and Bloom fabrics. Right!?
Finally, I started to dive into a Lucy Boston Patchwork of the Crosses block, since what is EPP without Lucy Boston? I love how rotating the fabrics creates even more meticulously cut geometric fun, and I look forward to seeing how this block shapes up.
One of my favorite parts of planning with Lucy Boston blocks is in the outer pairs. I like to make a few “test pairs” with different fabrics and arrangements to see which ones I visually like best.
I love that Flit and Bloom has plenty of opportunity for mirror image fussy cutting, since those are my favorites–can you see why?
Which arrangement is your favorite?
I used
Be sure to visit the rest of the stops on the Flit and Bloom Blog tour to see what everyone has made with this fun fabric:
In the spirit of setting myself up for success, I opted to make four (4) blocks to make a pillow rather than a full sized quilt, and I dove into my bright Alison Glass stash to put together a fully saturated, smooth rainbow gradient. You know how I feel about rainbows. Alison Glass fabric rainbow + Giucy Giuce EPP project = heaven on a summer’s day!
I used mostly 50wt Aurifil thread, with a few 80wts thrown in, using coordinating colors so that the stitches blend right in with the blocks. The threads shown here are (from top left clockwise): 2535-Magenta, 1154-Dusty Orange, 5015-Gold Yellow, 5017-Shining Green, and 1125-Medium Teal, all 50wt. There’s nothing quite as satisfying as matching the perfect thread to your fabric!
Alison’s Art Theory print from her Ex Libris line (still my ultimate favorite fabric ever) was my color inspiration, so I planned my 4-block panel around the color flow in the center octagon. Throughout the course of the summer, I finished the four blocks and completely stitched them together!
Now I am at the point in the game where this could lounge in the works in progress pile for a while, but instead, I am going to use my excitement to forge ahead and aim to finish this beauty, which is sure to be my most favorite pillow of all time.
My next step is to choose background fabric, press the pieced panel thoroughly, remove the template papers (so that I can use them again!!), and then hand stitch the panel down onto the background fabric. Just last week, I visited my local quilt shop
After looking at those options, I still felt like I needed to see the Insignia before deciding, and with the encouragement of a few friends on Instagram, especially Erin who said, “I’m a strong believer in first instinct=best instinct!”, I ordered a yard of Insignia in Charcoal from Alison Glass’s shop. (Thank you Erin!). Clearly, my first gut choice is the winning choice!
Next I will hand stitch this epic panel to the perfect Insignia background using Aurifil’s monofilament thread in Smoke. I plan to quilt this with the Smoke monofilament thread, too, and I’m so excited just thinking about how amazing this pillow will be. This will be my first time sewing with monofilament thread, either by hand or machine, so I’ll be sure to share how it goes.
As for me, I’m nearly finished piecing my next rendition of a Moonstone block, going with the Gems layout and a more nautical theme. I plan to make only one block and top stitch it to a large zippered pouch for a friend to whom I owe a quilt. I’m hoping the consolation diaper pouch/zipped pouch will hold her (and her nearly 1 year old baby) over until I manage to make the quilt!
As you can see, I’ve been absolutely struck with Moonstone Madness and it doesn’t appear to be tapering off just yet. I’ve had a wonderful time piecing together these blocks, and the portable nature of English Paper Piecing ensures that it is still very much on the top of my “summer stitching” projects list!






