I have such exciting news to share today–I’m honored to introduce you to my first Aurifil thread collection: Color Crush! What’s extra special is that for those of you at QuiltCon right now, you can be one of the very first to purchase the thread set if you so desire, so that you can return home ready to stitch the rainbow and always have the perfect coordinating color in your thread stash. Read on to find out more, and then head over to Auribuzz for a really sweet interview.
I have been using Aurifil thread since early in my quilting days, and once I tried my first spool, I was immediately sold on how silky smooth and strong it is. It leaves hardly any lint in my machine, especially compared to the older hand-me-down threads I had been using before switching entirely to Aurifil. Not only that, the range of available colors has my rainbow-loving heart swooning. Paired with Aurifil’s commitment to seeking the most sustainable options: using 100% cotton thread, putting their most recent thread addition on a wooden spool, going plastic neutral in 2019, and a continuing focus on environmentally sustainable practices, this company’s ideals resonate with me, which is really important.
Over the past few years, I’ve found myself grabbing the same set colors of thread for most of my projects, and so finally I decided to reach out to Aurifil to see if they would still be interested in my curating a thread collection, since they had mentioned it a while back. I was excited to receive a resounding yes, and then the fun began!

I carefully considered each of the colors of thread *I* always use, trying to decide if it would be a universally helpful color to have, and have very intentionally decided upon this spectrum of luscious, vibrant, tertiary-heavy threads. Here are just a couple of the projects on which I’ve personally used these threads recently:
Pollinate EPP quilt


Staggered Quilt
Summer Sampler 2019 Alternate Layout, Planned out in my Quilter’s Planner 2020


This thread collection embodies my favorite design aesthetic, and as you can see, I put ALL the colors to good use! I plan to share much more about each individual thread and why it was selected in a later blog post, but for now, I encourage you to head over to the Aurifil blog Auribuzz, where they are sharing really fun interview in which I talk about all things quilting, color, QuiltCon, and more! Read it HERE.
If you want to purchase Color Crush and your local quilt shop doesn’t currently stock it, please ask them to special order. Any shop can grab it from a distributor of course, but ANY shop can purchase directly from Aurifil, no minimum, flat rate shipping. Simply click the “Shop Now” button on the top right of the Aurifil webpage, choose “Designer Collection”, set up an account with them, and order until your Color Crushing heart’s content! Please let me know if you are a shop and plan to stock this collection, since I will be creating a landing page with a list of where Color Crush is available for sale, both online and in brick and mortar shops.
QuiltCon 2020 – Austin!
If you are in Austin for QuiltCon right now and love this collection of threads as much as I do, there’s good news! You can buy a signed collection AND say hi to me! (hugs, please) during two meet-and-greet events during the show:
Friday, February 21st, at 12:30pm at Aurifil’s booth, booth #910, facilitated by Private Source Quilting (PSQ), and,
Saturday, February 22nd, at 3pm at the Homestead Hearth/Designs by Sarah J booth, booth #404. The Homestead Hearth/Designs by Sarah J booth will also be selling some of my most popular quilt patterns, including the new Staggered quilt, Sew Tiny Sampler, Pollinate EPP quilt pattern, my Run Run Run block pattern, Pollen Pillow EPP, and a couple more. This is a rare chance to get one of my patterns in print, so I do hope to see you there!



Staggered is a fun, easy, extremely versatile pattern that is a great way to showcase your favorite fabric line. Perfect for precuts, this would be a fantastic pattern for that precious fat quarter bundle or jelly roll you have stashed away. I used the new Alison Glass Sun Print 2020 fabrics by Andover Fabrics for mine, and it seriously brightens my day. My kids are already asking who gets the finished quilt! I especially love how the Menagerie fabric from Sun Print adds some twinkle among the other rich range of colors. Anyone who knows me knows how much I love Alison Glass fabrics, and this *might* be my favorite line of hers so far.
The range of greens-teals-blues are especially to die for! I just love how they play in this Staggered quilt. You can probably tell, but I’m smitten!
I quilted my Staggered quilt using coordinating 50wt Aurifil threads– I have another fun release to share–from my very own curated collection of Aurifil threads, called
I’m using *gasp*
I have a highly technical approach to selecting fabrics when it comes to a project like this. I place my center on the floor, surround it with all of the Alison Glass fabrics I can find, and then play.
I audition fabrics not only in person, but also through the screen of my phone’s camera, since oddly, some fabric arrangements look different from afar. Alison makes it pretty easy since her fabrics are such a vibrant spectrum of tone on tone color that already transition so well through the rainbow. It’s still fun to decide where to put each bright little bit, and mixing fabrics from new and old fabric lines.
I love English Paper Pieced patterns that have acrylic templates, since I’m a big fan of meticulous cutting (aka
Even with a project focused on the color flow and not so much the individual pieces, I still fit meticulous cutting in where I can. You *might* notice that the squares around the center are all meticulously cut from Compass from Sun Print 2018, alternating designs since I only had fat eighths of the fabric, which didn’t include a full repeat of the design. The triangles are also meticulously cut, alternating between Latitude from Diving Board and Link from Sun Print 2017.
I’ve been using
Feast your eyes upon this! Can you blame me!? I mean, seriously…. is there anyone who doesn’t love a rainbow? Here’s a quick introduction to the line, with attention drawn to a few details I especially love, and far too many photos, as is my style.
Diatom reminds me a bit of Insignia, with its large solid portions, only a bit softer. I love how the colors play wonderfully together, yet you can get different value play within each color.
Compass is definitely the boldest in color, and I love the addition of complementary colored details on some of the fabrics.
With the dense white sketch-like pattern on Depths, it reads the lightest in color.
The designs are reminiscent of Alison’s most recent fabric line
Together, these fabrics make a rainbow that fits in wonderfully with the rest of my rainbowtized stash (let’s be honest, it’s probably 90% Alison Glass fabrics anyway), and I can’t wait to work them into my projects. I already have two new rainbow project ideas in the works, even though I really could do with some project finishing before I begin more new ones (shhh).
I also love that Alison includes white and grey versions of each print, since both act as the perfect neutral to help the rainbow truly pop. She’s thought of everything.
Soooooo so pretty! I’m thinking I’ll use these in an EPP project or two, and I’m planning on using mostly this line (with a few other Alison Glass fabrics of old) in my
In the spirit of setting myself up for success, I opted to make four (4) blocks to make a pillow rather than a full sized quilt, and I dove into my bright Alison Glass stash to put together a fully saturated, smooth rainbow gradient. You know how I feel about rainbows. Alison Glass fabric rainbow + Giucy Giuce EPP project = heaven on a summer’s day!
I used mostly 50wt Aurifil thread, with a few 80wts thrown in, using coordinating colors so that the stitches blend right in with the blocks. The threads shown here are (from top left clockwise): 2535-Magenta, 1154-Dusty Orange, 5015-Gold Yellow, 5017-Shining Green, and 1125-Medium Teal, all 50wt. There’s nothing quite as satisfying as matching the perfect thread to your fabric!
Alison’s Art Theory print from her Ex Libris line (still my ultimate favorite fabric ever) was my color inspiration, so I planned my 4-block panel around the color flow in the center octagon. Throughout the course of the summer, I finished the four blocks and completely stitched them together!
Now I am at the point in the game where this could lounge in the works in progress pile for a while, but instead, I am going to use my excitement to forge ahead and aim to finish this beauty, which is sure to be my most favorite pillow of all time.
My next step is to choose background fabric, press the pieced panel thoroughly, remove the template papers (so that I can use them again!!), and then hand stitch the panel down onto the background fabric. Just last week, I visited my local quilt shop
After looking at those options, I still felt like I needed to see the Insignia before deciding, and with the encouragement of a few friends on Instagram, especially Erin who said, “I’m a strong believer in first instinct=best instinct!”, I ordered a yard of Insignia in Charcoal from Alison Glass’s shop. (Thank you Erin!). Clearly, my first gut choice is the winning choice!
Next I will hand stitch this epic panel to the perfect Insignia background using Aurifil’s monofilament thread in Smoke. I plan to quilt this with the Smoke monofilament thread, too, and I’m so excited just thinking about how amazing this pillow will be. This will be my first time sewing with monofilament thread, either by hand or machine, so I’ll be sure to share how it goes.
As for me, I’m nearly finished piecing my next rendition of a Moonstone block, going with the Gems layout and a more nautical theme. I plan to make only one block and top stitch it to a large zippered pouch for a friend to whom I owe a quilt. I’m hoping the consolation diaper pouch/zipped pouch will hold her (and her nearly 1 year old baby) over until I manage to make the quilt!
As you can see, I’ve been absolutely struck with Moonstone Madness and it doesn’t appear to be tapering off just yet. I’ve had a wonderful time piecing together these blocks, and the portable nature of English Paper Piecing ensures that it is still very much on the top of my “summer stitching” projects list!



























and here it is showing the progress from February:
I guess 28 days can make a big difference!
The highlight of the month was getting the chance to chat with Erin from Aurifil on Facebook live while attending QuiltCon in Savannah. You can see my low key chat
Back to my embroidery progress! Here are some close up shots of the various sections of this freestyle hoop.
I am still stitching without a plan, deciding each day’s stitches the morning–or sometimes night!–of the current day. I have tried a handful of new stitches and look forward to trying even more as the year progresses!

Those little white three-petalled trillium flowers are the most recent addition. Time will tell where this will go from here!
This month, I had a photography helper, so of course I can’t end the post without a few Finn cameos. I often use the photos on my phone as a reference, so I pulled up January’s photo to make sure I arranged the thread in a consistent way. Finn was please as punch that they matched.
He also helped me put the thread back into the box, then arranged around the hoop, back into the box, then arranged around the hoop. What a helper!
I’m so happy I obliged, because I just love this little hoop!

I stitched whatever I wanted, wherever I wanted, and tried many different stitches.
I used Aurifil 12wt thread from my stash, in colors (left to right from photo above): 2530-Blossom Pink, 2435-Peachy Pink, mystery orange–the only Aurifil tag that has ever fallen off a spool!, 2120-Canary, 1147-Light Leaf Green, 2884-Green Yellow, 5005-Medium Turquoise, 2540-Medium Lavender, and 2515-Light Orchid. I used a single strand for all except the turquoise x’s, for which I use two strands. If I were to do it again, I would probably stick with a single strand since I love the crisp aesthetic that results.
Toward the end, I went a little crazy with french knots, but I do love them so and they make a great “filler” around the edges.
Since the pattern is printed on the fabric, there was no actual end, so it was up to me to decide how close to the edges to stitch. At first I thought I’d leave a bit open, but I just couldn’t stop stitching. As it is, most stitches extend to the absolute edge of the hoop. I kind of love it.
I finished it using the methods (minus the plan-ahead phase, since I didn’t plan ahead lol) shared in
It is such a great feeling to be creating for one of my children again (
We are in the second week of sewing for the sew along, so hopefully I will have the quilt top completely sewn together by Monday. Time will tell if I actually meet that goal with all of the kids home and lots of family Thanksgiving time on the docket, but I’m hoping to at least be close!
I put a few contingencies in place to ensure that I love this quilt even though scrappy quilts are not typically my style, and I think they are proving to be quite successful. First, I used a very large ratio of
I love seeing my favorite designers’ fabrics together, too. The top right block in the photo above combines my favorite Carolyn Friedlander fabric from her first line Architextures (