Tag Archives: meticulous cutting

Community, english paper piecing, Hand Stitching, Quilting

Aura Blog Party: Pollen Pillow Fight!

March 8, 2019 kittywilkin 7 Comments

I’m excited to be joining in the fun with Mathew aka Mister Domestic’s Aura Blog Party celebrating his Aura fabric line for Art Gallery Fabrics (AGF). Fridays are always reason to party, but when you add Mathew’s energy and enthusiasm for life, the party is impossible to resist! I figured I’d throw a pillow into the ring since a pillow fight seems like a great addition to any party, right?

When I first saw Mathew’s Aura fabrics, of course I immediately dreamed of meticulously cutting them for days. I decided that a Pollen Pillow would be the perfect project to showcase these gorgeous fabrics while maintaining a tropical vibe that does the Hawaii-inspired fabric line justice. The Pollen Pillow is the EPP pattern that is included in the 2019 Quilter’s Planner magazine, and is a baby version of my Pollinate Quilt, distributed by Karen the DIY Addict.

I’m so thrilled with how it turned out!! AND pillows are hard to photograph! I just solved that issue by taking lots, and hope my single monstera potted plant can help bring a bit of tropical vibe to the mid-winter Maine photos.

With fussy cutting on my mind, my initial plan was to meticulously choose individual flowers from the Laki Island Daylight fabric, using 5 individual flowers in the center and then a radiating spiral of each individual flower in the outer piehex shapes. However, the scale of the flowers on the fabric were a *bit* too big to make that happen (or maybe my templates/pattern is too small?), so I had to come up with Plan B.

Looking at the varied and gorgeous flower bundles on Laki Island Daylight, I really didn’t want to chop them up tooo much, so I decided to go wild and fussy cut the fabrics so that the piehex looked like it was an uninterrupted flower bouquet, but with a blue section radiating from the center. I taped 3 templates together for the top half, and fussy cut the bottom 3 so that the fabric pattern was continuous when stitched.

They aren’t all perfect, but I’m mighty happy with the result! I also love how the blue section emphasizes the center star, while also helping blend into the Endless Paradise AGF denim background. One of my favorite aspects of the Pollen Pillow & Pollinate quilt patterns are how incredibly versatile they are.

Here’s a look at the pillow top after it was pieced and quilted, but before it was stuffed as a pillow, so that you can see the fabric placement details a bit better. Here are the Aura fabrics I used: Laki Island Daylight for the center star and outer piehexies, Hawaiian Honu Dusk (turtles!) and Hula Dolphins Ocean (tiny dolphins circle around this one) for the star, Loulu Fans Sand for the outermost triangles, Hawaiian Honu Dusk for the turtle diamonds around the outside edge, and AGF Denim in Endless Paradise for the accent pieces in the outer piehexies and the background. I LOVE the fabric names, too!

I used coordinating 50wt thread to hand stitch the full Pollen Pillow design, stitching during travel to QuiltCon, in cafes, or in the car while waiting for preschool pickup. I adore the portability of English Paper Piecing (EPP)! When the Pollen Pillow design was fully stitched, pressed, papers removed, etc., I then stitched it to the backing using 50wt thread in 2000-Light Sand and 1320-Bright Teal. I quilted the pillow with some minimal quilting to secure the pieces while still letting the fabrics shine. I quilted a fun geometric echoey pattern in the background using the walking foot on my Bernina 560, and making it up as I went along. I love using the wide width of my walking foot as a gauge when quilting, since I avoid marking fabrics whenever possible!

Even having made multiple pillows, the insertion of a zipper still gives me the willies a bit before diving in. This time I used this fabulous tutorial by Suzy Quilts and am incredibly happy with my zipper! Mental note for next time, though: when creating a side zipper pillow, you need a zipper that is at least 2″ shorter than your pillow panels. I bought a bunch of 18″ zippers, one of which is shown in the progress photo, and none of which were used for this pillow because they were too long. I settled for a 14″ turquoise zipper, which coordinates enough to seem intentional (shhh).

Those of you familiar with my Pollen Pillow pattern may have noticed that I included some extra diamonds on this pillow. The sea turtles just begged to be included more, so I borrowed the center diamonds after stitching the pillow center down, and made a few more sea turtles to swim outward around the edges. I love the effect!

Here are just a couple more photos to round out this post. The first is of my daughter Maddie, who really wanted to be a pillow holding model (so helpful!). You can see the most pattern details in this photo, I think, so I’m glad she wanted to help!

Finally, here is a photo of my original Pollen Pillow duking it out with this newbie for the prime spot. It’s so fun to see both of these pillows next to each other, since it’s a perfect example of how different fabric choices and color placement can result in very unique aesthetics with the Pollen Pillow pattern.

Thank you for swinging by to help celebrate this Friday finish, and be sure to check out the other stops on Mister Domestic’s Aura Blog Party. The projects are all stunning!

MISTER DOMESTIC’S AURA BLOG PARTY

Monday February 11: Amanda Woodruff of A Crafty Fox
Tuesday February 12: Kylie Gersekowski of Little Moo Designs
Wednesday February 13: Sharon Holland of Sharon Holland Designs
Thursday February 14: Kim Niedzwiecki of Go Go Kim
Saturday February 16: Sarah Maxwell of Fearless with Fabric
Sunday February 17: Natalie Santini of Hungry Hippi e Sews
Monday February 18: Carolina Moore of Always Expect Moore
Tuesday February 19: Isabelle Selak of South Bay Bella Studio
Wednesday February 20: Elizabeth Chappell of Quilters’ Candy
February 21-24: Intermission
Monday February 25: Tara Curtis of Wefty Needle
Tuesday February 26: Monica Tetteh of That’s Sew Monica
Wednesday February 27: Nicholas Ball of Quilts from the Attic
Thursday February 28: Lucy Brennan of Charm About You
Friday March 1: Robbin Flockhart of Sew Farm Quilter
Saturday March 2: Evie Jespersen of EV Quilts
Sunday March 3: Kelly Liddle of Jeliquilts
Monday March 4: Maureen Cracknell of Maureen Cracknell Handmade
Tuesday March 5: HollyAnne Knight of String and Story
Wednesday March 6: Mimi Goodwin of Mimi G Style
Thursday March 7: Angela Wolf of Fashion Sewing with Angela Wolf
Friday March 8: Kitty Wilkin of Night Quilter <— YOU’RE HERE
Saturday March 9: Sharon Burgess of Lilabelle Lane Creations
Sunday March 10: Emily Dennis of Quilty Love
Monday March 11: Sheri Cifaldi-Morrill of Whole Circle Studio
Tuesday March 12: Elina Temmes of Elina Temmes
Wednesday March 13: Jennifer Strauser of Dizzy Quilter
Thursday March 14: Saija Kiiskinen of Saija Kiiskinen
Friday March 15: Brittany Jones of Brittany J Jones
Saturday March 16: Jodi Godfrey of Tales of Cloth
Sunday March 17: Kim Niedzwiecki of Go Go Kim
Monday March 18: Sharon McConnell of Color Girl Quilts

Paper piecing, Patterns, Quilting, Tutorials

Splendid Sampler 2: Adventure Abounds

January 10, 2019 kittywilkin 14 Comments

Today I’m excited to reveal the block I designed for the Splendid Sampler 2 book: Adventure Abounds, found on page 122. Those of you who know me are most likely not surprised by this block one bit! For those of you who are new, welcome! I’m Kitty Wilkin, aka Night Quilter, and I’m so glad you’re here! I am a full time mom of three kiddos in rural Maine, but I’m also a pattern designer (EPP, FPP, traditional piecing–I love it all!), quilt and product photographer, teacher, social media manager for the Quilter’s Planner, AND an avid fussy cutter, which I prefer to call meticulous cutting. I’m often inspired by the natural world around me, and when Pat and Jane asked me to design a block reflecting my best quilty life, I knew it had to include family adventures in nature tied together through the creation of a quilt. With strong influence from my Summer Adventure quilt pattern, this block has a bit of everything–sea, trees, and lots of love!

If you’re new to the Splendid Sampler books curated by Pat Sloan and Jane Davidson, find out more about the Splendid Sampler 2 book and sew along HERE.

Today I am going to share 3 tips for using fussy cutting in foundation paper pieced blocks, using my Adventure Abounds block from the Splendid Sampler 2 book. If you’re new to foundation paper piecing (FPP), read my beginner basics FPP tutorial HERE first to make sure you know all of the key components and basic tips. Then let’s dive in!

There are a few things you should remember before beginning FPP: First, the templates are a mirror image of the finished block, so when planning your fabric placement, visualize the right side of your fabric on the back of the template. Second, I highly recommend color coding your paper templates before starting so that you know exactly where each fabric should be. Third, don’t forget to use paper scissors to cut out and trim the templates! Your fabric scissors don’t want to go there!

Once your fabrics are selected, your templates are cut out along the 1/4″ seam allowance line and color coded, you’re ready to dive in. Here are three tips for using fussy cutting in FPP:

1. Place your fussy cut on piece 1

One of the easiest ways to use fussy cutting with FPP is to position your fussy cut fabric on the very first piece placed. With this method, simply hold your fabric up to a light source on the wrong side of the paper template, aligning the fabric motif you want to feature. Use a little dab of washable glue stick to hold it in place, and then continue piecing the rest of the block as you normally would. Your fussy cut can be perfectly positioned with very little effort. Depending on the block you’re creating, even this little use of fussy cutting can create quite an impact.

As an example of this for my Adventure Abounds block, I decided to position a subtle bird in the sky above the ocean, and held it up to a window to make sure it was positioned exactly how I wanted it. With a white on white background for my blocks, this example is subtle, but sometimes those subtle details are my favorite!

2. Create templates

Another way to make fussy cutting a bit easier while foundation paper piecing is to create a template for the pieces you wish to meticulously cut. You can use template plastic for this, or can even repurpose clear plastic lids to food containers. You want to use something that you can see through or at least trace through using a light source.

To create a template, first trace the shape from the paper foundation template onto the plastic. Be sure to label your piece, AND make note of directionality since the paper template is a mirror image.

Once I trace the shape, I flip over the template plastic and write my notes on the opposite side, so that when I cut the fabric for that piece, I know that my notes should be legible on the right side of the fabric.

Next, using a quilting ruler with 1/4″ measure, draw seam lines 1/4″ outside all the edges of your drawn lines.

Cut out the template along that seam allowance line.

Repeat for all of the shapes you want to fussy cut. You can use the clear templates to be sure you’re cutting your fabric piece exactly as you want it. Note that you will want to use all of the tips outlined in this tutorial when piecing so that the perfectly cut piece of fabric gets sewn in exactly how you want it.

For my block, I decided to fussy cut the heart so that the fabrics for the two pieces of the heart look continuous despite consisting of two fabric pieces. I decided to make a third reference template of the full heart and traced the pattern from the fabric onto the template, which I used as a reference when cutting out each individual part.

Once you have your template positioned over the exact motif you want, carefully trace around the template with a fabric marking tool and cut out the fabric, or very carefully use a rotary cutter to cut around the template. Note that with planning templates made with template plastic or repurposed food lids, using your rotary cutter contains a good level of danger–so either purposefully live on the wild side, or use the trace and cut-with-scissors method!

Your perfectly planned fabric piece is ready to carefully stitch onto your growing foundation paper pieced section.

Because this piecing is quite meticulous, you’ll want to be sure to align this next piece perfectly before stitching.

Folding along the seam on which you are about to stitch and trimming the overhanging fabric to 1/4″ will help you line up the next piece accurately.

You can also fold over the piece you are about to stitch along the seam line to see how it looks before actually stitching.

Note that meticulous cutting is exactly that–meticulous. Be sure to be meticulous in all phases of this process to get the best results. Also, be gentle with yourself. This is not easy! Use a stitch length that you are comfortable ripping out if needed to get those first fabrics lined up. I give myself a Rule of 3 when stitching any block: I’m allowed to use my seam ripper to rip out progress and make it align better 3 times during the stitching process for any block. Once I hit my 3 times, I need to just accept the imperfections and move on. We are human, after all. But don’t be afraid to try! As with anything, the more you practice, the easier it will get.

Once your fussy cut pieces are cut and stitched as desired, continue piecing your non-fussy cut pieces as you would any other FPP block.

3. Focus on the joining seam

A third tool to use while fussy cutting in FPP is to pay close attention to the edge of the motif you want to feature. This works particularly well for lining up directional prints along the seam line, or for less precise fussy cuts.

This method is used for any piece AFTER the first piece placed. If your fussy cut is the first piece, use Tip 1!

In the Adventure Abounds block I made for the original Splendid Sampler 2 quilt, I used this tip when piecing the text on the tree, specifically the word “love”, since the word “listen” was the first piece placed, and was therefore easy to simply glue in place and piece around. Knowing that I wanted the top of the word love to be juuust below that darker top piece, when I cut the square of fabric I carefully cut just a tad bit more than 1/4″ from that top edge of the word love. I left the rest of the rectangle of fabric a bit larger and less specific, since as long as that edge lined up properly, the rest didn’t matter.

With the Adventure Abounds block I’m making for my own Splendid Sampler 2 quilt, I am not using as finicky or directional of fabric for the tree, so there is no need for fussy cutting. However, I wanted to control the directionality of the fabric in a few of the waves, so that the dots on the Cotton and Steel basics and the wavy paths on the bike path fabric by Alison Glass ran parallel to the seam line. The piece is not the first one placed, so I couldn’t use Tip 1. All I want to control is the directionality of the fabric, so making a template seems like more work than is necessary. Enter Tip 3: Focus on the joining seam.

Whenever employing any type of meticulous cutting in your FPP, it’s always a good idea to trim your 1/4″ seam allowance before positioning and stitching your fussy cut shape. To do this, simply fold back the foundation paper along the line you are about to sew on, and using a quilting ruler with 1/4″ measure, trim the fabric 1/4″ away from the fold. (Obviously use a cutting mat underneath! This photo shows without the mat for aesthetic consistency). Once your fabric is trimmed, you have a clean line with which to line up your next meticulously placed piece.

This also helps facilitate another key FPP tip, which I originally learned from Lee Heinrich of Freshly Pieced, and which has saved me countless brain-scruntches trying to be sure a fabric piece would align properly on wonky angles in FPP.

When your paper is folded along the seam-to-be-sewn, you can place it on your next fabric (right side up) and the paper shape as folded will be exactly on top of the fabric that will end up in that space once you sew along the line. Be sure to visit Lee’s tutorial for a perfectly clear and in depth explanation–it’s truly life changing when it comes to FPP!

What that means for us is that with that clear 1/4″ seam line showing us the direction we want our print to go, simply lining up the folded seam line with the directional print will ensure the pattern runs in exactly the direction we want. Fold up the edge a bit to peek under and make sure the pattern is positioned the way you want it, then without changing the position of the fabric, fold the paper back up and sew along the line.

You will end up with your directional fabric meticulously positioned along the seam line, just how you wanted it. Paired with that fun bird flying over the ocean that we placed using Tip 1, these tips can help take your foundation paper piecing blocks to a whole new, intentional level.

Here’s the block I made for my slowly growing Splendid Sampler 2 quilt, about which I’ll show you more soon! I’m creating monochromatic blocks and using an alternate rainbow layout I sketched out in my Quilter’s Planner. This Adventure Abounds block will be positioned in the teal row, but as you can see, it is transitioning to the green. I made a compromise from my monochromatic-rule for this block, since I make the rules around here anyway! ha!

Okay, just one peek at my planned layout and a few of my blocks so far. A full look will come in its own blog post soon, so be sure to follow this space!

Thank you so much for joining me today–I hope this tutorial is helpful and entices some new fussy cutters to try adding some meticulous cutting to their foundation paper piecing! Please show me what you’re making and either comment with a photo, or tag me on social media @nightquilter . Most of all, have fun!!

If you’re sewing along with the Splendid Sampler 2 excitement, be sure to head over to the Splendid Sampler website, and post your completed Adventure Abounds block. There is a fun Martingale book giveaway for one lucky person picked from the blocks shared on their website.

Have fun with your Adventure Abounds block, and may your adventures abound!

english paper piecing, Hand Stitching

Mandolin Quilt Block Progress, My Newest Rainbow EPP

February 9, 2018 kittywilkin 10 Comments

I haven’t been able to escape the sew-in-rainbows bug, but I admit I haven’t been trying too hard to escape it! Now that my Moonstone Quilt pillow is in basting, quilting, and finishing mode, I’ve begun a new English Paper Piecing project to have on the ready for any travel stitching that might arise. The Mandolin Quilt pattern by Jodi at Tales of Cloth will be the next addition to my rainbow and black and white quilted pillow collection, and I thought I’d share my progress.

I’m using *gasp* Alison Glass fabrics for the rainbow, with the center cameo from an Art Theory panel from her Ex Libris line and a couple of rounds of Sun Print 2018 before diving into her older lines. I’m also adding Libs Eliott fabrics as a black and white zap to the vibrant rainbow. Both Alison and Libs design for Andover Fabrics, so I feel like they can be buddy buddy quite happily in the same project. Plus, my husband’s favorite fabric designer is Libs Elliot, so this pillow will have both of our favorites included, and will coordinate wonderfully with my Alison Glass Moonstone pillow (once it’s finished) and Gare’s Libs pillow.

I have a highly technical approach to selecting fabrics when it comes to a project like this. I place my center on the floor, surround it with all of the Alison Glass fabrics I can find, and then play.

I audition fabrics not only in person, but also through the screen of my phone’s camera, since oddly, some fabric arrangements look different from afar. Alison makes it pretty easy since her fabrics are such a vibrant spectrum of tone on tone color that already transition so well through the rainbow. It’s still fun to decide where to put each bright little bit, and mixing fabrics from new and old fabric lines.

I love English Paper Pieced patterns that have acrylic templates, since I’m a big fan of meticulous cutting (aka fussy cutting). These Mandolin templates help me see exactly what section of each fabric will be showcased in the quilt and which will be included in the seam allowance. It makes the basting step a lot easier, since the work is done in the cutting!

Even with a project focused on the color flow and not so much the individual pieces, I still fit meticulous cutting in where I can. You *might* notice that the squares around the center are all meticulously cut from Compass from Sun Print 2018, alternating designs since I only had fat eighths of the fabric, which didn’t include a full repeat of the design. The triangles are also meticulously cut, alternating between Latitude from Diving Board and Link from Sun Print 2017.

Once I extended beyond those triangles, the meticulous cutting is less consistent, since I focused more strongly on color flow around the circle.

I’ve been using Aurifil monofilament thread in smoke to stitch these together, which makes the process a little bit quicker since the thread is essentially invisible and I don’t take *quite* as long with my meticulously tiny stitches, since I’m less worried about it showing on the front. I can definitely see why so many folks stitch EPP together with monofilament. It’s a bit more fiddly in hand, and a bit tougher to sew with because of its invisibility, but I think the result is well worth the effort.

I made pretty consistent progress on this Mandolin block in January, stitching here and there, and taking advantage of rare quiet moments to stitch a bit. Early last week, though, QuiltCon prep began to overtake every free moment, and I’m admittedly still in the thick of it. I’m very excited to be co-teaching four classes with my friend Michelle Bartholomew (two each of Quilt Photography Basics, and two of Advanced Quilt Photography), as well as giving a lecture on Quilts to Mark Milestones Sunday morning at the event. I’ve been working hard to get everything perfect, and am very excited that in just over a week, I will be beginning my trek to get to Pasadena.

The one positive to my not being able to make much additional progress on my Mandolin block these past weeks is that now I will have a perfect hand-stitching project to take with me for the flights and any airport waiting time. Hopefully I will be returning from Pasadena not only with a feeling of class and lecture success, shared and gained inspiration, and a refreshed tank of quilty friend time, but also a nearly or fully finished Mandolin block!

Who will I see in Pasadena? If you’re headed to QuiltCon and see this bright thang in the airport or along your way, please do stop and say hi!

english paper piecing, Giveaway, Hand Stitching, Quilting

Flit and Bloom Blog Tour: Fussy Cutting Fun

November 6, 2017 kittywilkin 93 Comments

Meticulous cutting is one of my favorite quilting past times, and with all of the new English Paper Piecing (EPP) patterns coming out, there’s ample opportunity for carefully cutting up fabric and piecing it back together in clever ways (widely known as fussy cutting, but read why I prefer “meticulous cutting” here). As soon as I saw Patty Young‘s new Flit and Bloom fabric line for Riley Blake Fabrics, I knew I wanted to create meticulously cut EPP masterpieces with it. From the fanciful hummingbirds and elegant peacocks, to the fact that there are both floral and geometric patterns in the line, there are SO many opportunities for pattern play.

Today I’m excited to be the first quilting stop on Patty’s Flit and Bloom Blog Tour, where I get to show you what I’ve been working on these past couple of months using her newest fabric line for Riley Blake Designs. Let’s just say there’s been some meticulous cutting madness in this house lately!

I began with one of my favorite EPP patterns, Moonstone by Giuseppe (aka @giucy_giuce). I built around the stunning Bloom Henna Blossom in Teal fabric as the center, adding flitting hummingbirds and flowers, some geometric fun to tie the colors together, and coy little pairs of peacocks dancing around the outer edges. I love how this block came together!

Aren’t these peacocks fun as they dance in pairs around the block?

While I was stitching my Moonstone block, Mathew (aka @misterdomestic)’s new Flowermania quilt EPP pattern arrived on my doorstep. You know I wasn’t going to just let it sit there!! So I dove in, meticulously cutting that same Bloom Henna Blossom in Teal fabric as the petals, showing how versatile this print is with fussy cutting.

I knew I wanted to incorporate the hummingbirds into this flower block, since hummingbirds and flowers go together like rock and roll, but couldn’t fit them onto any of the individual shapes. Then I realized that I could split the hummingbirds across two background fabrics and decided to go headfirst into meticulous cutting at its best.

I labeled the humming bird front-back pairs since the Flowermania block is pieced in such a way that they are only joined right at the end as the segments are stitched together. This fussy cutting feat was no easy task, I might add. From the careful cutting to make sure the hummingbird halves would seamlessly meet when stitched together, to basting the pieces *just* so, to then stitching it all together and having it meet perfectly around the green diamonds, this was a challenge. They are not all perfectly matched up, and I learned a few tricks along the way that I’ll keep in mind next time, but overall I’m happy with the outcome.

Some hummingbirds match perfectly, but even the imperfect ones are perfect in their own way. Hummingbirds are happily flitting around this Fowermania bloom, and it seems to me that it’s the perfect poster-child block for Flit and Bloom fabrics. Right!?

Finally, I started to dive into a Lucy Boston Patchwork of the Crosses block, since what is EPP without Lucy Boston? I love how rotating the fabrics creates even more meticulously cut geometric fun, and I look forward to seeing how this block shapes up.

One of my favorite parts of planning with Lucy Boston blocks is in the outer pairs. I like to make a few “test pairs” with different fabrics and arrangements to see which ones I visually like best.

I love that Flit and Bloom has plenty of opportunity for mirror image fussy cutting, since those are my favorites–can you see why?

Which arrangement is your favorite?

I used Aurifil 50wt 2886-Light Avocado thread for all of my piecing, and with the varied colors in these fabrics, its light green color seemed to be the best choice for blending in. Between careful stitching and practicing the flat back stitch, the thread blends right in. I love Aurifil thread for hand stitching!

When I first began piecing these blocks, I was envisioning a sampler EPP pillow, but with the varying sizes of the blocks, I’m thinking I may opt for a table runner instead. That giant Flowermania bloom would make a fantastic centerpiece, wouldn’t it?

I hope I’ve inspired you with my meticulous cutting fun with Flit and Bloom fabrics! Fussy cutting opens a whole new world of design, and I encourage you to give it a try!

Giveaway

To help spread the fussy cutting Flit and Bloom love, I have a bundle of Flit and Bloom fabrics left over from my project that I am giving away to one lucky reader.

To enter the giveaway today, let me know what you would make with Flit and Bloom. Leave a comment and make sure I’m able to get ahold of you if you win. For an additional entry, leave another comment telling me how you follow Night Quilter (email list, instagram, facebook, twitter, blog follower, etc.).

This giveaway is open internationally. The giveaway will be open until Saturday, November 11, at 8pm eastern time when I’ll select the winner randomly with random.org. Giveaway is open to participants 18 years or older. This giveaway is now closed. Congratulations to Pamela!

Be sure to visit the rest of the stops on the Flit and Bloom Blog tour to see what everyone has made with this fun fabric:

Monday, Nov. 6th – Night Quilter <—YOU ARE HERE!
Tuesday, Nov. 7th – Winging It!/Hummingbird Highway
Wednesday, Nov. 8th – Blue Nickel Studios
Thursday, Nov. 9th – ReannaLily Designs
Friday, Nov. 10th – The Sewing Loft
Saturday, Nov. 11th – The Cloth Parcel

What would you make with Flit and Bloom?

Paper piecing, Patterns, Quilting

Constant Flux: Flimsy Finish & Pattern Release

July 29, 2016 kittywilkin 14 Comments

It’s no secret that I love to design foundation paper pieced patterns. You’ve seen me create the likes of Lupine, Love Struck, Bean Sprout, Love is the Key, Fish Panels, Buoys, and more. Recently, though, I’ve been wanting to play more with geometric foundation paper pieced patterns, and I’m excited to share my very first one with you today!

Constant Flux is an easy, very beginner-friendly, and diverse pattern. There are no tricky angles, odd shapes, or difficult joins, yet the design options are boundless. The mini quilt consists of four 12″ blocks, finishing at 24″, but it’s easy to make a quilt of any size by simply making more blocks or adding borders!

Andover Fabrics asked me a while back if I would do a guest post on their blog. Of course I said yes, and decided to share a foundation paper piecing tutorial to try to spread the love of this oft-disparaged quilting style. This pattern is the result, and the tutorial will be posted on the Andover blog soon, so keep your eye out for it! The tutorial will take you step by step through how to foundation paper piece this pattern, which in turn can be applied to all other foundation paper pieced patterns! I’ll be sure to link to it as soon as it’s live. In the meantime, go ahead and buy the pattern and start choosing your fabrics!

I created my version of Constant Flux inspired by Handcrafted Patchwork by Alison Glass from Andover Fabrics and just had to keep her gorgeous large motifs intact, so the pattern includes tools to help you plan meticulously cut elements if you so desire. I also include measurements for precutting fabric to make the process move more smoothly, so be sure to check out the tutorial early next week.

Constant Flux is available in my Craftsy store (and Payhip for those of you in the EU) and will be on sale for only $5 for the first week, after which it will return to its normal price of $8.

The name of Constant Flux makes me happy because of the play on words. The visual aspect of the pattern strongly elicits movement, thus the “Flux” part. Yet aspects of the quilt can be meticulously cut as exact replicas, which is where the “Constant” part of the name comes in. Depending on the way you look at it, the constant can imply both that the movement is happening at all times, or that there are some things that are constant despite the movement! Constant Flux.

For now, I haven’t quilted my first one and I already want to make Constant Flux in a different colorway. Look at all of the options I came up with in just a short moment of color arrangement play! The pattern comes with a full page coloring sheet so that you can explore your options before diving in. That bottom right version is calling to me–which one would you make first?!

I’d love to see what you create, so when you stitch up your Constant Flux quilt, please tag #constantfluxquilt and @nightquilter so that I can see your creation!

I’m linking up with Crazy Mom Quilts Finish it up Friday, Needle & Thread Thursday, and TGIFF. Happy stitching!

Hand Stitching, Quilting, Sponsored Post

Lucy Boston Patchwork of the Crosses EPP {Sizzix Tutorial}

February 29, 2016 kittywilkin 7 Comments

Today I’m excited to be blogging over on the Sizzix blog, sharing a tutorial on how to piece the iconic Lucy Boston Patchwork of the Crosses (PoTC) block. Lucy Boston blocks allow for endless meticulous cutting fun, the most kickassiduously planned pattern meet-ups, and of course lots of color play. (Translation: You can fussy cut your heart out and the blocks will look even more amazing the more meticulous you get). Since Lucy Boston blocks are English Paper Pieced (EPP), they are also great on-the-go projects. If you’re looking for a new EPP project but are getting a bit tired of hexies, I definitely would recommend Lucy Boston.

As you can see, I really stretched out of my color combination comfort zone with this project. With the Tula Pink Moonshine print as my focal fabric, I went wild with the blue, mustardy-yellow, and a pop of red palette. With my favorite Essex yarn dyed linen in charcoal as the background fabric, I’m really liking the way this is headed!

In my tutorial over on the Sizzix blog, I show how to:

make a fussy cutting planning template with the Sizzix Honeycombs and Squares die (so you don’t need to buy the acrylic template, too)
Find pattern repeats in fabric
Fussy cut using a Sizzix die cutting machine
Assemble the Lucy Boston PoTC block
I share tips on matching pattern meet-ups after fussy cutting, and more!

Many of these tips would be helpful to anyone wanting to create a Lucy Boston block, with or without a die cutting machine.

So head on over to the Sizzix blog and have a look at what I’ve been working on over the past few months!

I’m planning to turn my Lucy Boston blocks into a vertical wall hanging with three blocks and red accent squares. Stay tuned…

For other color combination inspiration, you can see another Lucy Boston PoTC project I did here, or peruse the Instagram feed of Rhea at Alewives Fabrics (one of my fav Maine quilt shops)–she’s a Lucy Boston fanatic!

I’m linking up with Design Wall Monday and tomorrow I’ll link to Stephanie’s Tips and Tutorials Tuesday. Check ’em out!

Also, just a reminder that today is the last day to enter the giveaway sponsored by Fat Quarter Shop! Comment on THIS post to enter!

Quilting

1930s Farmer’s Wife Sew Along: 2 Weeks In

October 12, 2015 kittywilkin 17 Comments

We are now two weeks into the year-long 1930s Farmer’s Wife Sew Along hosted by Angie at Gnome Angel and sponsored by Fat Quarter Shop and Marti Michell. I’m a block behind already, but it’s okay. No, seriously, I planned for this. At this point in my life, I have learned to actually PLAN for being behind schedule. (Is that weird or just really resourceful? I haven’t decided yet).

The final layout and block setting I chose/created includes background blocks between the farmer’s wife blocks, so my finished quilt only needs 72 blocks instead of the full 99. This gives me some much needed wiggle room and a whole lot less stress when I’m running “behind”. No worries. This is fun!

I’m having a great time so far experimenting with warm and cool color combinations as I put together the 6″ blocks. Here are the ones I have completed so far. For photos, I’m backing the warm colors with the black fabric in which they will be sashed, and the cool colors in a white/low volume print. I may swap a more grey-silver fabric in as sashing in the final quilt construction. Time will tell.

As you can see, I’ve been inspired by the gorgeous blocks being made by other quilters, especially the fun use of meticulous cutting. While I don’t have many “fussy cut”-able tone on tone fabrics, you can be sure you’ll be seeing more meticulous cutting in future blocks wherever I can make it work. It’s so much fun!

Reading the letters that correspond to each block has been my favorite part. The determined spirit of the farmer’s wives in the 1930s is inspiring and really puts things into perspective. While my block sewing has not been as reflective and relaxing as I imagined (shocker), I am enjoying this journey.

farmer's wife 1930s sampler quilt — The Farmer’s Wife 1930s Sampler Quilt: Inspiring Letters from Farm Women of the Great Depression and 99 Quilt Blocks That Honor Them by Laurie Aaron Hird for Fons & Porter/F+W; RRP $28.99 – Click here to purchase.

The only requirement for this sew-along is that you have the book by Laurie Aaron Hird, since the block measurements, directions, and templates are all included only in the book. There is also now an ebook available, which makes it super easy to jump right in.

I’m linking up with Angie’s Farmer’s Wife 1930 Sew Along Link up, week 2. I encourage you to hop over and see all of the gorgeously diverse blocks that have been made so far. It’s amazing how each person’s personal style and tastes can be put into the very same block! You can also visit the extremely active and growing Facebook group, which is now over 4,000 strong! I’m looking forward to making more of these blocks, and reading more inspiring reflections by the farmer’s wives of the 1930s.

Hand Stitching, Paper piecing, Quilting, Sponsored Post, Tutorials

A Quick Gift: EPP Rose Star Coasters {Sizzix Tutorial}

September 29, 2015 kittywilkin 9 Comments

Today I’m sharing a tutorial for some quick and easy English Paper Pieced (EPP) coasters, made particularly quick and easy by use of a Sizzix fabi die cutting machine to cut all of the fabric and templates, glue basting the EPP pieces, and backing the coasters with felt (photos and instructions for all steps are included in this tutorial!). They are also a great way to showcase your hand-stitched EPP and meticulous (fussy) cutting if you so desire.

While I was planning out and putting together the mug rug I’m making for my sister using the Sizzix Rose Star die (you can see my tutorial for getting started on the mug rug on the Sizzix blog HERE), I realized that the center of the Rose Star would make a perfect hexi coaster. Of course that idea stuck and I decided to play around with fabric arrangements and make a set of coordinating coasters to go along with my sister’s mug rug. Thus, this tutorial was born.

I’ve included affiliate links throughout this post so that if you decide that you want to give the Sizzix and Rose Star die a go and click through my link, I will receive a small compensation at no cost to you. Share the love, right?

Without further ado, here we go!

EPP Rose Star Coasters Tutorial

For this tutorial, I used the Sizzix fabi die cutting machine and the BigZ L Rose Star die, but many of the techniques can be applied to any EPP project.

First, gather your fabric and get your die cutting machine ready. As I shared in my Sizzix mug rug tutorial, I like to pass a piece of regular printer paper through the machine, and label the pieces to help with planning. The Rose Star die is designed for EPP, so the single die can cut all of the templates and fabric needed (pretty awesome, huh?).

For this project, we will be using the A and B pieces. Begin by cutting the templates needed: 1 A and 6 B for each coaster. Since I made four (4) coasters, I cut 4 As and 24 Bs. I use cardstock for my templates, and hole punch the centers to facilitate easy removal after the stitching is complete. Use what works for you.

The paper practice pieces can help you save time in cutting, too. For fabric shapes needed in duplicate, use the fabric piece to determine how wide of a fabric strip you will need, then use your rotary cutter and mat to cut a strip. As you can see, I gave myself some wiggle room, but if you’re a die cutting pro, you can really save fabric by lining up the shape flush with the edges of the cut strip.

Once you have your fabric strip, fold it accordion style and position it in your Sizzix sandwich: bottom cutting pad, die with the blades facing up, fabric over the fabric blades, and top cutting pad (not shown in this photo). Pass it right through the die cutting machine (or have your three year old crank it through for you), and you’ll have all of the pieces needed for a coaster. You can cut all the fabric needed for a coaster in one pass.

Now it’s time to baste our pieces.

For this project, I decided to finally try glue basting instead of thread basting. I got a Sue Daley fabric glue pen, but any washable glue stick or pen will also work (Elmer’s, Sewline, etc.). I’ve heard so much about how glue basting saves a ton of time with EPP, so I figured if I paired it with the time saving cutting from the Sizzix fabi, I’d be golden with a fun, fast, fabulous gift idea. (Pst… I was right!)

Glue basting is similar to thread basting in that you are securing the fabric around the cardstock template. With glue basting, first put a dab of glue on the center of your template and stick it to the center of the wrong side of your fabric.

Now is the time to double check any fussy cutting you did to make sure it all lines up how you want it.

Next, apply a thin line of glue along one edge of your template. Be careful to keep the glue from getting all the way to the edge of the cardstock, since it will make it much more difficult to remove the templates once you are finished (ask me how I know).

Here’s one way glue basting differs from thread basting. Instead of working your way around the template, apply glue to opposite sides of the shape to help even out the pull of the fabric.

Before you know it, you’ll have your first piece.

Continue glue basting all of the pieces needed for your coaster. With irregular shapes, start by gluing the longest side to help make the process smoother.

Have fun with your meticulous cutting. This is a great project for using those adorable little bits of fabric you’ve been saving.

Once all of your pieces are basted, it’s time to start stitching them together! I made a set of four (4) coasters, but you can make as few or as many as you want.All you need for this step is your basted pieces, sharp scissors, a sewing needle, and some thread in a coordinating color (I love using 50wt Aurifil thread). Sometimes, when the two pieces you’re sewing together are very different colors, there is no color that coordinates with both (like in my case). You can choose one of the colors to match, or just use a neutral color thread. I didn’t have black thread (Aurifil #2692, how have you evaded me!?), so I went with a contrasting light grey (Dove #2600) since I had already decided to quilt these with the contrasting colored thread. Once you have your supplies, this is a great project to take on the go, to stitch here and there.

To get started sewing the pieces together, arrange your basted pieces the way you want the finished coaster to look. Flip the first piece over one edge of the center hexagon, right sides together.

With a knotted thread, beginning at one corner, carefully stitch the two pieces together. The needle should only pass through the edges of the fabric, not the cardstock template, and only needs to catch a few threads of each fabric to hold. Many people use whip stitch to hold the pieces together (shown above). Sew the edge completely, then pick up the next basted piece, hold it right sides facing the next edge of the center hexagon, and continue sewing along that joining edge. There’s no need to knot your thread after each side; continue stitching the pieces together until you either run out of thread or you get to a point where no other piece can be directly joined.

I recently saw the idea of using ladder stitch to join EPP pieces, so had to try it. I LOVED it! With ladder stitch, instead of entering the edge of the fabric from the same side every time as with whip stitch, you pass the needle from the side you’re on to the opposite side with each stitch. It may take a bit more time because of the back and forth of the needle, but I prefer it since it results in a nearly invisible join and I’m a slow and steady stitcher to begin with. Use whichever stitch works best for you and sew all seams. Don’t be afraid to fold your center template in order to get the outer seams lined up and sewn together.

Once your coaster EPP tops are all stitched together, it’s time to assemble the coasters.

First, trace your EPP top onto a piece of 100% wool felt. I bought mine at my local quilt shop, Fiddlehead Artisan Supply, where there’s a huge wall of gorgeous wool felt from which to choose. Trace one hexagon backing for each of the coaster tops. I used a Sakura Micron pen since we are going to cut just inside the line and therefore it won’t be visible. Plus, Micron pens are the best.

Carefully cut *just* inside the line you traced.

This next step is optional, but if you plan to use the coasters for hot beverages I would recommend it. Gather some batting scraps. This is a great way to use those batting trimmings you’ve cut off the edge of finished quilts. Again, trace your hexagon coaster top and cut out along the line.

Trim 1/4″ off each edge of the batting hexagon. This way, the batting won’t stick out from the edges of the assembled coaster. I used my rotary cutter and ruler, but be sure to count how many edges you trim since it’s easy to lose track. You should have six (6) trimmings after trimming each hexagon. Set your felt and batting hexagons aside.

Now, back to your coaster tops. It’s time to take out those template papers! You will need your EPP coaster tops, a toothpick, a chop stick (or crochet hook), and an iron. Trust me, and no, we’re not making dinner!

Gently slide the toothpick under the glued edges of the fabric, separating the fabric from the cardstock template. Be particularly careful around the outer edges to separate the fabric from the cardstock without pulling it out of shape too much.

Once the fabric edges are separated from the cardstock template, grab your chopstick and stick the end of it in the hole punched hole of the template.

Gently pull the edge of the chopstick up and the cardstock template will pop right out. This chopstick removal method works much more smoothly with thread-basted EPP pieces, but as long as all of the glue spots have been unstuck, it should still smoothly remove the template. You can save the template and use it again!

Once all of your templates have been removed, give your coaster top a good press with a hot, dry iron, ensuring that all of the outer corners are still folded in the way they should be.

While you’re pressing your coaster top, fold in the edges of your outer seams like you’re making a paper airplane and press well. This will keep them away from the edges when you sew your layers together, keeping the edges of your coaster neat and clean and free from peeking-out seams.

It should leave a nice neat edge.

Now it’s time to assemble our coasters! You can probably just pin the layers together: felt on the bottom, then batting, then EPP coaster top, but I like to glue baste and use Clover Clips* to hold the layers together before sewing since it results in a nearly perfect alignment.

Using Elmer’s washable glue, make a tiny path of glue around the outside edge of the entire coaster. I use Fine Line Glue applicator tips provided by Pile O’ Fabric and they are fantastic. They are superfine applicators that screw onto a regular bottle of school glue, but they control the flow so that you don’t end up with gloppy globs of glue all over your project.

Assemble your layers: wool felt on the bottom, then batting centered within that, then EPP coaster top carefully positioned on top. Give it a gentle press with a warm iron (note that wool is now involved) to set the glue. Clover clip the edges for extra stability and head over to your sewing machine!

Top stitch about 1/8th inch from the edge of the entire periphery of the coaster.

You can also add additional quilting if desired and for added durability. I added a top stitched hexagon about 1/8th inch from the edge of the inner hexagon mirroring the outer edge stitches.

Carefully trim any wool felt that extends beyond the coaster top, and admire your EPP Rose Star coasters. Weren’t those quick and easy gifts? (You can give yourself gifts, too, you know!)

Between cutting the fabric and templates with the Sizzix die cutting machine, glue basting the EPP shapes, and backing the coasters with felt, these whip up as quickly as you can stitch the top together. It’s a great introductory project to EPP since it’s a quick finish, yet is still a handmade, hand stitched gift. I’m definitely planning on making more of these, and playing around with my fussy cutting, too.

*Disclaimer: Clover Clips are a favorite treasure for most toddlers. Use with discretion and awareness that there may be a pudgy hand lurking around any corner waiting to snatch your Clover Clips away.

I’m linking up with Late Night Quilter’s Tips and Tutorials Tuesday. Enjoy your coaster-making foray! (You know you want to make some!)

Quilting, Stash Building

Stash Building: Fussy Cutting Fabrics & Summer Nights Winner

August 9, 2015 kittywilkin 9 Comments

Today I’m not only sharing some additions to my stash, I’m also announcing the winner of the Summer Nights bundle giveaway sponsored by Fiddlehead Artisan Supply. Let’s celebrate the winner first!

summer nights fabric bundle fiddlehead — Summer Nights bundle at Fiddlehead Artisan Supply.

Once again, your comments were my absolute favorite part about the giveaway. To enter the giveaway, I asked you to share what you think of when you hear “summer nights”. Many of you immediately thought of the song from Grease, which honestly had not even entered my mind. Here is just a tiny sampling of some of the other gorgeous images you shared. Honestly, you’re poets!:

starry skies and campfires, s’mores and songs – Jenn
a glass of wine in the garden in the evening looking at the moon, with my husband sitting beside me – Helen
A cold drink and good conversation on the patio with friends. Staying up late, talking late into the night. – Amanda
Star gazing and fireflies – Monique B.
I remember back when we used to arrive at the beach after dark and you could hear and smell the ocean, but not see the waves washing up on the shore. It held the promise of warm days on the sand and wading in the water to cool off. Happy times. – Amelia V,
Summer nights… trees, black silhouettes against deepening dark blues of the sky… Soft breezes bringing a cool freshening, chasing the day’s heat… A cacophony of frogs, joined by the insistent chirping of crickets… Mystical, magical periodic blinking of fireflies (“lightening bugs”)… The scent of summer blossoms and growing, ripening gardens all around, lulling and delighting with every breath taken… “Day’s end, and all is right”, now, in this moment of time… – Pat T.

and finally, my favorite, which really should be published somewhere awesome:

Summer nights of my long ago childhood includes the wonderful memories of visiting my cousins in rural South Eastern Oklahoma. We would be playing as dusk started settling in. Dinner would have been enjoyed by the crowd of extended family. Always enough, always super tasty, never fancy. Then the adults would settle into their metal lawn chairs as we children raced around the yard. I can remember the low buzzing of their conversation as we played. They were talking about times before us and so we went about creating our own memories, not really sharing theirs. The light would fade and fade until it was almost completely dark around us, the porch light left on, but it’s beam barely reaching into the darkness. Beyond its beam, hidden in the dusk the adults would still carry on with their reminiscing, the murmuring and occasional sound of laughter a constant backdrop to our continued play. And this is when the magic happened. The magic of fireflies. First just a few, then finally a full chorus of them in the dark. Somehow jars would magically appear in our hands. The game was on! Cousins and I dashed as we tried to catch the elusive insects, nothing like the brash ugly insects bashing themselves around the back light porch! These were silent and graceful, taking all your skill to try to catch one as its light flickered on and off and on and off, teasing us to catch it.
So, that’s what I think of when summer nights are mentioned. I hope there are children still out there chasing fireflies and letting them go, barely hearing the history of their people as it’s murmured from lawn chairs that still sit under the clump of trees. It has been years and years since I have seen a firefly. Are they still out there? – magistra13

You probably want to know who won, though, right? Mr. Random chose number 74, which was Linda.

Congratulations, Linda! Your bundle will be mailed out tomorrow. Enjoy stitching with watermelon juice running down your chin! For those of you who didn’t win this one, you can buy this bundle from Fiddlehead Artisan Supply’s online shop (or in person) until they sell out!

It’s a big stash building day, since not only am I bolstering Linda’s stash, but I am also sharing a few new fabric bits that I bought at Maine Quilts for my own English Paper Piecing (EPP) stash. I love tone on tones, but meticulous cutting (also known as fussy cutting) is best with busier prints with lots going on.

Here is my full haul, from windswept kids to flowers (what!? I bought floral prints!?) to awesome sloths.

These first three fabrics were purchased from Alewives Fabrics, and are intended to work together in a currently unplanned future EPP project. From top to bottom, I bought:

1/2 yard of Zephyr by Rashida Coleman Hale for Cotton & Steel
1/4 yard of Picnic by Melody Miller for Cotton & Steel
1 yard of Moon Shine by Tula Pink for Free Spirit Fabrics

I typically don’t buy (or like, for that matter) floral prints, but that Moon Shine just drew me in and made me say uncle. I think the bold black background with the bright red, lime green, and turquoise combo just begs to be cut up and sewn back together in a fun geometric EPP way. I decided to add in a bit of the red Picnic and a generous splash of the limey green Zephyr, and there we have a solid beginning to a new project.

I also bought 1/2 yard of this Floral Bazzar in Orchid by Joel Dewberry for Free Spirit Fabrics. Again, it’s far more floral than I typically buy, but the diverse and detailed print just begs to be meticulously cut and pieced back together. I loved the color combination of the bright navy blue, coral, magenta, and grey and so bought this as a feature fabric for yet another not-yet-planned future EPP project. Just look at all of the variation in this one print!

Same fabric, different perspective, and an entirely new look, which means this will be FUN to chop!

Finally, these sloths!! Seriously, how could I NOT buy some of this fabric?! This is the epic sloth fabric, Sketches & Memories from Costa Rica from Honeymoon by Sarah Watts for Cotton & Steel. I bought 1/2 yard of this fabric from Fiddlehead Artisan Supply‘s booth at Maine Quilts. I don’t know what I’m going to make with it yet, but I just couldn’t resist. I surely will need to buy more, and might make a sloth bag just so that I can tote these guys around everywhere.

Did you know that I have a degree in Environmental science and saw sloths in Costa Rica while there for a Tropical Biology class? It wasn’t my honeymoon–maybe we should have gone to Costa Rica–but it sure is a memory, and I’m pretty sure I have a sketch (or at least a photograph) somewhere!

Does fabric ever talk to you, grab your wrist, and refuse to let you go without buying some? And then snuggle you the whole way home? Okay, good. I’m not weird.

I’m linking up with Molli Sparkles’ Sunday Stash, where he shows us the finer points of the not-so-floral Liberty prints.

Life, Quilting

Who Are You Calling “Fussy”?!

August 19, 2014 kittywilkin 27 Comments

Sometimes there’s a saying that is so commonly used that you don’t even think twice about it. Last month, while on vacation with my family, my brother Steven commented on how cool my specifically planned cutting looked in my English paper piecing project. I told him how in the quilting world it’s called “fussy cutting”, and how much fun I was having with this, my first foray into it. He looked at me with an almost offended air, repeating with disdain, “fussy cutting”?!

english paper piecing at the ocean — Fussy cutting in practice for my Lucy Boston Patchwork of the Crosses center.

Steven is an artist who lives in San Francisco among many other artists of various trades. Perhaps this is why he was so taken aback by the terminology paired with quilters’ practice of selectively cutting a fabric based upon a particular element or design. He reasoned, “You wouldn’t call Michelangelo a “fussy” painter. You might call him meticulous, or careful, but never fussy.” He has a point.

Dictionary.com offers this definition for the word fussy:

fussy

[fuhs-ee]

adjective, fussier, fussiest.

1. excessively busy with trifles; anxious or particular about petty details.

2. hard to satisfy or please:
a fussy eater.

3. (of clothes, decoration, etc.) elaborately made, trimmed, or decorated:
All the bric-a-brac gave the room a fussy, cluttered look.

4. full of details, especially in excess:
His writing is so fussy I lose the thread of the story.”

It’s true; the definition of the word fussy holds a decidedly negative air. “Petty details”? “…a fussy, cluttered look.” Losing the thread of the story because of the fussy writing. None of these definitions or examples are very flattering. Personally, I think that fussy cutting in quilting is a skill and style that deserves a more complimentary, positive name. Then again, it’s just a word, right?

Choosing a design to selectively cut. From @nightquilter on Instagram

This conversation got me thinking: who coined the term “fussy cutting” and when did it start getting popular? I wonder if it was a saying created by the quilters, or by those seeing the completed work. A bit of googling uncovered the fact that the first evidence of selectively cutting motifs from fabric was the development of Broderie Perse in England in the 1700’s (from answers.com, so take it for what it is). The article goes on to explain that “…this technique was used by women of wealth, who had the leisure time to devote to this style of applique. Their goal was to make a “best” quilt that would be shown off to friends or used on special occasions.” In other words, it was women of wealth who could afford the time and fabric to select only very specific features to make a “best” quilt, leaving the fussy cut refuse to waste or other small, non-functional projects. Was the term “fussing cutting” created by those of lesser social status out of semi-contempt of those who could afford such fabric waste and leisure?

In searching more, in an interview with Eleanor Burns conducted in 1999, she casually mentions that she and her sister may have coined the term “fussy cutting”. Here’s an excerpt of the interview:

Brenda Horton (BH): Now you called your sister the fussy one but you “fussy cut” sometimes on your patterns, is that where you got the term?

Eleanor Burns (EB): Yes, she told me “fussy cut.” What’s really interesting, we may have coined the word “fussy-cut” but now it’s a standard in the industry. And that’s really fun to see something you started as just common terminology.

MF: Explain to us what “fussy-cut” is.

EB: Fussy-cut means you would have a large floral design with a lot of flowers. You might just specially cut out one flower and use that one flower repeat throughout your quilt, so it’s just specially cut out of the fabric to use in a certain piece. It puts together a really pretty design– fussy.

It doesn’t sound very disparaging, although between sisters, perhaps there is a bit of a teasing tone? What do you think?

Assiduous cutting with Amy Butler's Lark fabric. — Assiduous cutting with Amy Butler’s Lark fabric.

For me, I can no longer say “fussy cutting” without thinking of my conversation with my brother. Here’s my IG post from the night of the conversation:

I wrote: Testing out my fussy cutting choices for my next #patchworkofthecrosses. Talking with my artist brother, we decided that “fussy cutting” is quite pejorative. So now, it will be punctilious, meticulous, assiduous, deliberate… but never “fussy”. Who’s with me!? #assiduouscutting not #fussycutting 🙂 Thanks, @vanfremdling and thanks to@goinghometoroost and @amybutlerdesign for the fantastic fabric for my @kickassiduouscutting !! #epp

I’m sure that “fussy cutting” will still be part of my quilting lingo, since when in Rome! However, I will also be using “assiduous cutting”, “meticulous cutting”, and “punctilious cutting” interchangeably. Personally, I lean toward “assiduous cutting” since then I can say I’m doing some “kick-ass-iduous cutting” tonight!

What do you think? Do you think “fussy cutting” has a derogatory inclination? If you are a quilt historian and have any more information regarding the origination of the term “fussy cutting”, I’d love to know!

Until then, have fun with your punctilious, meticulous, assiduous, deliberate, and okay… sometimes fussy… cutting. I know I will!